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'A burst of springtime joy' Daily Telegraph
'A springboard for ideas about art, space, time and light' The Times
'Lavishly illustrated' Guardian
David Hockney reflects upon life and art as he experiences lockdown in rural Normandy
An uplifting manifesto that affirms art's capacity to divert and inspire, Spring Cannot be Cancelled draws on a wealth of conversations and correspondence between the late David Hockney and art critic Martin Gayford, in which the artist reflects upon life as he self-isolates in rural France. Their exchanges span nature, food, art, opera, fairy tales and more, and are illustrated by a selection of Hockney's Normandy iPad drawings and paintings alongside works by other artists, including van Gogh, Monet and Bruegel. We see how Hockney is propelled ever forward by his infectious enthusiasms and sense of wonder, still utterly absorbed by the themes that have fascinated him for decades: light, colour, space, perception, water, trees. He has much to teach us, not only about how to see... but about how to live.
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David Hockney (1937-2026) was one of the most influential British artists of the 20th century. He produced work in almost every medium - painting, drawing, stage design, photography and printmaking - and stretched the boundaries of all of them. His groundbreaking Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters is published by Thames & Hudson, as are his books in partnership with Martin Gayford: A Bigger Message (2011), A History of Pictures (2016) and Spring Cannot be Cancelled (2021). Thames & Hudson also published the catalogue of his blockbuster exhibition at the Fondation Louis Vuitton in 2025.
Martin Gayford is art critic for The Spectator. His books include Modernists & Mavericks, Man with a Blue Scarf, A Bigger Message, Rendez-vous with Art (with Philippe de Montebello), A History of Pictures (with David Hockney), and, most recently, The Pursuit of Art, all published by Thames & Hudson.
David Hockney reflects upon life and art as he experiences lockdown in rural Normandy
On turning eighty, David Hockney sought out rustic tranquillity for the first time: a place to watch the sunset and the change of the seasons; a place to keep the madness of the world at bay. So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, h
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