Excerpt from Family Secrets, Vol. 2: Or Hints to Those Who Would Make Home Happy
How much the poetic character of all external objects depends upon the manner in which they are presented to our observation! A wandering artist, or even a poet in search of the picturesque, would probably have paused at the nearest stile, and fixed his enraptured gaze upon the village church of Heatherstone, as a subject scarcely to be rivalled for a sketch, of a poem. The old trees which skirted the churchyard, the high gray tower, and the gravestones, new and old, were real objects in the scene and his imagination could easily supply the ivy for the ancient porch, the white marble or the green turf for the venerated tombs, and the Silent mourner stealing from the public gaze to shed her tears unseen.
Far different were the associations of Owen Meredith, curate of Heatherstone, as he looked towards that dese crated scene. To him the gray walls of the old church were bleak and bare, and the unclothed porch the reverse of poetical; for there sat the beggars who were not in want.
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from Family Secrets, Vol. 2: Or Hints to Those Who Would Make Home Happy
How much the poetic character of all external objects depends upon the manner in which they are presented to our observation! A wandering artist, or even a poet in search of the picturesque, would probably have paused at the nearest stile, and fixed his enraptured gaze upon the village church of Heatherstone, as a subject scarcely to be rivalled for a sketch, of a poem. The old trees which skirted the churchyard, the high gray tower, and the gravestones, new and old, were real objects in the scene and his imagination could easily supply the ivy for the ancient porch, the white marble or the green turf for the venerated tombs, and the Silent mourner stealing from the public gaze to shed her tears unseen.
Far different were the associations of Owen Meredith, curate of Heatherstone, as he looked towards that dese crated scene. To him the gray walls of the old church were bleak and bare, and the unclothed porch the reverse of poetical; for there sat the beggars who were not in want.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Artikel-Nr. LX-9780484701846
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