The ladies of the #1 New York Times bestselling Friday Night Knitting Club return in a moving, laugh-out-loud celebration of special times with friends and family...
Whipping up chocolate-orange scones at pastry school is Dakota Walker’s passion, but she’ll never give up the Friday Night Knitting Club at Walker and Daughter, the coziest yarn shop in Manhattan. The club is also a haven for Peri, Darwin, Lucie, K.C., Anita, and Catherine—Dakota’s dearest friends, big sisters, and sometimes surrogate mothers.
With the holidays just around the corner, the women have reason to celebrate: There’s a special wedding planned for New Year’s Day. And in the meantime, Dakota is finishing a sweater her mother started before she was born. As she takes on her mother’s pattern, she learns that there was much more history in these stitches than she had anticipated, and to build on her mother’s legacy, Dakota must become the woman she truly desires to be.
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Kate Jacobs is the author of the #1 New York Times bestseller The Friday Night Knitting Club, Knit Two, Knit the Season, and Comfort Food.Excerpt. © Reprinted by permission. All rights reserved.:
How essential to stop, reflect, be grateful. For food. For family. For subtle joys, such as the feel of soft yarn on fingertips, for the sense of ease that comes, stitch upon stitch, from following the rhythm of the pattern. Honoring the spirit of the holidays can also be a celebration of the experience of crafting.
New York seemed to be a city made for celebrations, and Dakota Walker loved every moment of the holidays: from the shoulder-to-shoulder crowds breathlessly waiting for the lighting of the gigantic Christmas tree in Rockefeller Center, to the winter-themed department store windows displaying postmodern Santas, to—her favorite—the kickoff to a month of fun with that ruckus of a parade on Thanksgiving morning.
Dakota's grandmotherly friend Anita Lowenstein—who, nearing eighty, could text almost as well as some of her college classmates— had escorted Dakota to the parade when she was small. Last Thanksgiving morning, in a fit of nostalgia, the two of them bundled up in layers, chunky handmade cable-knits over cotton turtlenecks, and staked out a spot near Macy's just after sunrise to watch the river of floating cartoon characters and lip-synching pop stars and freezing but-giddy high-school marching bands flowing down Broadway. Just as it should be.
But what Dakota most enjoyed about the beginning of winter was the crispness of the air (that practically demanded the wearing of knits) and the way that tough New Yorkers—on the street, in elevators, in subways—were suddenly willing to risk a smile. To make a connection with a stranger. To finally see one another after strenuously avoiding eye contact all year.
The excuse—the expectation—to bake also played a large part in her personal delight. Crumbly, melty shortbread cookies and iced chocolate-orange scones and whipped French vanilla cream cakes and sugary butter tarts: November through December was about whipping and folding and blending and sampling. Though she'd spent only one semester at pastry school so far, Dakota was eager to try out the new techniques she'd learned.
Still, she hadn't stopped to consider how it might feel to roll out crust, to pare fruit, to make a meal, back in what was her childhood home, as she adjusted her bulging backpack, groceries in each hand, and climbed the steep stairs two floors up to Peri's efficient little apartment situated one floor above the yarn shop her mother had started long ago, the tiny shop—the shelves packed to bursting with yarns fuzzy, nubbly, itchy, and angel-soft, its walls a kaleidoscope of cocooning pastels and luxurious jewel shades—that Georgia Walker had willed to her only child and that Dakota had, finally, come to truly appreciate.
The white-painted cupboard door creaked loudly as she opened it, surprising not because of the unpleasant volume but because Dakota realized, in that moment, she had forgotten the quirks of this particular kitchen. At the same time, overflowing bundles of yarn spilled—burgundies and cobalts, wools and acrylics, lightweights and doubleknits—from the shelves, tumbled to the grocery bags she'd just set on the counter, and then bounced to the linoleum tile floor below. Almost as an afterthought, a tidy pile of plush plum cashmere dropped noiselessly through the air, just missing her head, and landed directly into the small stainless sink.
"This isn't a kitchen!" cried Dakota, reaching out her arms as widely as was possible in her heavyweight white winter coat, trying to hug yarn and food and prevent all of it from rolling off the edge. "It's a storage facility!"
She hesitated. What she'd wanted was simply to find a bowl, something in which to pile up the apples she'd purchased, and she'd approached Peri's compact galley kitchen in the apartment above the Walker and Daughter yarn shop as if on automatic pilot. Distractedly running through a to-do list in her mind, Dakota lapsed into an old pattern and went directly to where her mother stored the dishes once upon a memory, back when the two Walkers lived in this same walk-up. And what did she find? Knitting needles of all sizes and woods stacked in the flatware drawer and oodles of yarn where the dishes ought to be, raining down from the cupboards. She wasn't sure she ought to risk a peek in the oven now that Peri lived here.
