Rejecting the "badly constructed, over-ornate, meaningless" furniture of the late Victorian period, architect, furniture designer and manufacturer Gustav Stickley developed a radical new design concept that stressed careful workmanship, simplicity, and utility. His important monthly magazine The Craftsman (1901–16) published construction plans for his distinctly American furniture.
The 62 simple, straightforward projects reprinted here — exquisite examples of Stickley's classic designs — first appeared in The Craftsman between 1903 and 1907. Included are projects large and small enough to satisfy the household needs and creative urges of any woodworker. Make authentic reproductions of handsome, functional, sturdy Craftsman home furnishings from bookcases to bedsteads, dressers to dining tables, a hall tree, a foot rest, a wood-box and more — future family heirlooms that will stand the test of time both in durability and in clean, elegant purity of line. Each project includes Stickley's original information for woodworkers of the early 1900s: a perspective drawing of the completed piece; a brief description of the item with suggestions for appropriate choices of wood; a "mill bill" giving complete lumber specifications; and schematic drawings showing both front and side views with accurate measurements.
All woodworkers, even beginners, will delight in this collection of genuine Stickley plans for 62 of the finest, most desirable pieces of Craftsman or "mission-style" furniture. Antique collectors, furniture restorers, and historians of American style also will appreciate the detailed information on an influential design movement enjoying a resurgence in popularity.
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Rejecting the "badly constructed, over-ornate, meaningless" furniture of the late Victorian period, architect, furniture designer and manufacturer Gustav Stickley developed a radical new design concept that stressed careful workmanship, simplicity, and utility. His important monthly magazine The Craftsman (1901–16) published construction plans for his distinctly American furniture.
The 62 simple, straightforward projects reprinted here—exquisite examples of Stickley's classic designs—first appeared inThe Craftsman between 1903 and 1907. Included are projects large and small enough to satisfy the household needs and creative urges of any woodworker. Make authentic reproductions of handsome, functional, sturdy Craftsman home furnishings from bookcases to bedsteads, dressers to dining tables, a hall tree, a foot rest, a wood-box and more—future family heirlooms that will stand the test of time both in durability and in clean, elegant purity of line. Each project includes Stickley's original information for woodworkers of the early 1900s: a perspective drawing of the completed piece; a brief description of the item with suggestions for appropriate choices of wood; a "mill bill" giving complete lumber specifications; and schematic drawings showing both front and side views with accurate measurements.
All woodworkers, even beginners, will delight in this collection of genuine Stickley plans for 62 of the finest, most desirable pieces of Craftsman or "mission-style" furniture. Antique collectors, furniture restorers, and historians of American style also will appreciate the detailed information on an influential design movement enjoying a resurgence in popularity.
Foot Rest,
Man's Dressing Cabinet,
Child's Arm Chair,
Two Tabourets,
Small Octagonal Tabouret,
Round Table,
Drop-Leaf Table,
Desk Chair,
Screen,
Shirt-Waist Box,
Garden Bench,
Magazine Cabinet,
Library Table,
Hall Clock,
Dining Table,
Arm Chair,
Writing Desk,
Bookcase,
Bedstead,
Child's High Chair,
Swing Seat,
Wall Cabinet,
Hanging Book Shelf,
Hall Clock,
Mantel and Wall Clocks,
Writing Table,
Morris Chair,
Dining Table,
Side Chair,
Sideboard,
Settle,
Plate Rack,
Corner China Cabinet,
Serving Table,
Child's Table,
Child's Settle,
Bedroom Stand,
Hall Table with Mirror,
Child's Open Bookcase,
Spindle-Bed for Child,
Child's Dresser,
Piano Bench,
Round Table,
Practical Shaving Stand,
Easy Chair for Veranda,
Bookcase for Encyclopedia,
Desk for Child,
Tea Table,
Combination Encyclopedia Table,
Hall Mirror,
Library Table,
Hall Tree,
Bookcase,
Wood-Box,
Secretaire,
Leather-Covered Stool,
Library Arm Chair,
Library Table,
Folding Card Table,
Bookcase and Cupboard,
Index of Projects,
A FOOT REST
THIS piece of furniture is designed for a foot rest, but might find plenty of use in a house, especially in a bedroom, where it could be used for a slipper stool. Its construction needs no further explanation than is apparent from the drawing. The wood could well be one of the harder variety: oak, chestnut, mahogany or maple—either fumed or stained. The seat cover could be of leather or tapestry fastened with brass, copper or iron nails. For a section showing the method of upholstering, attention is called to the plans of the desk chair shown on page 15.
