Secrets of a Charmed Life - Softcover

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Susan Meissner is a former managing editor of a weekly newspaper and an award-winning columnist. She is the award-winning author of The Last Year of the War, A Bridge Across the Ocean, Secrets of a Charmed Life, A Fall of Marigolds, and Stars Over Sunset Boulevard, among other novels.

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Part One

One

The Cotswolds, England

THE English cottage, bramble hedged and golden stoned, looks as timeless as a fairy tale except for the bobbing Mylar balloons tied to the front gate. Ivy scampers childlike across the house’s walls—all the way to the gabled windows on the second story—and then is tamed to civil edges around the paned windows. Easter-hued hollyhocks stand in stately rows beneath the sills. As I pull up onto the driveway, the crunching of tires on gravel sounds like applause, which is fitting since the woman I am to interview is celebrating her ninety-third birthday. I set the brake on the borrowed car and reach for my messenger bag on the seat next to me. I step out of the vehicle and into the postcard charm of April in the Cotswolds. I’m not expecting to be invited to stay for the day’s festivities but I hope I will be just the same. I’ve come to adore the way the British celebrate a happy occasion in the afternoon.

Isabel MacFarland is a stranger to me, though I’ve been told that I’ve surely walked past her watercolors for sale in Oxford gift shops. I’ve yet to even hear her voice. She agreed by way of one of my professors to let me interview her about her experience as a survivor of the London Blitz, and only because the first person I had arranged to speak with had died in her sleep at an assisted-living facility in Banbury. Today happened to be the time that worked best for both of us while still allowing me to meet my deadline, take my finals, grudgingly say good-bye to Oxford and my studies abroad, and return to California.

I get out of the car and silently congratulate myself for arriving safely in the village of Stow-on-the-Wold and without having ruined anyone else’s day in the process. In the four months I’ve been a visiting student at Oxford’s Keble College, I’ve borrowed this car three times before today: once to see whether I should dare try it a second time, then again to prepare myself for the third time, and the most recent to drive my parents and sister out to Warwick Castle and Stratford-upon-Avon when they came to visit me at midterm. Statistically, I’m not owed any kudos for having gotten here in one piece. Apparently a Yank’s first few experiences driving on the wrong side of the road are actually her safest. It’s after a dozen trips behind the wheel that she becomes dangerous. Lets down her guard. Forgets where she is. That’s when she’ll make a fatal turn into oncoming traffic; when her senses have been dulled by familiarity.

Today’s outing, the fourth time I’ve driven a car in England, is well below the multiple experience mark, and I will likely not drive again before the term ends. I wouldn’t necessarily have needed to drive today, as there’s a train station in nearby Moreton-in-Marsh, but there’s also a five-mile walk on narrow country roads between the two villages, with an occasional bus making the rounds. Penelope, my dorm mate and a British national from Manchester, who has had the guts to repeatedly loan me her car, insisted I take it.

I stop for a moment outside the car and breathe the scents of grass and sky and dew—refreshing after weeks of city exhaust. All around me are velvety fields quilted by clumps of trees and scattered dwellings oozing storybook quaintness. Some of the nearby roofs are thatched, some not, but all bear exterior walls of golden-hued stone that look as though they would taste like butterscotch if you licked them. A figure appears at an arched front door that is festooned with climbing roses. The woman is wiping her hands on a towel and smiling at me. Her graying hair is stylishly cut with one side longer than the other. I am guessing she is Isabel MacFarland’s live-in caretaker and housekeeper, Beryl Avery, and the woman who gave me directions.

“You found us!” she calls out to me.

I shut the door on Penelope’s aging Austin-Morris. “Your directions were perfect. Okay if I park here?”

“Yes, that’s fine. Come on in.”

The balloons are pogo-sticking this way and that as I open the gate. One of the balloons attempts to attach itself to the strap of my bag as I pass. I gently nudge it away.

Mrs. Avery holds the front door open for me—it is painted an enameled cherry red. “I’m so glad you made it. Beryl Avery. Please call me Beryl.” She thrusts her free hand toward me as I step inside.

“Kendra Van Zant. Thanks so much for letting me come, especially when you have so much going on later today. I can’t tell you how grateful I am.”

Beryl shuts the door behind us. I am guessing she is in her late sixties. She smells like cake and cream and other sweet things. A smudge of flour dusts one side of her jawbone.

“It’s no trouble,” she says brightly. “I’m happy you’re here. Auntie doesn’t talk much about her experience during the war and we all wish she would, you know. When anyone else asks about it, she shoos the question away as if no one could possibly be interested in anything that happened so long ago. But of course we are interested. Terribly so, considering what happened to her. It’s such a nice surprise she said yes to you.”

I don’t know what to say to this because it’s a surprise to me, too, that the old woman said yes. Professor Briswell told me Mrs. MacFarland, a noted local artist and friend of his late mother, is known to have been bombed out of her home during the Blitz, but also that she never speaks about it.

“I would ask her why she said yes if I weren’t afraid I’d jinx it for you and she’d change her mind,” Beryl continues.

I’m about to ask why Mrs. MacFarland has been so reluctant to talk about the war so that I will know which questions to avoid, but Beryl fills the tiny space of silence before I can.

“I must tell you, though, that she seems a little lost in thought today. You might need to give her some extra time to answer your questions. It’s probably all the hullabaloo with the party and all.”

“Is she still okay that I am coming today?”

Beryl cocks her head. “I think so. Hard to say if ‘okay’ is the right word. Auntie isn’t one to be overly demonstrative. I’d say she’s content regarding your being here. I think she’s more worried about the party this afternoon. She didn’t want a fuss and I’m afraid that’s exactly what she’s getting. No one wanted to listen to me when I said she didn’t want a big to-do.”

We move out of the narrow entryway into a sitting room that looks as cozy and inviting as one of Tolkien’s hobbit holes. A fat, fern-green couch and its matching love seat are situated in the middle of the room, while glass-topped tables laden with books and jonquils in vases separate them. Persian rugs cover the wood floor. A tea cart sits in one corner, a curio cabinet in another, and an L-shaped bookshelf in a third. Enchanting watercolors of young girls holding polka-dot umbrellas line the walls.

“Are the paintings Mrs. MacFarland’s?” I ask.

“They are,” Beryl replies. “They’re all over the house. She’s quite an accomplished artist, but you probably already know that. The Umbrella Girls are her trademark. Her arthritis is too bad now for painting. She had to stop a while back.” Beryl sighs. “That was a hard day. She’s had too many hard days, if you ask me. Far too many.” The woman shakes her head slightly as if to dislodge the weight of the anguish she has observed. “Why don’t you...