"The philosophers writing here know Mulholland Drive in consummate detail. Their engaging chapters focus on the key philosophical questions - of identity, freedom and cinematic romanticism - raised by Lynch’s hypnotic and ambiguous work. An excellent addition to an already fine series, this book is sure to interest philosophers of film, Lynch fans, and anyone who follows film art." - Deborah Knight, Queen’s University, Canada
"This fascinating collection brings the best sort of philosophically and theoretically informed speculation to bear on Lynch’s dazzling, disturbing, and profoundly rewarding masterpiece. The essays do not attempt to solve the many riddles of Mulholland Drive but allow Lynch’s finest film to shine forth in all its beauty, mystery, and monstrosity." - Calvin Thomas, Georgia State University, USAVom Verlag:
Beloved by film and art aficionados and fans of neo-noir cinema, Mulholland Drive is one of the most important and enigmatic films of recent years. It occupies a central and controversial position in the work of its director, David Lynch, who won the best director award at the 2001 Cannes Film Festival for the movie.
Mulholland Drive in the Routledge Philosophers on Film series is the first full philosophical appraisal of Lynch's film. Beginning with an introduction by the editor, the volume explores the following topics:
Additional key themes are also discussed, such as the interpenetration of ethics, classical tragedy, and the contrasting philosophical arguments of Plato and Nietzsche on tragic drama. These themes make Mulholland Drive essential and engaging reading for students of philosophy, especially aesthetics and ethics, as well as film studies.
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