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Harry Gruyaert (Photofile) - Softcover

Matthieussent, Brice

 
9780500297308: Harry Gruyaert (Photofile)

Inhaltsangabe

Part of the Photofile series, this mini-monograph on Belgian photographer Harry Gruyaert features 74 of his best photographs.

Born in Antwerp in 1941, Harry Gruyaert was a pioneer of European colour photography in the 1970s and 1980s. In 1972, he created TV Shots, a series of images created by turning the dial on a television set at random and photographing the screen. Later he travelled the world, seeking out different kinds of light and exhibiting a particular fascination with borders, interfaces and incongruous juxtapositions.

A member of Magnum Photos since 1982, he describes colour as 'a means of sculpting what I see ... it's the emotion of photography.' Most recently he has begun to explore the experimental freedom offered by digital photography. Autonomous, non-narrative and often witty, Gruyaert's images are complex encounters with colour and light.

The Photofile Series
Photofile brings together the best work of the world's greatest photographers in an attractive, accessible, pocket-sized format. Handsome and collectable, the books are printed to the highest standards. Each one contains over sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography.

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Über die Autorin bzw. den Autor

Brice Matthieussent is a French writer, translator, and editor. He is professor of aesthetics at the Art School of Marseilles.

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New in the Photofile series, a mini-monograph on Belgian photographer Harry Gruyaert.

Born in Antwerp in 1941, Harry Gruyaert was a pioneer of European colour photography in the 1970s and 1980s. In 1972, he created TV Shots, a series of images created by turning the dial on a television set at random and photographing the screen. Later he travelled the world, seeking out different kinds of light and exhibiting a particular fascination with borders, interfaces and incongruous juxtapositions. A member of Magnum Photos since 1982, he describes colour as ‘a means of sculpting what I see ... it’s the emotion of photography.’ Most recently he has begun to explore the experimental freedom offered by digital photography. Autonomous, non-narrative and often witty, Gruyaert’s images are complex encounters with colour and light.

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