"By drawing distinctions, differences, limits, and oppositions, by naming them with terms that already have a context, history, set of cultural associations, and meanings, the authors 'create' the board on which others can play. Bay-Cheng, Parker-Starbuck, and Saltz offer maps for the field (understood as a metaphorical territory) that will allow others to perform operations--creative and/or analytical--that may not have been possible otherwise." -- Lance Gharavi, Arizona State University
This timely collaboration by three prominent scholars of media-based performance presents a new model for understanding and analysing theatre and performance created and experienced where time-based, live events, and mediated technologies converge-particularly those works conceived and performed explicitly within the context of contemporary digital culture. Performance and Media introduces readers to the complexity of these performances and helps them understand and contextualize the work. Each author provides a different model for how best to approach this work, and invites readers to develop their own critical frameworks, i.e., taxonomies, to analyse both past and emerging performances. Performance and Media capitalizes on the advantages of digital media and online collaborations, while simultaneously creating a responsive and integrated resource for research, scholarship, and teaching. Unlike other monographs or edited collections, this book presents the concept of multiple taxonomies as a model for criticism in a dynamic and rapidly changing field.
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