The collection provides insights on developments in post-traditional religiosity (especially 'New Age' and 'Neo-Paganism') through studies of rave's Gnostic narratives of ascensionism and re-enchantment, explorations of the embodied spirituality and millennialist predispositions of dance culture, and investigations of transnational digital-art countercultures manifesting at geographic locations as diverse as Goa, India, and Nevada's Burning Man festival. Contributors examine raving as a new religious or revitalization movement; a powerful locus of sacrifice and transgression; a lived bodily experience; a practice comparable with world entheogenic rituals; and as evidencing a new Orientalism. Rave Culture and Religion will be essential reading for advanced students and academics in the fields of sociology, cultural studies and religious studies.
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Graham St John is a Postdoctoral Research Fellow in Interactive Media and Production at the University of Regina, and a Research Associate at the Centre for Critical and Cultural Studies, Universoty of Queensland. His book Technomad: Global Raving Countercultures will be published with Equinox in September 2009. His previous publications include the edited collection Victor Turner and Contemporary Cultural Performance (Berghahn 2008).
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Zustand: New. Provides insights on developments in post-traditional religiosity through studies of rave's Gnostic narratives of ascensionism and re-enchantment; explorations of the embodied spirituality and millennialist predispositions of dance culture; and investigations of transnational digital-art countercultures manifesting at diverse geographic locations. Editor(s): St. John, Graham. Series: Routledge Advances in Sociology. Num Pages: 348 pages, 1 black & white tables. BIC Classification: HRA; JFCA; JHMC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 19. Weight in Grams: 771. . 2003. 1st Edition. hardcover. . . . . Artikel-Nr. V9780415314497
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