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A Burst of Light: and Other Essays - Hardcover

Lorde, Audre

 
9780486818993: A Burst of Light: and Other Essays

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"The self-described black feminist lesbian mother poet used a mixture of prose, theory, poetry, and experience to interrogate oppressions and uplift marginalized communities. She was one of the first black feminists to target heteronormativity, and to encourage black feminists to expand their understanding of erotic pleasure. She amplified anti-oppression, even as breast cancer ravaged her ailing body." Evette Dionne, Bustle MagazineA great American theorist of race, gender, living, and dying, poet and activist Audre Lorde created a body of work that was ahead of its time in its embrace of intersectionality. Lorde's writings have become increasingly influential since her death in 1992, contributing to the timeliness of her 1988 American Book Award-winning collection, A Burst of Light.From reflections on her struggle with cancer to thoughts on lesbian sexuality and African-American identity in a straight white man's world, Lorde's voice remains enduringly relevant. Those who practice and encourage social justice activism frequently quote her exhortation, "Caring for myself is not self-indulgence, it is self-preservation, and that is an act of political warfare." In addition to the journal entries of "A Burst of Light: Living with Cancer," this edition includes an interview, "Sadomasochism: Not About Condemnation," and three essays, "I Am Your Sister: Black Women Organizing Across Sexualities," "Apartheid U.S.A.," and "Turning the Beat Around: Lesbian Parenting 1986," as well as a new Foreword by Sonia Sanchez."When I don't know what to do, I turn to the Lorde." Alexis Pauline Gumbs, Bitch Media

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A great American theorist of race, sexuality, gender, living, and dying, poet and activist Audre Lorde (1934'1992) created a body of work that was ahead of its time in its embrace of intersectionality. Her debut poetry collection, 1973's From a Land Where Other People Live, was nominated for the National Book Award and she was named New York State's Poet Laureate and received the Bill Whitehead Award for Lifetime Achievement. Other notable works include The Cancer Journals, her novel Zami, and the collection Sister Outsider. A member of the Black Arts Movement and a prominent advocate of the Afro-German identity during her years studying in Berlin, Lorde's writings have become increasingly influential since her death in 1992 of liver cancer.


A great American theorist of race, sexuality, gender, living, and dying, poet and activist Audre Lorde (1934–1992) created a body of work that was ahead of its time in its embrace of intersectionality. Her debut poetry collection, 1973's From a Land Where Other People Live, was nominated for the National Book Award and she was named New York State's Poet Laureate and received the Bill Whitehead Award for Lifetime Achievement. Other notable works include The Cancer Journals, her novel Zami, and the collection Sister Outsider. A member of the Black Arts Movement and a prominent advocate of the Afro-German identity during her years studying in Berlin, Lorde's writings have become increasingly influential since her death in 1992 of liver cancer.

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"Lorde's words ' on race, cancer, intersectionality, parenthood, injustice ' burn with relevance 25 years after her death." ' O, The Oprah Magazine

"You don't read Audre Lorde, you feel her." ' Essence

"Lorde's timeless prose in this collection provides contemporary social justice warriors the language, strategies, and lessons around resistance, through the power of intersectionality, a Pan-African vision, and ' ultimately ' through the power of love and radical self-care." ' NBC News

"When I don't know what to do, I turn to the Lorde." ' Alexis Pauline Gumbs, Bitch Media

"Whenever my mind is heavy with questions and my heart thirsts for nourishment, I turn to the writing of Audre Lorde. Every time I revisit the words of Audre Lorde, I marvel over how relevant they continue to be." ' AfterEllen.com

"The self-described black feminist lesbian mother poet used a mixture of prose, theory, poetry, and experience to interrogate oppressions and uplift marginalized communities. She was one of the first black feminists to target heteronormativity, and to encourage black feminists to expand their understanding of erotic pleasure. She amplified anti-oppression, even as breast cancer ravaged her ailing body." ' Evette Dionne, Bustle Magazine

"This was my first time reading Audre Lorde (finally!) and now I can't wait to devour everything she ever wrote. This was the kind of book that you end up highlighting so many great quotes, words you want to memorize, apply, breathe. Empowering read." ' Litsy

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A Burst of Light and Other Essays

By Audre Lorde

Dover Publications, Inc.

Copyright © 1988 Audre Lorde
All rights reserved.
ISBN: 978-0-486-81899-3

Contents

Foreword, vii,
Sadomasochism: Not About Condemnation, 1,
I Am Your Sister: Black Women Organizing Across Sexualities, 10,
Apartheid U.S.A., 18,
Turning the Beat Around: Lesbian Parenting 1986, 30,
A Burst of Light: Living with Cancer, 40,


CHAPTER 1

Sadomasochism: Not About Condemnation

An Interview with Audre Lorde by Sufan Leigh Star


Without a rigorous and consistent evaluation of what kind of a future we wish to create, and a scrupulous examination of the expressions of power we choose to incorporate into all our relationships including our most private ones, we are not progressing, but merely recasting our own characters in the same old weary drama. ... S/M is not the sharing of power, it is merely a depressing replay of the old and destructive dominant/subordinate mode of human relating and one-sided power, which is even now grinding our earth and our human consciousness into dust.

