This Is Where I Leave You: A Novel - Softcover

Tropper, Jonathan

 
9780452296367: This Is Where I Leave You: A Novel

Inhaltsangabe

A riotously funny, emotionally raw New York Times bestselling novel about love, marriage, divorce, family, and the ties that bind—whether we like it or not.

The death of Judd Foxman’s father marks the first time that the entire Foxman clan has congregated in years. There is, however, one conspicuous absence: Judd's wife, Jen, whose affair with his radio- shock-jock boss has recently become painfully public. Simultaneously mourning the demise of his father and his marriage, Judd joins his dysfunctional family as they reluctantly sit shiva and spend seven days and nights under the same roof. The week quickly spins out of control as longstanding grudges resurface, secrets are revealed and old passions are reawakened. Then Jen delivers the clincher: she's pregnant...

“Often sidesplitting, mostly heartbreaking...[Tropper is] a more sincere, insightful version of Nick Hornby, that other master of male psyche.”—USA Today 

NOW A MAJOR MOTION PICTURE STARRING JASON BATEMAN, TINA FEY, JANE FONDA, AND ADAM DRIVER

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Über die Autorin bzw. den Autor

Jonathan Tropper is the New York Times bestselling author of One Last Thing Before I Go, How to Talk to a Widower, Everything Changes, The Book of Joe, and Plan B. He lives with his family in Westchester, New York, where he teaches writing at Manhattanville College. He adapted This Is Where I Leave You as a feature film for Warner Brothers Studios was a screenwriter, co-creator, and executive producer of the HBO/Cinemax television show Banshee (produced by Alan Ball).

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Table of Contents

Title Page

Copyright Page

 

Chapter 1

 

Wednesday

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

 

Thursday

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

 

Friday

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

 

Saturday

Chapter 29

Chapter 30

Chapter 31

 

Sunday

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

 

Monday

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

 

Tuesday

Chapter 50

 

Teaser for One Last Thing Before I Go

Acknowledgements

About the Author

Also by Jonathan Tropper

Plan B

 

The Book of Joe

 

Everything Changes

 

How to Talk to a Widower

DUTTON
Published by Penguin Group (USA) Inc.
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Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England

 

Published by Dutton, a member of Penguin Group (USA) Inc.

 

First printing, August 2009

 

Copyright © 2009 by Jonathan Tropper

All rights reserved

REGISTERED TRADEMARK—MARCA REGISTRADA

 

LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Tropper, Jonathan.
This is where I leave you / Jonathan Tropper.
p. cm.

ISBN: 9781101108987

1. Divorced men—Fiction 2. Fathers—Death—Fiction. 3. Brothers and sisters—Fiction. 4. Family—
Fiction. 5. Self-actualization (Psychology)—Fiction. 6. Psychological fiction. 7. Domestic fiction.
I. Title.
PS3570.R5885T47 2009
813’.54—dc22 2009006934

 

 

 

PUBLISHER’S NOTE

This book is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

 

Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.

 

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Mom and Dad

Chapter 1

Dad’s dead,” Wendy says offhandedly, like it’s happened before, like it happens every day. It can be grating, this act of hers, to be utterly unfazed at all times, even in the face of tragedy. “He died two hours ago.”

“How’s Mom doing?”

“She’s Mom, you know? She wanted to know how much to tip the coroner.”

I have to smile, even as I chafe, as always, at our family’s patented inability to express emotion during watershed events. There is no occasion calling for sincerity that the Foxman family won’t quickly diminish or pervert through our own genetically engineered brand of irony and evasion. We banter, quip, and insult our way through birthdays, holidays, weddings, illnesses. Now Dad is dead and Wendy is cracking wise. It serves him right, since he was something of a pioneer at the forefront of emotional repression.

“It gets better,” Wendy says.

“Better? Jesus, Wendy, do you hear yourself?”

“Okay, that came out wrong.”

“You think?”

“He asked us to sit shiva.”

“Who did?”

“Who are we talking about? Dad! Dad wanted us to sit shiva.”

“Dad’s dead.”

Wendy sighs, like it’s positively exhausting having to navigate the dense forest of my obtuseness. “Yes, apparently, that’s the optimal time to do it.”

“But Dad’s an atheist.”

“Dad was an atheist.”

“You’re telling me he found God before he died?”

“No, I’m telling you he’s dead and you should conjugate your tenses accordingly.”

If we sound like a couple of callous assholes, it’s because that’s how we were raised. But in fairness, we’d been mourning for a while already, on and off since he was first diagnosed a year and a half earlier. He’d been having stomachaches, swatting away my mother’s pleas that he see a doctor, choosing instead to increase the regimen of the same antacids he’d been taking for years. He popped them like Life Savers, dropping small squibs of foil wrapping wherever he went, so that the carpets glittered like wet pavement. Then his stool turned red.

“Your father’s not feeling well,” my mother understated over the phone.

“My shit’s bleeding,” he groused from somewhere behind her. In the fifteen years since I’d moved out of the house, Dad never came to the phone. It was always Mom, with Dad in the background, contributing the odd comment when it suited him. That’s how it was in person too. Mom always took center stage. Marrying her was like joining the chorus.

On the CAT scan, tumors bloomed like flowers against the charcoal desert of his duodenal lining. Into the lore of Dad’s legendary stoicism would be added the fact that he spent a year treating metastatic stomach cancer with Tums. There were the predictable surgeries, the radiation, and then the Hail Mary rounds of chemo meant to shrink the tumors but that instead shrank him, his once broad shoulders reduced to skeletal knobs that disappeared beneath the surface of his slack skin. Then came the withering of muscle and sinew and the sad, crumbling descent into extreme pain management, culminating with him slipping into a coma, the one we knew he’d never come out of. And why should he? Why wake up to the painful, execrable mess of end-stage stomach cancer? It took...

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