A riotously funny, emotionally raw New York Times bestselling novel about love, marriage, divorce, family, and the ties that bind—whether we like it or not.
The death of Judd Foxman’s father marks the first time that the entire Foxman clan has congregated in years. There is, however, one conspicuous absence: Judd's wife, Jen, whose affair with his radio- shock-jock boss has recently become painfully public. Simultaneously mourning the demise of his father and his marriage, Judd joins his dysfunctional family as they reluctantly sit shiva and spend seven days and nights under the same roof. The week quickly spins out of control as longstanding grudges resurface, secrets are revealed and old passions are reawakened. Then Jen delivers the clincher: she's pregnant...
“Often sidesplitting, mostly heartbreaking...[Tropper is] a more sincere, insightful version of Nick Hornby, that other master of male psyche.”—USA Today
NOW A MAJOR MOTION PICTURE STARRING JASON BATEMAN, TINA FEY, JANE FONDA, AND ADAM DRIVER
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Jonathan Tropper is the New York Times bestselling author of One Last Thing Before I Go, How to Talk to a Widower, Everything Changes, The Book of Joe, and Plan B. He lives with his family in Westchester, New York, where he teaches writing at Manhattanville College. He adapted This Is Where I Leave You as a feature film for Warner Brothers Studios was a screenwriter, co-creator, and executive producer of the HBO/Cinemax television show Banshee (produced by Alan Ball).
Table of Contents
Title Page
Copyright Page
Chapter 1
Wednesday
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Thursday
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Friday
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Saturday
Chapter 29
Chapter 30
Chapter 31
Sunday
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Monday
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Tuesday
Chapter 50
Teaser for One Last Thing Before I Go
Acknowledgements
About the Author
Also by Jonathan Tropper
Plan B
The Book of Joe
Everything Changes
How to Talk to a Widower
DUTTON
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Published by Dutton, a member of Penguin Group (USA) Inc.
First printing, August 2009
All rights reserved
REGISTERED TRADEMARK—MARCA REGISTRADA
LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Tropper, Jonathan.
This is where I leave you / Jonathan Tropper.
p. cm.
ISBN: 9781101108987
1. Divorced men—Fiction 2. Fathers—Death—Fiction. 3. Brothers and sisters—Fiction. 4. Family—
Fiction. 5. Self-actualization (Psychology)—Fiction. 6. Psychological fiction. 7. Domestic fiction.
I. Title.
PS3570.R5885T47 2009
813’.54—dc22 2009006934
PUBLISHER’S NOTE
This book is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.
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Mom and Dad
Chapter 1
Dad’s dead,” Wendy says offhandedly, like it’s happened before, like it happens every day. It can be grating, this act of hers, to be utterly unfazed at all times, even in the face of tragedy. “He died two hours ago.”
“How’s Mom doing?”
“She’s Mom, you know? She wanted to know how much to tip the coroner.”
I have to smile, even as I chafe, as always, at our family’s patented inability to express emotion during watershed events. There is no occasion calling for sincerity that the Foxman family won’t quickly diminish or pervert through our own genetically engineered brand of irony and evasion. We banter, quip, and insult our way through birthdays, holidays, weddings, illnesses. Now Dad is dead and Wendy is cracking wise. It serves him right, since he was something of a pioneer at the forefront of emotional repression.
“It gets better,” Wendy says.
“Better? Jesus, Wendy, do you hear yourself?”
“Okay, that came out wrong.”
“You think?”
“He asked us to sit shiva.”
“Who did?”
“Who are we talking about? Dad! Dad wanted us to sit shiva.”
“Dad’s dead.”
Wendy sighs, like it’s positively exhausting having to navigate the dense forest of my obtuseness. “Yes, apparently, that’s the optimal time to do it.”
“But Dad’s an atheist.”
“Dad was an atheist.”
“You’re telling me he found God before he died?”
“No, I’m telling you he’s dead and you should conjugate your tenses accordingly.”
If we sound like a couple of callous assholes, it’s because that’s how we were raised. But in fairness, we’d been mourning for a while already, on and off since he was first diagnosed a year and a half earlier. He’d been having stomachaches, swatting away my mother’s pleas that he see a doctor, choosing instead to increase the regimen of the same antacids he’d been taking for years. He popped them like Life Savers, dropping small squibs of foil wrapping wherever he went, so that the carpets glittered like wet pavement. Then his stool turned red.
“Your father’s not feeling well,” my mother understated over the phone.
“My shit’s bleeding,” he groused from somewhere behind her. In the fifteen years since I’d moved out of the house, Dad never came to the phone. It was always Mom, with Dad in the background, contributing the odd comment when it suited him. That’s how it was in person too. Mom always took center stage. Marrying her was like joining the chorus.
On the CAT scan, tumors bloomed like flowers against the charcoal desert of his duodenal lining. Into the lore of Dad’s legendary stoicism would be added the fact that he spent a year treating metastatic stomach cancer with Tums. There were the predictable surgeries, the radiation, and then the Hail Mary rounds of chemo meant to shrink the tumors but that instead shrank him, his once broad shoulders reduced to skeletal knobs that disappeared beneath the surface of his slack skin. Then came the withering of muscle and sinew and the sad, crumbling descent into extreme pain management, culminating with him slipping into a coma, the one we knew he’d never come out of. And why should he? Why wake up to the painful, execrable mess of end-stage stomach cancer? It took...
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