Offending the Audience: "A dissection of our expectations about what ought to happen in the theatre."—Observer
Self-Accusation: "A cunning and ironic attack on bureaucratic moral guilt."—Observer
Kaspar is based on the true story of Kaspar Hauser, a sixteen year old boy who appeared from nowhere in Nuremberg in 1828 and who had to be taught to speak from scratch. Handke's play is a downright attack on the way language is used by a corrupt society to depersonalize the individual.
My Foot My Tutor: "Handke has here written an hour-long play without words that may at first look like a piece of audience-provocation but that finishes up as sheer theatrical poetry."—Guardian
In The Ride Across Lake Constance, a group of characters (known only by the names of the actors who perform the parts) talk and play games together and skate over the thin ice that separates them from unspoken danger: "Intensely theatrical ... an author for whom playwriting seems akin to tightrope walking."—The Times
They Are Dying Out puts the pillars of the bourgeoisie under the microscope to reveal an alien race, suffocated by rationality, unable to cope with untamed subjective impulses and shows an "uncanny knack for making the familiar seem strange" (Plays and Players).
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Peter Handke was born in Griffen, Austria, in 1942 and studied law at the University of Graz. In 1996 his first novel was published and his first play, Offending the Audience, was staged in Frankfurt. This was seen in London in 1971 and was followed by productions of My Foot My Tutor (1971), Self Accusation, Prophecy and Calling for Help (1972), Kaspar and The Ride Across Lake Constance (1973), the latter transferring successfully to the West End, They are Dying Out (National Theatre, 1976 and The Long Way Round (National Theatre, 1989). His novels and other writings include The Goalie's Anxiety at the Penalty Kick (subsequently made into an award-winning film), Short Letter, Long Farewell and the semi-autobiographical A Sorrow Beyond Dreams, which were published in Britain in 1977; The Left-Handed Woman (1980), a novel drawn from this his film of the same title, which he directed himself; the trilogy of thematically connected novels, Slow Homecoming (1985); his novel Across (1986); Repetition (1988); Afternoon of a Writer (1989); and Absence (1990).
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Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. Peter Handke's work is amongst the most strikingly original of all post-war European writing (Times Educational Supplement) Offending the Audience is "a dissection of our expectations about what ought to happen in the theatre." Self-Accusation is "a cunning and ironic attack on bureaucratic moral guilt" (Observer); Kaspar is based on the true story of Kaspar Hauser, a sixteen year old boy who appeared from nowhere in Nuremberg in 1828 and who had to be taught to speak from scratch. Handke's play is a downright attack on the way language is used by a corrupt society to depersonalise the individual; My Foot My Tutor is a mime for two actors - "Handke has here written an hour-long play without words that may at first look like a piece of audience-provocation but that finishes up as sheer theatrical poetry" (Guardian). In The Ride across Lake Constance, a group of characters (known only by the names of the actors who perform the parts) talk and play games together and skate over the thin ice that separates them from unspoken danger. "Intensely theatrical.an author for whom playwriting seems akin to tightrope walking" (The Times). They Are Dying Out puts the pillars of the bourgeoisie under the microscope to reveal an alien race, suffocated by rationality, unable to cope with untamed subjective impulses and shows an "uncanny knack for making the familiar seem strange" (Plays and Players). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR003924481
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Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
paperback. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Artikel-Nr. rev1944446045
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Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Fair. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780413680907. Artikel-Nr. 8826952
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Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Artikel-Nr. HU-9780413680907
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Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
Zustand: New. pp. 336 4:B&W 5 x 8 in or 203 x 127 mm Perfect Bound on Creme w/Gloss Lam. Artikel-Nr. 6356860
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Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. 320 pages. 7.76x5.12x1.10 inches. In Stock. Artikel-Nr. __0413680908
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Anbieter: Pearlydewdrops, Streat, Vereinigtes Königreich
paperback. Zustand: Fine. New & unread, however may have light shelf wear to cover face, edges or corners. Shipped from the UK within 2 business days of order being placed. Artikel-Nr. mon0000305948
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Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. This volume contains Handke's work from the 1970s. It includes "Kaspar", in which the playwright explores the power of language as a means of oppression - a means of creating artificial uniformity by teaching people to comprehend the world only in terms of the speech patterns they are given. Series: Contemporary Dramatists. Num Pages: 320 pages, black & white illustrations. BIC Classification: DD. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 134 x 203 x 24. Weight in Grams: 400. . 1997. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780413680907
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Anbieter: Pearlydewdrops, Streat, Vereinigtes Königreich
paperback. Zustand: New. Shipped from the UK within 2 business days of order being placed. Artikel-Nr. mon0000305847
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Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Winner of the 2019 Nobel Prize for Literature.Peter Handke's work is amongst the most strikingly original of all post-war European writing. This collected plays volume features six plays, translated into English, from his staged work in the 1960s/70s by Michael Roloff and Karl Weber. With an introduction by Tom Kuhn and chronology of Handke's life and work, the collection also includes notes by the author on the plays themselves and a written manifesto.Offending the Audience (1966) is described as 'a dissection of our expectations about what ought to happen in the theatre.' It was originally conceived not as a play, but as a polemical essay about the theatre and a confrontation with each and every one of the conventions of which audiences have been accustomed to.Self-Accusation (1968) is 'a cunning and ironic attack on bureaucratic moral guilt' (Observer). Written as the first of three short plays, it is an investigation of language and the forms of theatre designed to serve as 'autonomous prologues' to the old plays - as a means to sensitise the audience and to make them aware.Kaspar (1968) is based on the true story of Kaspar Hauser, a sixteen year old boy who appeared from nowhere in Nuremberg in 1828 and who had to be taught to speak from scratch. Handke's play is a downright attack on the way language is used by a corrupt society to depersonalise the individual.My Foot My Tutor (1969) is a mime for two actors - 'Handke has here written an hour-long play without words that may at first look like a piece of audience-provocation but that finishes up as sheer theatrical poetry' (Guardian).The Ride Across Lake Constance (1970) follows a group of characters (known only by the names of the actors who perform the parts) who talk and play games together and skate over the thin ice that separates them from unspoken danger. 'Intensely theatrical.an author for whom playwriting seems akin to tightrope walking' (The Times).They Are Dying Out (1973) puts the pillars of the bourgeoisie under the microscope to reveal an alien race, suffocated by rationality, unable to cope with untamed subjective impulses and shows an 'uncanny knack for making the familiar seem strange' (Plays and Players). Artikel-Nr. 9780413680907
Anzahl: 2 verfügbar