Anthology for Music in Western Civilization, Volume C: Romanticism to the Present - Softcover

Über die Autorinnen und Autoren

Timothy J. Roden (Bachelor of Music, Houghton College, 1980; Ph.D., Northwestern University, 1992) teaches music history, world music, survey of music literature, and music appreciation at Ohio Wesleyan University. He received grants from Northwestern University and the Deutscher Akademischer Austauschdienst that allowed him to complete research in Berlin, Germany, on German orchestral lieder. He has contributed an article on Schumann's lieder to the NATS Journal, is preparing an edition of orchestral lieder for a scholarly press, and has prepared ancillaries to accompany Wright's LISTENING TO MUSIC (Thomson-Schirmer).

Craig M. Wright, Ph.D., received his Bachelor of Music from the Eastman School of Music in 1966 and his Doctorate in Musicology from Harvard University in 1972. He began his teaching career at the University of Kentucky and for over forty years taught at Yale University, where he was the Henry L. and Lucy G. Moses Professor of Music. At Yale, Wright’s courses included his perennially popular introductory course, Listening to Music (also part of the offerings of Open Yale Courses); his large lecture course, Exploring the Nature of Genius; and most recently his Coursera course, Introduction to Classical Music. He is the author of numerous scholarly books and articles on composers ranging from Leoninus to Bach. Wright has also been the recipient of many awards, including a Guggenheim Fellowship, the Einstein and Kinkeldey Awards of the American Musicological Society, and the Dent Medal of the International Musicological Society. In 2004, he was awarded the honorary degree Doctor of Humane Letters from the University of Chicago. In 2010 he was elected a member of the American Academy of Arts and Sciences, joining fellow inductee and banjo player Steve Martin.

Bryan R. Simms (Bachelor of Arts, Yale University, 1966; Ph.D., Yale University, 1971) has taught since 1976 at the University of Southern California, where he has been director of graduate studies and is currently chair of the department of musicology. He is the recipient of fellowships from the National Endowment for the Humanities and the Fulbright Foundation. He is the author of books and articles on topics in twentieth-century music and music theory, including MUSIC OF THE TWENTIETH CENTURY (Schirmer 1996) and, most recently, THE ATONAL MUSIC OF ARNOLD SCHOENBERG, 1908-1923 (Oxford University Press).