Humument: A Treated Victorian Novel - Softcover

Phillips, Tom

 
9780500290439: Humument: A Treated Victorian Novel

Inhaltsangabe

In the mid-1960s, Tom Phillips took a forgotten nineteenth-century novel, W. H. Mallock’s A Human Document, and began cutting and pasting the extant text to create something new. This new fifth edition of Tom Phillips’s perennially popular book follows its predecessors by incorporating revisions and re-workings – over half the pages in the 1980 edition are replaced by new versions – and celebrates an artistic enterprise that is over 45 years old and still actively a work in progress. ‘Utterly original, delightful and idiosyncratic’ – David Lodge ‘Sly, humorous, erotic and endlessly fascinating’ – Edward Lucie Smith, The Sunday Times ‘Turns a forgotten work into a thing of rare beauty’ – Bernard Levin, The Sunday Times ‘Intricate, philosophical, romantic … and often funny’ – Michael Kustow, The Guardian ‘One of the freshest and most original pieces of art literary work you are likely to see’ – Evan Anthony, The Spectator

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Über die Autorin bzw. den Autor

Tom Phillips CBE RA is a painter, writer, translator and composer. Collaborators include the filmmaker Peter Greenaway (A TV Dante), the novelist Salman Rushdie (Merely Connect) and the composer Tarik O’Regan (Heart of Darkness). Informing Phillips’s work for half a century, A Humument has appeared in many guises beyond book and exhibition form, including operatically in Irma, digitally as an app and aurally, read by the artist himself. Tom Phillips is also an ardent Africanist. His groundbreaking exhibition ‘Africa: The Art of a Continent’ at the Royal Academy in 1992 attracted huge crowds and enthusiastic reviews. He is himself a collector of African Art, specializing in the arts of Ghana and the Ivory Coast.

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In the mid-1960s, Tom Phillips took a forgotten nineteenth-century novel, W. H. Mallock's A Human Document, and began cutting and pasting the extant text to create something new. This new fifth edition of Tom Phillips's perennially popular book follows its predecessors by incorporating revisions and re-workings - over half the pages in the 1980 edition are replaced by new versions - and celebrates an artistic enterprise that is over 45 years old and still actively a work in progress. 'Utterly original, delightful and idiosyncratic' - David Lodge 'Sly, humorous, erotic and endlessly fascinating' - Edward Lucie Smith, The Sunday Times 'Turns a forgotten work into a thing of rare beauty' - Bernard Levin, The Sunday Times 'Intricate, philosophical, romantic . and often funny' - Michael Kustow, The Guardian 'One of the freshest and most original pieces of art literary work you are likely to see' - Evan Anthony, The Spectator

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