Who Buries the Dead: A Sebastian St. Cyr Mystery - Hardcover

Über die Autorin bzw. den Autor

C. S. Harris has written more than a twenty novels, including the Sebastian St. Cyr mystery series (Why Kings Confess, What Darkness Brings, When Maidens Mourn); as C. S. Graham, a thriller series coauthored by former intelligence officer Steven Harris; and seven award-winning historical romances written under the name Candice Proctor.

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The Sebastian St. Cyr Series

Chapter 1

Sunday, 21 March 1813

T hey called it Bloody Bridge.

It lay at the end of a dark, winding lane, far beyond the comforting flicker of the oil lamps of Sloane Square, beyond the last of the tumbledown cottages at the edge of a vast stretch of fields that showed only black in the moonless night. Narrow and hemmed in on both sides by high walls, the bridge was built of brick, worn and crumbling with age and slippery with moss where the elms edging the rivulet cast a deep, cold shade.

Cian O’Neal tried to avoid this place, even in daylight. It had been Molly’s idea to come here, for on the far side of the bridge lay a deserted barn with a warm, soft hayloft that beckoned to young lovers in need. But now as the wind tossed the elms along the creek and brought the distant, mournful howl of a dog, Cian felt the hard, pulsing urgency that had driven him here begin to ebb.

“Maybe this ain’t such a good idea, Molly,” he said, his step lagging. “The barn, I mean.”

She swung to face him, dark eyes shiny in a plump, merry face. “What’s the matter, Cian?” She pressed her warm, yielding body against his, her voice husky. “You havin’ second thoughts?”

“No. It’s just . . .”

The wind gusted up stronger, banging a shutter somewhere in the night, and he jerked.

To his shame, he saw enlightenment dawn on her face, and she gave a trill of laughter. “You’re scared.”

“No, I ain’t,” he said, even though they both knew it for a lie. He was a big lad, eighteen next month and strong and hale. But at the moment, he felt like a wee tyke frightened by old Irish tales of the Dullahan.

She caught his hand in both of hers and backed down the lane ahead of him, pulling him toward the bridge. “Come on, then,” she said. “How ’bout if I cross first?”

It had rained earlier in the evening, a brief but heavy downpour that left the newly budding leaves of the trees dripping moisture and the lane slippery with mud. He felt an icy tickle at the base of his neck and tried to think about the sweet warmth of the hayloft and the way Molly’s soft, eager body would feel beneath his.

They were close enough to the bridge now that Cian could see it quite clearly, its single arch a deeper black against the roiling darkness of the sky. But something wasn’t quite right, and he felt his scalp prickle, his breath catch, as the silhouette of a man’s head loomed before them.

“What is it?” Molly asked, the laughter draining from her face as she whirled around and Cian started to scream.

Chapter 2

Monday, 22 March, the hours before dawn

T he child lay curled on his side in a cradle near the hearth, his tiny pink lips parted with the slow, even breath of sleep. He had one tightly clenched fist tucked up beneath his chin, and in the firelight the translucent flesh of his closed eyelids looked so delicate and fragile that it terrified his father, who stood watching him. Someday this infant would be Viscount Devlin and then, in time, the Earl of Hendon. But now he was simply the Honorable Simon St. Cyr, barely seven weeks old and oblivious to the fact that he had no more real right to any of those titles than his father, Sebastian St. Cyr, the current Viscount Devlin.

Devlin rested the heel of one outthrust palm against the mantelpiece. His breath came harsh and ragged, and sweat sheened his naked flesh despite the air’s chill. He’d been driven from his sleep by memories he generally chose not to revisit during daylight. But he could not stop the images that came to him in the quiet hours of darkness, visions of dancing flames, of a woman’s tortured body writhing in helpless agony, of soft brown hair fluttering against the waxen flesh of a dead child’s cheek.

The past never leaves us, he thought. We carry it with us through our lives, a ghostly burden of bittersweet nostalgia threaded with guilt and regret that wearies the soul and whispers to us in the darkest hours of the night. Only the youngest children are truly innocent, for their consciences are still untroubled, their haunted days yet to come.

He shuddered and bent to throw more coal on the fire, moving carefully so as not to wake the sleeping babe or his mother.

When Sebastian was a child, it had been the custom for the infants of the aristocracy and the gentry to be farmed out to wet nurses, often not returning to their own families until they were two years of age. But it was becoming more common now for even duchesses to choose to nurse their own offspring, and Hero, the child’s mother and Sebastian’s wife of eight months, had been adamantly against hiring a wet nurse.

His gaze shifted to the blue silk–hung bed where she slept, her rich dark hair spilling across the pillow. And he felt it again, that nameless wash of apprehension for this woman and this child that he dismissed as lingering wisps from his dream and fear born of a guilt that could never be assuaged.

A clatter of hooves and the rattle of carriage wheels over granite paving stones carried clearly in the stillness of the night. Sebastian raised his head, his body tensing as the carriage jerked to a halt and a man’s quick, heavy tread ran up his front steps. He heard the distant peal of his bell, then a gruff, questioning shout from his majordomo, Morey.

“Message for Lord Devlin,” answered the unknown visitor, his voice strained by a sense of urgency and what sounded very much like horror. “From Sir Henry, of Bow Street!”

Sebastian threw on his dressing gown and slipped quietly from the room.

Chapter 3

T he head had been positioned near the end of one of the low brick walls lining the old bridge, its sightless face turned as if to watch anyone unwary enough to approach. A man’s head, it had thick, graying dark hair, heavy eyebrows, and a long, prominent nose.

“Nasty business, this,” said the burly constable, the pine torch in his hand hissing and spitting as he held it aloft in the blustery wind.

Sir Henry Lovejoy, the newest of Bow Street’s three stipendiary magistrates, watched the golden light dance over the pale features of that frozen, staring face and felt his stomach give an uncomfortable lurch.

The night was unusually cold and starless, the flaring torches of the constables fanning out along the banks of the small stream filling the air with the scent of burning pitch. They’d need to make a more thorough search of the area in the morning, of course. But this was a start.

Even in daylight, this rutted, muddy lane was seldom traveled, for beyond the winding rivulet spanned by the narrow, single-arched bridge lay a vast open area of market and nursery gardens known as the Five Fields. All were shrouded now in an eerie blackness so complete as to seem impenetrable.

Hunching his shoulders against the cold, Lovejoy moved to where the rest of the unfortunate gentleman’s strong, solid body lay sprawled in the lane’s grassy verge, his once neatly arranged linen cravat disordered and stained dark, the raw, hacked flesh of his neck too gruesome to bear close inspection. He’d been Lovejoy’s age, in his fifties. That should not have bothered Lovejoy, but for some reason he didn’t care to dwell on, it did. He drew a quick breath fouled with a heavy, coppery stench and groped for his handkerchief. “You’re certain this is—was—Mr. Stanley Preston?”

“I’m afraid so, sir,” said the constable. A stout young man with bulging eyes, he...