It had been a long time since she'd cooked in this location, making oatmeal, orange and blueberry muffins for her mother's friends, the founding members of the Friday Night Knitting Club.
"Seven years," marveled Dakota, her voice quiet though no one else was around. Seven years since she'd puttered around this kitchen after homework, smashing soft butter and sugar together as she contemplated what tidbits would go inside the week's cookies.
"Careful now," murmured Georgia, the shop ledger in front of her on the cramped kitchen table. "Maybe don't put in everything that's on the shelf. We went through two bags of coconut last week."
"Uh, those muffins were my best ever, Mom," said Dakota, prancing around in a victory dance on the worn linoleum. "The supreme moistness I've been searching for! You can't stand in the way of a chef."
"As long as this chef remembers that we're on a budget," Georgia said mildly, brushing away some bits of eraser from the page before her. "I think I created a monster the afternoon I taught you how to measure flour."
"Okay, Mom," said Dakota, sliding into a chair at the table. "Should I not make so much?"
Georgia's eyes crinkled as she regarded her lively daughter, whose ponytailed hair was falling loose from the neon-pink scrunchie she'd knitted herself.
"Never stop," she said, gently tugging her daughter's hair. "Don't give up something you love just because there's an obstacle. Find a way to work around it. Be open to something unexpected. Make changes."
"Like what?" "Like if you run out of sugar," she said. "Use honey." "I did that last week!" "I know," said Georgia. "I was proud of you. We Walker girls are creative. We knit. You bake. But above all, we never, ever give in."
Dakota surveyed the room. The kitchen was almost a relic, one of the few places in the apartment undamaged by last year's flooding, the bathroom down the hall being the source of the water that ruined the yarn shop in its previous incarnation but reminded all of them—and especially Dakota—of the importance of a mother's legacy. The store reopened soon after with a clean-and-simple style, with basic shelves for the merchandise, though she and Peri planned a massive remodel to begin in the not-too-distant future. That was all they'd talked about for months. The idea was to devote the shop space to a boutique for Peri's couture knitted and felted Peri Pocketbook handbags, and to adapt the first floor from a deli to a knitting café. Dakota's father, James Foster, was in charge of the new architecture but—due to frequent changes from his, ahem, difficult clients—hadn't finalized the drawings. It was a grand plan, a vision that required Dakota to hurry up and graduate from culinary school. Peri had been keeping everything under control for a long while, and the strain was showing.
"I don't want to miss my moment, Dakota," Peri reminded her, though she admitted she wasn't sure what that moment might be. Indeed, as Dakota grew older and struggled to keep her schedule in check, it had gradually begun to dawn on her how much Anita and Peri and even her father had worked tirelessly to fulfill her mother's dream of passing the store to Dakota. And even though Peri had a small ownership stake, even though Anita had helped out financially eons ago when Georgia bootstrapped her shop into being, even though James was her dad, everyone's sacrifices of time and energy belied self-interest as motivation. Amazing, truly, to know that one woman—her mother, who always seemed just so regular and everyday with her reminders to zip up jackets and sleep tight—had the grace of spirit to inspire such devotion.
Still, changes were coming all over, it seemed. Since leaving the V hotel chain, James's focus had been on his own architectural firm. Unfortunately, business wasn't exactly booming. The knit shop was also facing smaller revenues this quarter. Dakota didn't see the adventure in uncertainty. Too much change, she knew, could come to bad ends.
She eyed the clock, assessing the tidying she still needed to complete in the apartment. Dakota knew Peri was downstairs in the shop, finishing up the day's sales and awaiting the arrival of the club for their regular get-together. Those same women who were now Dakota's very own friends and mentors. The big sisters and, on some days, the surrogate mothers who were around whenever she needed to talk. The group would be gathering in the shop in a few hours to knit a little and talk a lot, catching up on one another's lives and prepping for the upcoming holidays.
To be fair, Peri had warned her, when the two of them struck their deal last week as they went over the bookkeeping for the week, that she had nothing in the kitchen. Absolutely nothing. Dakota was accustomed to that style of New York living, had other friends whose refrigerators held only milk and bottled water, a selection of cereal at the ready for every possible meal or snack. She had shopped for staples today, even salt and pepper, knowing full well to expect very little. The turkey and produce would come Wednesday, when she planned to make all the dishes and leave them for day-of reheating. Tonight her goal was merely to organize the space and stock the shelves.
Although these shelves were already overstocked with surplus inventory from the knit shop. Clearly.
