A propulsive, relentless page-turner.
A terrifying evocation of a paranoid world where no one can be trusted.
A surprising, unexpected story of love and family, of hope and resilience.
CHILD 44 is a thriller unlike any you have ever read.
"There is no crime."
Stalin's Soviet Union strives to be a paradise for its workers, providing for all of their needs. One of its fundamental pillars is that its citizens live free from the fear of ordinary crime and criminals.
But in this society, millions do live in fear . . . of the State. Death is a whisper away. The mere suspicion of ideological disloyalty-owning a book from the decadent West, the wrong word at the wrong time-sends millions of innocents into the Gulags or to their executions. Defending the system from its citizens is the MGB, the State Security Force. And no MGB officer is more courageous, conscientious, or idealistic than Leo Demidov.
A war hero with a beautiful wife, Leo lives in relative luxury in Moscow, even providing a decent apartment for his parents. His only ambition has been to serve his country. For this greater good, he has arrested and interrogated.
Then the impossible happens. A different kind of criminal-a murderer-is on the loose, killing at will. At the same time, Leo finds himself demoted and denounced by his enemies, his world turned upside down, and every belief he's ever held shattered. The only way to save his life and the lives of his family is to uncover this criminal. But in a society that is officially paradise, it's a crime against the State to suggest that a murderer-much less a serial killer-is in their midst. Exiled from his home, with only his wife, Raisa, remaining at his side, Leo must confront the vast resources and reach of the MBG to find and stop a criminal that the State won't admit even exists.
Tom Rob Smith graduated from Cambridge in 2001 and lives in London. Child 44 is his first novel.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Tom Rob Smith is a 28-year-old screenwriter. He graduated from Cambridge in 2001. CHILD 44 is his first novel.
Since maria had decided to die her cat would have to fend for itself. She'd already cared for it far beyond the point where keeping a pet made any sense. Rats and mice had long since been trapped and eaten by the villagers. Domestic animals had disappeared shortly after that. All except for one, this cat, her companion which she'd kept hidden. Why hadn't she killed it? She needed something to live for; something to protect and love-something to survive for. She'd made a promise to continue feeding it up until the day she could no longer feed herself. That day was today. She'd already cut her leather boots into thin strips, boiled them with nettles and beetroot seeds. She'd already dug for earthworms, sucked on bark. This morning in a feverish delirium she'd gnawed the leg of her kitchen stool, chewed and chewed until there were splinters jutting out of her gums. Upon seeing her the cat had run away, hiding under the bed, refusing to show itself even as she'd knelt down, calling its name, trying to coax it out. That had been the moment Maria decided to die, with nothing to eat and nothing to love.
Maria waited until nightfall before opening her front door. She reckoned that by the cover of darkness her cat stood a better chance of reaching the woods unseen. If anyone in the village caught sight of it they'd hunt it. Even this close to her own death, the thought of her cat being killed upset her. She comforted herself with the knowledge that surprise was on its side. In a community where grown men chewed clods of earth in the hope of finding ants or insect eggs, where children picked through horse shit in the hope of finding undigested husks of grain and women fought over the ownership of bones, Maria was sure no one believed that a cat could still be alive.
* * *
Pavel couldn't believe his eyes. It was awkward, thin, with green eyes and black-speckled fur. It was unmistakably a cat. He'd been collecting firewood when he saw the animal dart from Maria Antonovna's house, cross the snow-covered road, and head toward the woods. Holding his breath, he glanced around. No one else had spotted it. There was no one else about; no lights at the windows. Wisps of smoke, the only sign of life, rose from less than half the chimney stacks. It was as though his village had been snuffed out by the heavy snowfall; all signs of life extinguished. Much of the snow lay undisturbed: there were hardly any footprints and not a single path had been dug. Days were as quiet as the nights. No one got up to work. None of his friends played, staying in their houses where they lay with their families huddled in beds, rows of enormous sunken eyes staring up at the ceiling. Adults had begun to look like children, children like adults. Most had given up scavenging for food. In these circumstances the appearance of a cat was nothing short of miraculous-the reemergence of a creature long since considered extinct.
Pavel closed his eyes and tried to remember the last time he'd eaten meat. When he opened his eyes he was salivating. Spit ran down the side of his face in thick streams. He wiped it away with the back of his hand. Excited, he dropped his pile of sticks and ran home. He had to tell his mother, Oksana, the remarkable news.
* * *
Oksana sat wrapped in a wool blanket staring at the floor. She remained perfectly still, conserving energy as she devised ways of keeping her family alive, thoughts which occupied her every waking hour and every fretful dream. She was one of the few who'd not given up. She would never give up. Not as long as she had her sons. But determination itself wasn't enough, she had to be careful: a misjudged endeavor could mean exhaustion, and exhaustion invariably meant death. Some months ago Nikolai Ivanovich, a neighbor and friend, had embarked on a desperate raid upon a State granary. He had not returned. The next morning Nikolai's wife and Oksana had gone looking for him. They'd found his body by the roadside, lying on his back-a skeletal body with an arched, stretched stomach, his belly pregnant with the uncooked grain he'd swallowed in his dying moments. The wife had wept while Oksana removed the remaining grain from his pockets, dividing it between them. On their return to the village Nikolai's wife had told everyone the news. Instead of being pitied she'd been envied, all anyone could think about were the handfuls of grain she possessed. Oksana had thought her an honest fool-she'd put them both in danger.
Her recollections were interrupted by the sound of someone running. No one ran unless there was important news. She stood up, fearful. Pavel burst into the room and breathlessly announced:
-Mother, I saw a cat.
She stepped forward and gripped her son's hands. She had to be sure he wasn't imagining things: hunger could play tricks. But his face showed no sign of delirium. His eyes were sharp, his expression serious. He was only ten years old and already he was a man. Circumstances demanded that he forgo his childhood. His father was almost certainly dead: if not dead then dead to them. He'd set off toward the city of Kiev in the hope of bringing back food. He'd never returned and Pavel understood, without needing to be told or consoled, that his father would never return. Now Oksana depended upon her son as much as he depended upon her. They were partners and Pavel had sworn aloud that he'd succeed where his father had failed: he'd make sure his family stayed alive.
Oksana touched her son's cheek.
-Can you catch it?
He smiled, proud:
-If I had a bone.
The pond was frozen. Oksana rooted through the snow to find a rock. Concerned that the sound would attract attention, she wrapped the rock in her shawl, muffling the noise as she punctured a small hole in the ice. She put the rock down. Bracing herself for the black, freezing water, she reached in, gasping at the cold. With only seconds before her arm would become numb she moved quickly. Her hand touched the bottom and clutched nothing but silt. Where was it? Panicking, she leaned down, submerging all of her arm, searching left and right, losing all feeling in her hand. Her fingers brushed glass. Relieved, she took hold of the bottle and pulled it out. Her skin had turned shades of blue, as though she'd been punched. That didn't concern her-she'd found what she was looking for, a bottle sealed shut with tar. She wiped away the layer of silt on the side and peered at the contents. Inside was a collection of small bones.
Returning to the house, she found that Pavel had stoked the fire. She warmed the seal over the flames, tar dripping onto the embers in sticky globs. While they waited Pavel noticed her bluish skin and rubbed her arm, restoring the circulation, ever attentive to her needs. With the tar melted, she tipped the bottle upside down and shook. Several bones snagged on the rim. She pulled them free, offering them to her son. Pavel studied them carefully, scratching the surface, smelling each one. Having made his selection he was ready to leave. She stopped him:
-Take your brother.
Pavel thought this a mistake. His younger brother was clumsy and slow. And anyway the cat belonged to him. He'd...
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