The Book of Durrow: Official Guide - Softcover

Dublin, Trinity College Library ; Moss, Rachel

9780500294604: The Book of Durrow: Official Guide

Softcover

ISBN 10: 0500294607 ISBN 13: 9780500294604

Verlag: Thames & Hudson Ltd, 2018

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The Book of Durrow is among the earliest surviving decorated manuscripts in north-western Europe, dating to the late seventh century AD. A masterpiece of Celtic art, it is believed to be the oldest fully decorated Insular Gospel that survives, pre-dating the Book of Kells by more than a century. Created in a monastery associated with the Irish saint Colum Cille (St Columba), its text and artwork reflect the formative years of a ‘golden age’ of artistic production in Ireland and Britain. This richly decorated introductory guide explores the manuscript’s distinctive artwork and tells the extraordinary story of its preservation in the Irish monastery at Durrow – first as sacred text then as relic – and its acquisition in the seventeenth century by the Library of Trinity College Dublin.

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�ber die Autorinnen und Autoren

Trinity College is the sole constituent college of the University of Dublin, a research university in Ireland. The college was founded in 1592 and is Ireland's oldest university.

Rachel Moss is associate professor of the history of art at Trinity College Dublin, where the Book of Durrow is held. She is a specialist in the art of early medieval Ireland and has published widely on the subject, including Art and Architecture of Ireland: Medieval, c. 400–c. 1600 (2014).

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The Book of Durrow is among the earliest-surviving decorated manuscripts in northwestern Europe. A masterpiece of Celtic art, it is believed to be the oldest fully decorated Insular Gospel that survives, pre-dating the Book of Kells by more than a century. Created in a monastery associated with the Irish saint Colum Cille (St Columba), its text and artwork reflect the formative years of a distinctive 'golden age' of artistic production in Ireland and Britain. This richly decorated introductory guide explores the manuscript's distinctive artwork, providing a fascinating view of the eclectic sources drawn upon by the scribe/illuminator to adorn this sacred text.

An introduction to the art and text of the manuscript is accompanied by an examination of some of the practical challenges that faced its maker, such as working on and binding with vellum, and early inks and pigments. Issues around the provenance of the manuscript are explored, as is the extraordinary story of its preservation in the Irish monastery at Durrow, and what its pages reveal about its changing status, first as sacred text then as relic, over a lifetime of almost 1300 years.

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