Drawing on scholarship of popular music and the pop score as well as feminist film and media studies, Howell addresses an often neglected area of gender representation. Through her analyses of the musical construction of contemporary screen masculinity in action and other genres that share its investment in violence, she reveals the mechanisms by which the pop score has helped to reinvent gendered fictions of male empowerment for new generations.
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Amanda Howell is Senior Lecturer in Screen Studies at Griffith University, Australia. Her most recent publications appear in Continuumand The New Review of Film and Television Studiesand in the edited collections Screening the Gothic in Australia and New Zealand(2022) and Australian Genre Film(2021). She is the co-author of Monstrous Possibilities: The Female Monster in 21st Century Screen Horror (2022) and author of A Different Tune: Popular Music and Masculinity in Action (2015).
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