Über die Autorin bzw. den Autor

DAVID BALDACCI is a global #1 bestselling author, and one of the world's favorite storytellers. His books are published in over forty-five languages and in more than eighty countries, with 150 million copies sold worldwide. His works have been adapted for both feature film and television. David Baldacci is also the cofounder, along with his wife, of the Wish You Well Foundation, a nonprofit organization dedicated to supporting literacy efforts across America. Still a resident of his native Virginia, he invites you to visit him at DavidBaldacci.com and his foundation at WishYouWellFoundation.org.

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The Camel Club

Warner Books

Chapter One

He awoke and sat straight up, the sweat trickling down his cheeks before finally creeping onto his long, bushy beard. He poured a bit of water from a bottle over his face, letting the cool drops push away the heat-filled pain of his recurrent nightmare.

As he got up from the bed, his leg brushed against the old box he kept there. He hesitated and then lifted the top off. Inside was a ragged photo album. One by one he looked at the few pictures of the woman who'd been his wife. Then he turned to the photos of his daughter; of the baby and toddler she'd been. He had no more pictures of her after that. He would have given his life to have seen her, even for a moment, as a young woman. Never a day went by that he didn't wonder what might have been.

He looked around the cottage's sparsely furnished interior. Looking back at him were dusty shelves crammed with books covering an array of subjects. Next to the large window that overlooked the darkened grounds was an old desk stacked with journals filled with his precise handwriting. A blackened stone fireplace provided much of his heat, and there was a small kitchen where he prepared his simple meals. A minuscule bathroom completed his modest living arrangements.

He checked his watch, took a pair of binoculars from the rickety wooden table next to his bed and grabbed a frayed cloth knapsack off his desk. He stuffed the binoculars and a few journals in the knapsack and headed outside.

The old grave markers loomed before him, the moonlight glancing off the weathered, mossy stone. As he stepped from the front porch to the grass, the brisk air helped carry away the burning sensation in his head from his nightmare, but not the one in his heart. Thankfully, he had somewhere to go tonight, yet with some time to spare. And when he had extra time, he invariably headed to one place.

He walked through the large wrought-iron gates where the scrollwork announced that this was Mt. Zion Cemetery, located in northwest Washington, D.C., and owned by the nearby Mt. Zion United Methodist Church. The church was the oldest black congregation in the city, having been organized in 1816 by folks who didn't enjoy practicing their faith at a segregated house of worship that had somehow missed the concept of equality in the Scriptures. The three-acre parcel had also been an important stop along the underground railroad, shepherding slaves from the South to freedom in the North during the Civil War.

The graveyard was bracketed on one side by the massive Dumbarton House, headquarters of the National Society of the Colonial Dames of America, and on the other side by a low-rise brick residential building. For decades the historic cemetery had suffered from neglect, with toppled tombstones and waist-high weeds. Then the church had enclosed the graveyard with the fence and built the small caretaker's cottage.

Nearby was the far larger and far better known Oak Hill Cemetery, the final resting place of many notable people. However, he preferred Mt. Zion and its place in history as a gateway to freedom.

He'd been engaged as the cemetery's caretaker some years ago, and he took his work very seriously, making sure the grounds and grave sites were kept in good order. The cottage that came with the job was his first real home in a long time. The church paid him in cash with no bothersome paperwork; he didn't make nearly enough to pay income taxes anyway. In fact, he made barely enough money to live. Yet it was still the best job he'd ever had.

He walked south on 27th Street, caught a Metro bus and was soon dropped a block or so from his "second home" of sorts. As he passed the small tent that at least technically belonged to him, he pulled the binoculars out of his knapsack and from the shadow of a tree used them to eye the building across the street. He had taken the government-issued binoculars with him after serving his country proudly before completely losing faith in its leaders. His real name he had not used in decades. He had been known for a long time now as Oliver Stone, a name he'd adopted in what could only be termed an act of cheeky defiance.

He related well to the irreverent film director's legendary work, which challenged the "official" perception of history, a history that often turned out to be more fiction than fact. Taking the man's name as his own seemed appropriate, since this Oliver Stone was also very interested in the "real" truth.

Through the binoculars he continued to study the comings and goings at the mansion that never ceased to fascinate him. Then Stone entered his small tent, and, using an old flashlight, he carefully noted down his observations in one of the journals he'd brought in his knapsack. He kept some of these at the caretaker's cottage and many more at hiding places he maintained elsewhere. He stored nothing at the tent because he knew it was regularly searched. In his wallet he always kept his official permit allowing him to have his tent here and the right to protest in front of the building across the street. He took that right very seriously.

Returning outside, he watched the guards who holstered semiautomatic pistols and held machine guns or occasionally spoke into walkie-talkies. They all knew him and were warily polite, as folks were with those who could suddenly turn on you. Stone always took great pains to show them respect. You were always deferential with people who carried machine guns. Oliver Stone, while not exactly in the mainstream, was hardly crazy.

He made eye contact with one of the guards, who called out, "Hey, Stone, I hear Humpty Dumpty was pushed, pass it on."

Some of the other men laughed at this remark, and even Stone's lips curled into a smile. "Duly noted," he answered back. He had watched this very same sentry gun down someone a few feet from where he was standing. To be fair, the other fellow had been shooting at him.

He hitched his frayed pants up tighter around his slender waist, smoothed back his long grayish white hair and stopped for a moment to retie the string that was trying and failing to hold his right shoe together. He was a tall and very lean man, and his shirt was too big and his trousers too short. And the shoes, well, the shoes were always problematic.

"It is new clothes that you need," a female voice said in the darkness.

He looked up to see the speaker leaning against a statue of Major General Comte de Rochambeau, an American Revolutionary War hero. Rochambeau's stiff finger was pointing at something, Stone had never known what. Then there was a Prussian, Baron Steuben, to the northwest, and the Pole, General Kosciuszko, guarding the northeast flank of the seven-acre park that Stone was standing in. These statues always brought a smile to his face. Oliver Stone so loved being around revolutionaries.

"It really is the new clothes that you need, Oliver," the woman said again as she scratched...