In this landmark work of journalism, Norman Mailer reports on the presidential conventions of 1968, the turbulent year from which today’s bitterly divided country arose. The Vietnam War was raging; Martin Luther King, Jr., and Robert F. Kennedy had just been assassinated. In August, the Republican Party met in Miami and picked Richard Nixon as its candidate, to little fanfare. But when the Democrats backed Lyndon Johnson’s ineffectual vice president, Hubert Humphrey, the city of Chicago erupted. Antiwar protesters filled the streets and the police ran amok, beating and arresting demonstrators and delegates alike, all broadcast on live television—and captured in these pages by one of America’s fiercest intellects.
Praise for Miami and the Siege of Chicago
“For historians who wish for the presence of a world-class literary witness at crucial moments in history, Mailer in Miami and Chicago was heaven-sent.”—Michael Beschloss, The Washington Post
“Extraordinary . . . Mailer [predicted that] ‘we will be fighting for forty years.’ He got that right, among many other things.”—Christopher Hitchens, The Atlantic
“Often reads like a good, old-fashioned novel in which suspense, character, plot revelations, and pungently describable action abound.”—The New York Review of Books
“[A] masterful account . . . To understand 1968, you must read Mailer.”—Chicago Tribune
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Born in 1923 in Long Branch, New Jersey, and raised in Brooklyn, New York, Norman Mailer was one of the most influential writers of the second half of the twentieth century and a leading public intellectual for nearly sixty years. He is the author of more than thirty books. The Castle in the Forest, his last novel, was his eleventh New York Times bestseller. His first novel, The Naked and the Dead, has never gone out of print. His 1968 nonfiction narrative, The Armies of the Night, won the Pulitzer Prize and the National Book Award. He won a second Pulitzer for The Executioner’s Song and is the only person to date to have won Pulitzers in both fiction and nonfiction. Five of his books were nominated for National Book Awards, and he won a lifetime achievement award from the National Book Foundation in 2005. Norman Mailer died in 2007 in New York City.
chapter 1
Miami Beach, August 3–9
They snipped the ribbon in 1915, they popped the cork, Miami Beach was born. A modest burg they called a city, nine-tenths jungle. An island. It ran along a coastal barrier the other side of Biscayne Bay from young Miami—in 1868 when Henry Lum, a California ’forty-niner, first glimpsed the island from a schooner, you may be certain it was jungle, cocoanut palms on the sand, mangrove swamp and palmetto thicket ten feet off the beach. But by 1915, they were working the vein. John S. Collins, a New Jersey nurseryman (after whom Collins Avenue is kindly named) brought in bean fields and avocado groves; a gent named Fisher, Carl G., a Hoosier—he invented Prestolite, a millionaire—bought up acres from Collins, brought in a work-load of machinery, men, even two elephants, and jungle was cleared, swamps were filled, small residential islands were made out of baybottom mud, dredged, then relocated, somewhat larger natural islands adjacent to the barrier island found themselves improved, streets were paved, sidewalks put in with other amenities—by 1968, one hundred years after Lum first glommed the beach, large areas of the original coastal strip were covered over altogether with macadam, white condominium, white luxury hotel and white stucco flea-bag. Over hundreds, then thousands of acres, white sidewalks, streets and white buildings covered the earth where the jungle had been. Is it so dissimilar from covering your poor pubic hair with adhesive tape for fifty years? The vegetal memories of that excised jungle haunted Miami Beach in a steam-pot of miasmas. Ghosts of expunged flora, the never-born groaning in vegetative chancery beneath the asphalt came up with a tropical curse, an equatorial leaden wet sweat of air which rose from the earth itself, rose right up through the baked asphalt and into the heated air which entered the lungs like a hand slipping into a rubber glove.
The temperature was not that insane. It hung around 87 day after day, at night it went down to 82, back to the same 87 in the a.m.—the claims of the News Bureau for Miami Beach promised that in 1967 temperature exceeded 90° only four times. (Which the Island of Manhattan could never begin to say.) But of course Miami Beach did not have to go that high, for its humidity was up to 87 as well—it was, on any and every day of the Republican Convention of 1968, one of the hottest cities in the world. The reporter was no expert on tropical heats—he had had, he would admit, the island of Luzon for a summer in World War II; and basic training in the pine woods of Fort Bragg, North Carolina, in August; he had put in a week at Las Vegas during July—temperatures to 110; he had crossed the Mojave Desert once by day; he was familiar with the New York subway in the rush hour on the hottest day of the year. These were awesome immersions—one did not have to hit the Congo to know what it was like in a hothouse in hell—but that 87° in Miami Beach day after day held up in competition against other sulphuric encounters. Traveling for five miles up the broken-down, forever in-a-state-of-alteration and repair of Collins Avenue, crawling through 5 p.m. Miami Beach traffic in the pure miserable fortune of catching an old taxi without air conditioning, dressed in shirt and tie and jacket—formal and implicitly demanded uniform of political journalists—the sensation of breathing, then living, was not unlike being obliged to make love to a 300-pound woman who has decided to get on top. Got it? You could not dominate a thing. That uprooted jungle had to be screaming beneath.