— Audre Lorde


I spent June and July of 1980 in rural Vermont, an idyllic, green, vital world, alive in a short summer season. I teach there summers and winters. One afternoon, Sue (another teacher) and I lay sunbathing on a dock in the middle of a small pond. I suddenly imagined what it would be like to see someone dressed in black leather and chains, trotting through the meadow, as I am accustomed to seeing in my urban neighborhood in San Francisco. I started laughing as one of the parameters of the theater of sadomasochism became clear: it is about cities and a created culture, like punk rock, which is sustained by a particularly urban technology.

Later in the week, Sue and I drove over bumpy dirt roads far into the Northeast Kingdom, the most rural area of Vermont, to interview Audre Lorde. Again, I was struck by the incongruity of sitting in the radiant sunshine, with radiant Audre and Frances and Sue, listening to bobwhites and watching the haze lift far down in the valley, and the subject of our conversation seemed to belong to another world.

I include this description of our physical surroundings because it seems important to me to recognize that all conversations about sadomasochism take place in particular places and at particular historical times which ought to be noted and compared.


Leigh: How do you see the phenomenon of sadomasochism in the lesbian community?


Audre: Sadomasochism in the lesbian-feminist community cannot be seen as separate from the larger economic and social issues surrounding our communities. It is reflective of a whole social and economic trend of this country.


Sadly, sadomasochism feels comfortable to some people in this period of development. What is the nature of this allure? Why an emphasis on sadomasochism in the straight media? Sadomasochism is congruent with other developments going on in this country that have to do with dominance and submission, with disparate power — politically, culturally, and economically.

The attention that Samois is getting is probably out of proportion to the representation of sadomasochism in the lesbian community. Because s/m is a theme in the dominant culture, an attempt to "reclaim" it rather than question it is an excuse not to look at the content of the behavior. For instance, "We are lesbians doing this extreme thing, and you're criticizing us!" Thus, sadomasochism is used to delegitimize lesbian-feminism, lesbianism, and feminism.


Leigh: So you're saying that the straight media both helps amplify the phenomenon within the lesbian community and that they focus on lesbians in particular as a way of not dealing with the larger implications and the very existence of the phenomenon in the world?


Audre: Yes. And because this power perspective is so much a part of the larger world, it is difficult to critique in isolation. As Erich Fromm once said, "The fact that millions of people take part in a delusion doesn't make it sane."


Leigh: What about the doctrine of "live and let live" and civil liberties issues?


Audre: I don't see that as the point. I'm not questioning anyone's right to live. I'm saying we must observe the implications of our lives. If what we are talking about is feminism, then the personal is political and we can subject everything in our lives to scrutiny. We have been nurtured in a sick, abnormal society, and we should be about the process of reclaiming ourselves as well as the terms of that society. This is complex. I speak not about condemnation but about recognizing what is happening and questioning what it means. I'm not willing to regiment anyone's life, but if we are to scrutinize our human relationships, we must be willing to scrutinize all aspects of those relationships. The subject of revolution is ourselves, is our lives.

Sadomasochism is an institutionalized celebration of dominant/ subordinate relationships. And, it prepares us either to accept subordination or to enforce dominance. Even in play, to affirm that the exertion of power over powerlessness is erotic, is empowering, is to set the emotional and social stage for the continuation of that relationship, politically, socially, and economically.

Sadomasochism feeds the belief that domination is inevitable and legitimately enjoyable. It can be compared to the phenomenon of worshipping a godhead with two faces, and worshipping only the white part on the full moon and the black part on the dark of the moon, as if totally separate. But you cannot corral any aspect within your life, divorce its implications, whether it's what you eat for breakfast or how you say good-bye. This is what integrity means.


Leigh: That relates to two central arguments put forth by the women of Samois: that liberal tolerance is necessary in the realm of sexuality and that the power over part of the relationship is confined to the bedroom. I feel, as you do, that it is dangerous to try to cordon off such a vital part of our lives in this way.


Audre: If it is confined to the bedroom, then why was the Samois booklet (What Color Is Your Handkerchief?: A Lesbian S/M Sexuality Reader) printed? If it is not, then what does that mean? It is in the interest of a capitalist profit system for us to privatize much of our experience. In order to make integrated life choices, we must open the sluice gates in our lives, create emotional consistency. This is not to say that we act the same way, or do not change and grow, but that there is an underlying integrity that asserts itself in all of our actions. None of us is perfect, or born with that integrity, but we can work toward it as a goal.

The erotic weaves throughout our lives, and integrity is a basic condition that we aspire to. If we do not have the lessons of our journeys toward that condition, then we have nothing. From that life-vision, one is free to examine varying paths of behavior. But integrity has to be a basis for the journey.

Certain things in every society are defined as totally destructive. For instance, the old example of crying "fire" in a crowded theater. Liberalism allows pornography and has allowed wife beating as First Amendment rights. But this doesn't fit them into my life-vision, and they are both an immediate threat to my life.

The question I ask, over and over, is who is profiting from this? When sadomasochism gets presented on center stage as a conflict in the feminist...

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