Trapped in deadly showdowns, courtroom trials, and dangerous secrets, the Women's Murder Club must fight for their lives in this thriller by the world's #1 bestselling author.
In a deadly late-night showdown, San Francisco police lieutenant Lindsay Boxer fires her weapon and sets off a dramatic chain of events that leaves a police force disgraced, a family destroyed, and Lindsay herself at the mercy of twelve jurors.
During a break in the trial, she retreats to a picturesque town that is reeling from a string of grisly murders—crimes that bear a link to a haunting, unsolved case from her rookie years.
Now, with her friends in the Women's Murder Club, Lindsay must battle for her life on two fronts: in a trial rushing to a climax, and against an unknown adversary willing to do anything to hide the truth about the homicides—including kill again?
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James Patterson is the most popular storyteller of our time and the creator of such unforgettable characters and series as Alex Cross, the Women’s Murder Club, Jane Smith, and Maximum Ride. He has coauthored #1 bestselling novels with Bill Clinton, Dolly Parton, and Michael Crichton, as well as collaborated on #1 bestselling nonfiction, including The Idaho Four, Walk in My Combat Boots, and Filthy Rich. Patterson has told the story of his own life in the #1 bestselling autobiography James Patterson by James Patterson. He is the recipient of an Edgar Award, ten Emmy Awards, the Literarian Award from the National Book Foundation, and the National Humanities Medal.
Three black-and-whites were at the curb, and Conklin, the first officer at the scene, was taping off the area. So was another officer, Les Arou.
"What have we got?" I asked Conklin and Arou.
"White male, Lieutenant. Late teens, bug-eyed and done to a turn," Conklin told me. "Room twenty-one. No signs of forced entry. Vic's in the bathtub, just like the last one."
The stink of piss and vomit washed over us as Jacobi and I entered the hotel. No bellhops in this place. No elevators or room service, either. Night people faded back into the shadows, except for one gray-skinned young prostitute who pulled Jacobi aside.
"Give me twenty dollars," I heard her say. "I got a license plate."
Jacobi peeled off a ten in exchange for a slip of paper, then turned to the desk clerk and asked him about the victim: Did he have a roommate, a credit card, a habit?
I stepped around a junkie in the stairwell and climbed to the second floor. The door to room 21 was open, and a rookie was standing guard at the doorway.
"Evening, Lieutenant Boxer."
"It's morning, Keresty."
"Yes, ma'am," he said, logging me in, turning his clipboard to collect my signature.
It was darker inside the twelve-by-twelve-foot room than it was in the hallway. The fuse had blown, and thin curtains hung like wraiths in front of the streetlit windows. I was working the puzzle, trying to figure out what was evidence, what was not, trying not to step on anything. There was too damned much of everything and too little light.
I flicked my flashlight beam over the crack vials on the floor, the mattress stained with old blood, the rank piles of garbage and clothing everywhere. There was a kitchenette of sorts in the corner, the hot plate still warm, drug paraphernalia in the sink.
The air in the bathroom was thick, almost soupy. I swept my light along the extension cord that snaked from the socket by the sink, past the clogged toilet bowl to the bathtub.
My guts clenched as I caught the dead boy in my beam. He was naked, a skinny blond with a hairless chest, half sitting up in the tub, eyes bulging, foam at his lips and nostrils. The electric cord ended at an old-fashioned two-slice toaster that glinted up through the bathwater.
"Shit," I said as Jacobi entered the bathroom. "Here we go again."
"He's toast, all right," said Jacobi.
As commanding officer of the Homicide detail, I wasn't supposed to do hands-on detective work anymore. But at times like this, I just couldn't stay away.
Another kid had been electrocuted, but why? Was he a random victim of violence or was it personal? In my mind's eye, I saw the boy flailing in pain as the juice shot through him and shut his heart down.
The standing water on the cracked tile floor was creeping up the legs of my trousers. I lifted a foot and toed the bathroom door closed, knowing full well what I was going to see. The door whined with the nasal squeal of hinges that had probably never been oiled.
Two words were spray-painted on the door. For the second time in a couple of weeks, I wondered what the hell they meant.
"NOBODY CARES."
Continues...
Excerpted from 4th of Julyby James Patterson Copyright © 2006 by James Patterson. Excerpted by permission.
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