Of course it could have been the air conditioning: natural climate transmogrified by technological climate. They say that in Miami Beach the air conditioning is pushed to that icy point where women may wear fur coats over their diamonds in the tropics. For ten miles, from the Diplomat to the Di Lido, above Hallandale Beach Boulevard down to Lincoln Mall, all the white refrigerators stood, piles of white refrigerators six and eight and twelve stories high, twenty stories high, shaped like sugar cubes and ice-cube trays on edge, like mosques and palaces, shaped like matched white luggage and portable radios, stereos, plastic compacts and plastic rings, Moorish castles shaped like waffle irons, shaped like the baffle plates on white plastic electric heaters, and cylinders like Waring blenders, buildings looking like giant op art and pop art paintings, and sweet wedding cakes, cottons of kitsch and piles of dirty cotton stucco, yes, for ten miles the hotels for the delegates stood on the beach side of Collins Avenue: the Eden Roc and the Fontainebleau (Press Headquarters), the Di Lido and the De Lano, the Ivanhoe, Deauville, Sherry Frontenac and the Monte Carlo, the Cadillac, Caribbean and the Balmoral, the Lucerne, Hilton Plaza, Doral Beach, the Sorrento, Marco Polo, Casablanca, and Atlantis, the Hilyard Manor, Sans Souci, Algiers, Carillon, Seville, the Gaylord, the Shore Club, the Nautilus, Montmartre, and the Promenade, the Bal Harbour on North Bay Causeway, and the Twelve Caesars, the Regency and the Americana, the Diplomat, Versailles, Coronado, Sovereign, the Waldman (dig!), the Beau Rivage, the Crown Hotel, even Holiday Inn, all oases for technological man. Deep air conditioning down to 68°, ice-palaces to chill the fevered brain—when the air conditioning worked. And their furnishings were monumentally materialistic. Not all of them: the cheaper downtown hotels like the Di Lido and the Nautilus were bare and mean with vinyl coverings on the sofas and the glare of plastic off the rugs and tables and tiles, inexpensive hotel colors of pale brown and buff and dingy cream, sodden gray, but the diadems like the Fontainebleau and the Eden Roc, the Doral Beach, the Hilton Plaza (Headquarters for Nixon), the Deauville (Hq for Reagan) or the Americana—Rockefeller and the New York State delegation’s own ground—were lavish with interlockings, curves, vaults and runs of furnishings as intertwined as serpents in the roots of a mangrove tree. All the rivers of the very worst taste twisted down to the delta of each lobby in each grand Miami Beach hotel—rare was the central room which did not look like the lobby of a movie palace, imitation of late-Renaissance imitations of Greek and Roman statues, imitations of baroque and rococo and brothel Victorian and Art Nouveau and Bauhaus with gold grapes and cornucopias welded to the modern bronze tubing of the chair, golden moldings which ran like ivy from room to room, chandeliers complex as the armature of dynamos, and curvilinear steps in the shape of amoebas and palettes, cocktail lounge bars in deep rose or maroon with spun-sugar white tubes of plaster decor to twist around the ceiling. There was every color of iridescence, rainbows of vulgarity, aureoles of gorgeous taste, opium den of a middle-class dollar, materialistic as meat, sweat, and the cigar. It is said that people born under Taurus and Capricorn are the most materialistic of us all. Take a sample of the residents in the census of Miami B.—does Taurus predominate more than one-twelfth of its share? It must, or astrology is done, for the Republicans, Grand Old Party with a philosophy rather than a program, had chosen what must certainly be the materialistic capital of the world for their convention. Las Vegas might offer competition, but Las Vegas was materialism in the service of electricity—fortunes could be lost in the spark of the dice. Miami was materialism baking in the sun, then stepping back to air-conditioned caverns where ice could...
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