A Man's Dressing Cabinet
ONE seldom finds a more simple, convenient object of household use than the man's dressing cabinet here illustrated, which combines the functions usually filled by two or three pieces, by uniting them into a compact whole. The cabinet has the additional advantages of being pleasing in appearance, and so simple in construction that any craftsman may easily build it, in accordance with the subjoined directions.
The dimensions of the piece are fifty-four inches in height by thirty-six inches wide and twenty-four inches deep, with a framing of seven-eighth inch stuff, as indicated, and with one-half inch panels. The doors are provided with strap-hinges, and, on the inside, are lettered with such inscriptions as may suit the fancy of the individual builder.
The large, topmost drawer, running the entire length of the piece, is five inches deep, and is designed for a general utility place. The small upper drawer at the right, is fitted, like a change-drawer, with six saucer-like divisions for shirt, collar, and sleeve buttons, and other small objects which are easily lost. Behind lies a space for handkerchiefs. This drawer, the one beneath it, and the two on the left are five inches deep.
The compartments in the center of the cabinet and those which are beneath the small lateral drawers pull out. Their dimensions are ten and one-half by ten inches.
The two large trays at the bottom are used, the one for shoes, and the other for trousers. The space thus afforded, permits the garments to be laid aside without folding at the knee.
By this device, as well as by the other provisions of the cabinet, all folding and rumpling of clothing are obviated. Furthermore, when the doors are opened, the wardrobe lies ready for use : a saving of time which will be appreciated by the hard-working business or professional man of many engagements, for whom a minute saved is sometimes a fortune gained.
CHILD'S ARM CHAIR
IN building this chair put all together excepting the arms, and when the glue is dry the arm dowells are fitted and the back ones shoved into place; then, by pressure, the front will spring into its proper position. All dowells are well glued, and the glue is warmed before using. Attention is called also to the joining of the seat rails, also the three-eighths of an inch cut from the bottom of the back post after the chair is put together. This makes a little slant back to the seat, and gives a comfortable posi-to the sitter. The back slats of the chairs are slightly curved. This is done by thoroughly wetting or steaming the wood and pressing it into shape—then allowing it to dry. The accompanying drawing will illustrate a device for this purpose, which for the amateur is quite as practical as a steam press.
TWO DESIGNS FOR TABOURETS
THESE pieces are almost identical in construction, yet differ in size and shape of the top. Either one would be a useful addition to almost any room for the purpose of holding a jardiniere, while the larger one might be used as a small tea table.
A few construction points may be noted: Where the tenons of the legs come through the top they should be wedged—then planed flush with the top. In cutting the mortises for the stretchers of the square tabouret note that there is one-half an inch difference in the heights of the two stretchers. A dowel pin three-eights of an inch in diameter runs all the way through the legs holding the tenon of the stretcher—this is planed off flush with the sides of the leg.
Any soft wood, as pine or white wood, may be used, or the harder woods, if desired.
SMALL OCTAGONAL TABOURET
THIS table is rather a heavy one in design and could well be used for a den, living room, library or man's room. The legs slanting outward give it a sturdy appearance. It could be used as a jardiniere stand, to hold a cigar-box and ash tray, or on a hot day a place to rest a tray with cool drinks.
Little needs to be said concerning its construction, as what has already been said about the preceding tables covers this one with possibly the exception of the stretcher keys—these must not be driven so hard as to split the wood which there is some danger of doing at the end of the tenons.
Any soft wood, as pine or white wood, may be used, or the harder woods, if desired.
ROUND TABLE
THIS piece is designed for use in a room where a light treatment is carried out and would make a good bedroom or sewing room table and might possibly find its place, for occasional use, in a living room.
The construction is very simple and little need be said except that all the joints should be well made so the table will be rigid—especially the brace under the top which keeps the piece firm. The top is fastened on with "table irons." A full-sized sketch is here given—these irons are first screwed to the top braces—then the work is turned up-side-down and the screws put in which fasten the top to the base.
Use oak, chestnut, mahogany, or any medium hard wood.
THE DROP-LEAF TABLE
THIS is a table suited to many uses. Its top when opened, is forty inches square—quite large enough to be used as a breakfast table, and for a living room. Its chief advantage is that when the leaves are dropped the space occupied by it is very small, so that it can be moved back out of the way against the wall. A...
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