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Performing Queer Latinidad: Dance, Sexuality, Politics (Triangulations: Lesbian/Gay/Queer Theater/Drama/performance) - Softcover

Buch 4 von 14: Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance

Rivera-Servera, Ramon

 
9780472051397: Performing Queer Latinidad: Dance, Sexuality, Politics (Triangulations: Lesbian/Gay/Queer Theater/Drama/performance)

Inhaltsangabe

Performing Queer Latinidad highlights the critical role that performance played in the development of Latina/o queer public culture in the United States during the 1990s and early 2000s, a period when the size and influence of the Latina/o population was increasing alongside a growing scrutiny of the public spaces where latinidad could circulate.  Performances---from concert dance and street protest to the choreographic strategies deployed by dancers at nightclubs---served as critical meeting points and practices through which LGBT and other nonnormative sex practitioners of Latin American descent (individuals with greatly differing cultures, histories of migration or annexation to the United States, and contemporary living conditions) encountered each other and forged social, cultural, and political bonds. At a time when latinidad ascended to the national public sphere in mainstream commercial and political venues and Latina/o public space was increasingly threatened by the redevelopment of urban centers and a revived anti-immigrant campaign, queer Latinas/os in places such as the Bronx, San Antonio, Austin, Phoenix, and Rochester, NY, returned to performance to claim spaces and ways of being that allowed their queerness and latinidad to coexist. These social events of performance and their attendant aesthetic communication strategies served as critical sites and tactics for creating and sustaining queer latinidad.

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Über die Autorinnen und Autoren

Ramón H. Rivera-Servera is Associate Professor and Director of Graduate Studies, Department of Performance Studies, Northwestern University.



Ramón H. Rivera-Servera is Associate Professor and Director of Graduate Studies, Department of Performance Studies, Northwestern University.

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Performing Queer Latinidad

Dance, Sexuality, Politics

By Ramón H. Rivera-Servera

The University of Michigan Press

Copyright © 2012 University of Michigan
All rights reserved.
ISBN: 978-0-472-05139-7

Contents

1. Latina/o Queer Performance: A Critical Travelogue,
2. Building Home: Arthur Aviles's Choreography of the Public Sphere,
3. Movements of Hope: Performance and Activism,
4. Quotidian Utopias: Latina/o Queer Choreographies,
5. Dancing Reggaetón with Cowboy Boots: Frictive Encounters in Queer Latinidad,
Epilogue: Moving Forward — Between Fragility and Resilience,
Notes,
Bibliography,
Index,


CHAPTER 1

LATINA/O QUEER PERFORMANCE

A Critical Travelogue

WE ARE RAIN OR SHINE ... COME ON BY ... WE'RE HERE!

— Orgullo en Acción


Queer Latinidad in Public

It is an overcast summer morning on June 13, 2009, as I prepare to attend Orgullo en Acción's Fourth Annual Latina/o LGBTQQ Pride Picnic at Chicago's Humboldt Park. The clouds look menacing and last night's heavy downpour makes me hesitant about attending the outdoor event. I am about to give up and stay in for the day. A message pops up on my Facebook screen: "We are rain or shine ... come on by ... we're here!" I am hailed by this statement of resilience by a group eager to celebrate their queer latinidad despite the possibility of inclement weather or broader societal obstacles that render the simple act of gathering in a public place a heroic feat. The very phrasing of the pronouncement "we are rain or shine," as opposed to "we are here rain or shine," showcases the social and cultural dynamics central to this book. Queer Latinas/ os at the picnic "are" or "become" a collective by "being here" in public and participating in acts of performance that range from the social to the theatrical. The simple, and I would speculate purposeful, slippage of the Internet communiqué advances a theory of performance's world-making powers by collapsing the idea of "being" Latina/o and queer with the practice of "being there" at the site of Latina/o queer public enactments. And it is precisely my interest and investment in performances of queer latinidad that beckons me to this event in a city I am still getting to know and with a group of strangers who find pleasure in performing their Latina/o queer selves as public interventions. I quickly ready for an afternoon of fellowship in Latina/o queer pride.

I arrive at Humboldt Park and walk west on Division Street to encounter a section of the picnic area demarcated by two giant rainbow flags. The flags echo the space-making practices performed by Puerto Ricans throughout the neighborhood. A historically working-class enclave in Chicago's near west side, Humboldt Park has been the symbolic, cultural, economic, and political center of Puerto Rican Chicago for over five decades. Since the early 1990s the community has organized against the westward push of gentrification as formerly low-income neighborhoods transform into hipster heavens for young up-and-coming mostly white middle-class families. The Puerto Rican flag is prominently displayed everywhere: on windows, murals, business awnings, T-shirts, baseball caps, and the monumental steel arches that cross the street as gateways into the Division Street business district, popularly referred to as Paseo Boricua or La División. This showcase of the Puerto Rican national icon marks territory for a community that struggles to maintain its sense of place in a fast-changing Chicago human landscape.

The Latina/o Pride Picnic extends th

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