This book explores the new performativity in art theory and practice, examining ways of rethinking interpretive processes in visual culture. Since the 1960s, visual art practices - from body art to minimalism - have taken contemporary art outside the museum and gallery; by embracing theatricality and performance and exploding the boundaries set by traditional art criticism. The contributors argue that interpretation needs to be recognised as much more dynamic and contingent. Offering its own performance script, and embracing both canonical fine artists such as Manet, De Kooning and Jasper Johns, and performance artists such as Vito Acconci and Gunter Brus, this book offers radical re-readings of art works and points confidently towards new models for understanding art.
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Andrew Stephenson, Amelia Jones, Andrew Stephenson Nfa
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Taschenbuch. Zustand: Neu. Neuware - much more dynamic and contingent. It does not come naturally' at the moment of contact with the artwork, but is worked out as an ongoing, open performance between artists and spectators, with meaning circulating fluidly in the complex web of connections between artists, patrons, collectors, and between both specialised and non-specialised viewers within the arena of encounter. Offering its own performance script, and embracing both canonical fine' artists such as Manet, De Kooning and Jasper Johns, and performance artists such as Vito Acconci, Gunter Brus and the Sacred Naked Nature Girls, 'Performing the Body/Performing the Text' offers radical re-readings of art works and points confidently towards new models for understanding art. Artikel-Nr. 9780415190602
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