This introductory text deals with the physical systems and biological processes that intervene in what we broadly call "music". It analyzes what physical properties of sound patterns are associated with what psychological sensations of music, and describes how these sound patterns are actually produced in musical instruments, how they propagate through the environment, and how they are detected by the ear and interpreted in the brain. Without using complicated mathematics, the author weaves a close mesh between the disciplines of acoustics, psychophysics, and neurobiology, offering an integral picture of not only the science of music, but also the "music of science", that is, the beauty and excitement of scientific research, reasoning and understanding. This text should be accessible to undergraduate-level students, whether from science, arts or engineering schools, but it should also be useful to professional musicians, physics educators, acoustical engineers and neuroscientists. The fourth edition incorporates recent research on tone generation in musical instruments and latest findings in brain science.
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The author is a space scientist of international reputation with a close and active relation with music (he studied organ with the late maestros Héctor Zeoli in Buenos Aires and Hans Jendis in Göttingen), who organized and directed the international workshops on the Neuropsychological Foundations of Music at the Carinthian Music Festivals in Ossiach, Austria. These workshops, held regularly between 1973 and 1985, have been credited as being the originators of the interdisciplinary approach to the study of music perception. In 2007 he was invited to deliver the opening lecture on Music and the Evolution of Human Brain Function at the international congress Mozart and Science in Baden/Vienna, Austria.
This book, a classic in its field, deals with the physical systems and physiological processes that intervene in music. It analyzes what objective, physical properties of sound are associated with what subjective psychological sensations of music, and it describes how these sound patterns are actually generated in musical instruments, how they propagate through the environment, and how they are detected by the ear and interpreted in the brain. Using the precise language of science, but without complicated mathematics, the author weaves a close mesh of the physics, psychophysics and neurobiology relevant to music. A prior knowledge of physics, mathematics, neurobiology or psychology is not required to understand most of the book; it is, however, assumed that the reader is familiar with music - in particular, with musical notation, musical scales and intervals, and some of the basics of musical instruments. This new edition presents substantially updated coverage of psychoacoustics, including:
• New results from tomographic imaging of brain function that confirm some speculations in previous editions
• New research on consciousness and emotions
• The possibility of musics in extraterrestrial civilizations
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Taschenbuch. Zustand: Neu. Neuware -This introductory text deals with the physical systems and biological processes that intervene in what we broadly call ¿music. ¿ We shall analyze what obj- tive, physical properties of sound patterns are associated with what subjective, psychological sensations of music. We shall describe how these sound patterns are actually produced in musical instruments, how they propagate through the environment, and how they are detected by the ear and interpreted in the brain. We shall do all this by using the physicist¿s language and his method of thought and analysis¿without, however, using complicated mathematics. Although no previous knowledge of physics, physiology, and neurobiology is required, it is assumedthatthereaderpossesseshigh-schooleducationandisfamiliarwit hbasic aspects of music, in particular with musical notation, scales and intervals, musical instruments and typical musical ¿sensations. ¿ Books are readily available on the fundamentals of physics of music (e. g. , Benade, 1990; Pierce, 1983; Fletcher and Rossing, 1998; Johnston, 2003) and psychoacoustics, music psychology and perception (e. g. , Plomp, 1976; Deutsch, 1982a; Zatorre and Peretz, 2001; Hartmann, 2005). An excellent text on musical acoustics is that of Sundberg (1991), still most useful 17 years later; comp- hensive discussions of recent researches on pitch perception and related au- tory mechanisms can be found in Plack et al. (2005). The purpose of the present volume is not to duplicate but to synthesize and complement existing literature.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 244 pp. Englisch. Artikel-Nr. 9780387094700
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book, a classic in its field, deals with the physical systems and physiological processes that intervene in music. It analyzes what objective, physical properties of sound are associated with what subjective psychological sensations of music, and it describes how these sound patterns are actually generated in musical instruments, how they propagate through the environment, and how they are detected by the ear and interpreted in the brain. Using the precise language of science, but without complicated mathematics, the author weaves a close mesh of the physics, psychophysics and neurobiology relevant to music. A prior knowledge of physics, mathematics, neurobiology or psychology is not required to understand most of the book; it is, however, assumed that the reader is familiar with music - in particular, with musical notation, musical scales and intervals, and some of the basics of musical instruments. This new edition presents substantially updated coverage of psychoacoustics, including:- New results from tomographic imaging of brain function that confirm some speculations in previous editions- New research on consciousness and emotions- The possibility of musics in extraterrestrial civilizations. Artikel-Nr. 9780387094700
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