Gingerly, Dakota stepped over the yarn and away from the green canvas totes covering the tiny strip of countertop between fridge and stove, their long handles flopped over every which way, as the onions and spices and celery threatened to spill right out of the bags with just a nudge in any direction. She glared at the groceries, hoping the power of her stare would keep them still, as she figured out where to unload the yarn. She listened for movement, in case the bags began to topple, as she pulled the door to the fridge just enough for the light to come on inside. Mercifully, it was empty—not a yarn ball in sight—and held only a dozen bottles of handcrafted root beer and a door filled with nail polish. Hastily, Dakota shoved most of the groceries into the fridge, even the five-pound bag of organic sugar.
But the relief at crossing something off her mental to-do list passed quickly. The truth was, her mind was bursting. There was just too much swirling around her. The past year had been the busiest of her life. Convincing everyone she was all grown-up led to a hard-won realization: She had to act like an adult. She had to handle new responsibilities. And it was a lot. Life, just the day-today, was a lot. She worried. Often.
Her mother had been a worrier as well. Everyone said so. But she'd been a smiler, too, witty and generous and seemingly able to make things fit together.
Right now Dakota spread her worries around, allowing time for concerns large and small. She worried about finding time to make two turkey dinners in the next week, mastering a perfect chocolate truffle cake before Monday's class, reading Catherine's latest installment in her mea-culpa novel about two former best friends who reconnect, and finishing the tidying of her room so her grandparents, Joe and Lillian Foster, would be comfortable staying at her father's apartment during Thanksgiving next week. That had been a task put off for too long, and Dakota spent several weekends earlier in November pulling boxes from her closet and underneath her bed, chuckling over sixth-grade book reports and old report cards and printouts of endless photos from the summer in Italy, waiting for frames or albums. She'd also spent a quiet, lonely day sifting through some of the odds and ends that had belonged to Georgia. Admiring the pencil drawings that accompanied the original pattern designs for the hand-knit suits and tunics and dresses her mother had outlined in a binder, the simpler sweaters destined for the charity pattern book she'd been assembling with Anita. And she read again the notes on knitting that her mother had kept in a small red journal that was passed on to Dakota after her death.
It was soothing to see Georgia's handwriting again, to imagine her mother curled up in a chair and scribbling.
"Get Christmas list from Dakota" was what her mother had scrawled in the margins of one of the pages. That comforted her, somehow. The proof of being on her mother's mind. To confirm what she already knew.
Dakota had taken to carrying that red journal with her, tucked in the bottom of her knitting bag—an original by Peri—along with an oversized unfinished camel-and-pastel-turquoise striped sweater she'd found. She'd kept all of her mother's UFOs, all the fun projects her mother never had a second to complete because she was too busy knitting her commissioned pieces, and just tucked them away for a later time. Every fall, Georgia's habit was to choose one of those on-the-go creations and finish it by the end of the year. A little gift of satisfaction to herself. That particular sweater was Georgia's UFO of choice the fall that she died, Dakota recalled vaguely, and Anita had bundled together all the knitting that hadn't been completed and placed it safely away. Too painful to look at, too precious to throw away: The unfinished objects had simply lain in wait until Dakota was ready. This she knew.
It struck her, as she was sorting and organizing, just how close she was getting to the age her mother was when she had arrived in New York.
During the great cleanup, she uncovered an old Polaroid that was fading and loose at the bottom of a box, of Georgia standing at the top of the Empire State Building, a knitted cap pulled down low on her unruly corkscrew curls and her mittened hands resting on her pink cheeks as she affected a look of surprise. She wondered if her father had been the photographer, if the two of them enjoyed their bird's-eye view of the skyscrapers all around. Dakota liked how the snap captured Georgia's goofy side, and she liked this concrete evidence that she had her mother's wide eyes, proof that the two of them were the same, just with different shades of skin. She tucked the photo into the red journal after scanning it onto her laptop, to the folder that held her story, with its images of Gran and the shop, and a picture of Ginger and Dakota standing in front of the Roman Forum.
She felt guilty that she hadn't spent as much time with Lucie Brennan's daughter, Ginger, since she started culinary school, and that she'd broken four lunch dates with KC Silverman in as many weeks. She had planned to finish a pair of matching fisherman's sweaters for Darwin Chiu's twins, Cady and Stanton, when they turned one; of course, they were already over eighteen months and the sweaters were now too small. She'd have to save them for a decade until someone else she knew had a baby.
Not to mention that she fretted whether Anita and Marty Popper would finally say "I do" at the wedding they rescheduled for New Year's Day ins...
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