Rasputin's Shadow: A Novel - Softcover

Khoury, Raymond

 
9780451468178: Rasputin's Shadow: A Novel

Inhaltsangabe

Raymond Khoury, the international bestselling author of The Last Templar, is back with another ingenious, fast-paced thriller that straddles present-day NYC and Russia in the early 1900s the time of the infamous Rasputin and his mysterious rise to power.

FBI special agent Sean Reilly is tasked with a delicate case. A Russian diplomat seems to have committed suicide by jumping out of a sixth-floor window in Queens, New York. The apartment s owners are missing, while a faceless killer known only as Koschey the Deathless is roaming the city and leaving a trail of death in his wake.

Joined by Russian FSB agent Larisa Tchoumitcheva, Reilly s investigation soon uncovers a deadly, desperate search for a mysterious device whose origins reach back in time to the darkest days of the Cold War and to Imperial Russia. A device that, in the wrong hands, could have a devastating impact on our world.

Packed with the twists and suspense, the impeccable historical research, and the present and past story lines that Khoury s fans have come to expect, Rasputin s Shadow will keep readers turning pages long into the night.

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Über die Autorinnen und Autoren

Raymond Khoury is the New York Times bestselling author of The Last Templar, The Sanctuary, The Sign, The Templar Salvation, The Devil’s Elixir, Rasputin's Shadow, and The End Game. His novels have been translated into more than forty languages and, in the case of The Last Templar, adapted into a comic book and an NBC television miniseries. An acclaimed screenwriter and producer for both television and film, he has also penned several scripts for BBC series such as Spooks and Waking the Dead.

Raymond Khoury is the New York Times bestselling author of The Last Templar, The Sanctuary, The Sign, The Templar Salvation, The Devil’s Elixir, Rasputin's Shadow, and The End Game. His novels have been translated into more than forty languages and, in the case of The Last Templar, adapted into a comic book and an NBC television miniseries. An acclaimed screenwriter and producer for both television and film, he has also penned several scripts for BBC series such as Spooks and Waking the Dead.

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**This excerpt is from an advance uncorrected proof.**

Prologue

Ural Mountains, Russian Empire

1916

As the high-pitched shriek reverberated against the walls of the copper mine, Maxim Nikolaev felt an unusual pinch deep in his skull.

The big man set down his pickax and wiped his brow just as the pain­ful sensation subsided. He took in a deep breath, flooding his already-infested lungs with more toxic dust. He didn t even notice or care anymore. Right then, the mid-morning break was all he was thinking of, given that his working day had started at five.

As the last echoes of the whistle died out around him and with the army of pickaxes now at rest, Maxim heard the distant sound of the Miass River, out by the mouth of the open mine. It reminded him of when he was a boy, when his uncle often took him swimming at a se­cluded spot on the outskirts of Ozyorsk, away from the thick, putrid smoke that belched out of the smelting plant twenty-four hours a day.

He remembered the smell of the pine trees, so tall they seemed to touch the sky. He missed the tranquility of the place.

He missed the open sky and the clean air even more.

A voice rang out from farther down the tunnel. Hey, Mamo, get your ass over here. We re playing for a go on Pyotr s daughter.

Maxim wanted to roll his eyes at Vasily, partly for the diminutive, which he hated, and partly for the man s general stupidity, but the wiry bastard took offense at the slightest provocation, so Maxim smiled at the group of men instead, hefted his pickax onto a broad, muscle-bound shoulder, and sauntered over to where the three other mudaks were al­ready at their regular seats.

He sat down next to the unfortunate Pyotr and set his tool against the wall beside him. Maxim had laid eyes on the man s daughter only once, and though she was indeed strikingly beautiful, he had no doubt that she could certainly do a lot better than any of the pathetic losers around him toiling deep in the bowels of the earth for a less-than-meager wage.

Maxim fished out a small flask punishable offense and took a long swig, then wiped his mouth with a grimy sleeve. Let s play, then, he told Vasily. He might as well try to win some money from the leering idiot if he could.

Stanislav, the most pathetic of the foursome, went first, followed by Pyotr, then Maxim. Then Vasily s turn came around. He slammed his fist down onto a just-turned Queen of Hearts, rattling the half-broken wooden table around which the four men sat, then leaned back with a smug smile on his face.

Maxim didn t flinch. His mind was already drifting away. He felt another odd tingling in his head, like a little tickle really, deep in his brain. For some reason, he thought of how much he hated Ochko. Ev­eryone pretended it was about skill when really luck was all you needed. He much preferred Durak, a game that seemed to be about luck, but was really about skill. He had never once been the last to hold cards in twenty-seven years of playing that game. It was probably why that leech Vasily refused to play the game with him.

Vasily s croaky voice broke through his curdled thoughts. Come on, Mamo, deal yourself a card before we all turn to stone.

Maxim looked down and realized he had turned over his first two cards without even looking at them.

Stanislav turned a Seven of Clubs, unsurprisingly cutting him out of the game after three cards. Pyotr turned a Two of Spades, giving himself nineteen. He looked nervously at Vasily, whose expression didn t change.

The bastard was leading with eighteen. That, and he was a very bad loser. Vasily gestured at Maxim to hurry up and take his turn, presum­ably so he could turn a Three

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