A Michael L. Printz Honor Award Winner in the vein of This is Where It Ends
“A gentle, lyrical story of incomprehensible sorrow faced with quiet courage.”—ELIZABETH WEIN, New York Times bestselling author
“Hubbard treats tragedy and new beginnings with a skilled, delicate hand.”—JOHN COREY WHALEY, author of Where Things Come Back, winner of the Michael L. Printz Award
Senior Paul Wagoner walks into his school with a stolen gun, threatens his girlfriend, Emily Beam, and then takes his own life. Soon after, angry and guilt-ridden Emily is sent to a boarding school in Amherst, Massachusetts, where two quirky fellow students and the spirit of Emily Dickinson offer helping hands. But it is up to Emily Beam to heal her own damaged self, to find the good behind the bad, hope inside the despair, and springtime under the snow.
A Boston Globe Best YA Novel of the Year
A Kirkus Reviews Best Book of the Year
A Tayshas High School Reading List Selection
A North Carolina Young Adult book Award Nominee
* "As graceful as a feather drifting down, this lyrical story delivers a deep journey of healing on a tragic theme.”—Kirkus Reviews, Starred
* "And We Stay is a little gem of a book. . . . there is certainly something for anyone looking for a good read with a strong, believable female lead who is working her hardest to overcome tragedy.”—School Library Journal, Starred
“Hubbard’s writing is elegant and emotional.”—Publisher’s Weekly
“This novel is accomplished, polished, and mixes prose and poetry to stunning effect.”—Booklist
“Hubbard . . . captures perfectly the turbulence of young love, the bonds of friendship, and the push-and-pull dynamic between teens and adults.”—VOYA
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Michael L. Printz Honor Award-winning And We Stay is Jenny Hubbard’s second novel. Her first, Paper Covers Rock, was a William C. Morris Debut Award Finalist. A former English teacher, Jenny writes books and plays in her hometown of Slisbury, North Carolina, where she lives with her husband, a high school math teacher, and their rescue dog, Oliver. You can find Jenny on Facebook, follow her (and Oliver) on Twitter at @HubbardWrites, and visit her website at jennyhubbard.com.
There are rumors the day Emily Beam arrives at the Amherst School for Girls--in January, halfway through her junior year. She doesn't look like the other girls, who look like girls in magazines. She doesn't sound like them, either, and she wears different shoes. As she sits on a bed she's never slept in, in the first room she's ever shared, Emily announces to the tall, curly-haired blonde standing by the window that she's come from Boston. This isn't a lie. It is where she's stayed for the past month.
K.T. nods and looks down at Emily's feet. "What size shoe do you wear?"
"Seven," Emily says.
K.T. walks over to her closet and digs out a pair of navy-blue clogs with wooden heels.
"Here," says K.T. "Wear these."
Emily takes off her rubber-soled Mary Janes.
"They'll be a size too big," K.T. says, "which will make it tough to walk on those little pebbles out there, but at least no one will talk shit about you."
As Emily slips on the clogs, K.T. takes the black Mary Janes and drops them--clunk, clunk--into the steel trash can.
"You can wear your pj's to class if you want," K.T. says. "A lot of us do."
Emily takes in her roommate's casual elegance: the untucked white button-down, the purple cashmere cardigan, the necklace of tiny turquoise beads, the brown suede boots with scuffed toes. Emily looks down at her new giant feet. "I have to go to the bathroom," she says.
"Do you remember where it is?" K.T. points. "Just at the end of the hall."
In the bathroom, Emily sweeps her long hair up into a messy ponytail, which is the style here, she's noticed. In the morning--her first day of class--she'll wear the Harvard sweatshirt she got in Boston. As far as boarding schools go, Emily has no idea how Amherst School for Girls ("ASG," K.T. calls it--like ask but with a g) compares. Boarding school? It wasn't even in the realm of possibilities; it wasn't even on the radar screen. And by the time Aunt Cindy convinced Emily's parents that it was necessary, ASG was the only school that would take her, and that was only because there was an extra bed since K.T.'s prior roommate, Hannah, had been expelled for sneaking out late at night to meet townies.
"You're a Hart Girl now," K.T. tells Emily on their way to dinner.
"A heart girl?"
"Yeah," says K.T. "As in Hart Hall, where we live."
"Oh, right," says Emily. The dorm doesn't look like dorms she's seen in pictures or movies. It's a house, a sprawling Victorian one, painted gray with purple trim, tucked behind a high row of boxwoods.
"ASG was the wrong place for Hannah to begin with. This place is about the mind, and Hannah, well, she was all about the body."
Townies. Dorms known as halls. Cafeterias called dining rooms. To survive here, Emily is going to have to learn a whole other language.
Maybe that's why the poem comes sweeping in that very first night at ASG. In the past, Emily Beam has written poems only when a teacher has required her to, but as soon as she lies down on her single bed under the slope of the old wooden roof, lines unspool like ribbons, and she can't fall asleep until she ties them into bows.
MAZE
At the start, she stands: an opening
between the high, chopped-off
hedges. She can walk, one
foot, then another,
over the little pebbles.
It all looks so English,
so civilized, until
the dead end.
The dead end. The dead
end. The wind lends
the hedge its own green
voice. But what human speaks
Hedge? What antiquated
map shows a girl
the way?
No exit sign in neon
points her out.
No bread crumbs
on a path. If only
she were a pencil
with an eraser, she
could draw herself
out.
Emily Beam, January 15, 1995
Emily looks over at K.T., who, before she fell asleep, put on earphones and listened to classical music that was so loud that Emily could hear it across the room. Emily should be sleeping, too. It is five o'clock in the morning, and in three hours, after a special assembly celebrating the life of Martin Luther King, Jr., she'll stand face to face with her first day of classes. If Emily had to tell somebody what happened in the Grenfell County High School library, where would she begin? How desperate did Paul have to be to do what he did? Emily will never understand it, never. Didn't he realize that when he pulled the trigger, the world would go on without him in it? Didn't he know that dead, he'd be nowhere?
Emily puts her head down on her desk, on top of the poem she has written, and closes her eyes. As she has done for thirty-four nights, she tries to read past the dark. Read into Paul. There was little crime in Grenfell County with its spread-out landscape. The most violent thing ever to happen in the history of Grenfell County had happened at the high school.
The high school to which she will never return. The day after she and her parents arrived in Boston, Aunt Cindy quietly suggested over chicken potpie that they find Emily a boarding school, maybe even one in Massachusetts, where she could finish out her junior year. Emily's parents agreed. It was not a good idea for Emily to have to go back home and deal with the whispers and stares and, of course, the memories.
Emily was stunned. It was straight out of the Brothers Grimm. Boarding school? Only orphans and screwups and spoiled rich girls went to boarding school. She would be despised there, made fun of. She would become the butt of every joke ever told. So Emily pitched a fit, which had no effect. She jumped around the dining room and kicked the couch in the den and slung all of the magazines on Aunt Cindy's coffee table across the room. She told her aunt and her parents that they were evil. When she told them she hated them, they stared back at her, stone-faced.
For a month Emily stayed with Aunt Cindy, who oversaw Emily's recovery by renting movies on a theme. The first trip to Blockbuster, they rented films set in Paris--Emily's choice. The next time, Aunt Cindy chose films about high school.
"You haven't lived until you've seen The Breakfast Club," Aunt Cindy said. The movie was about five high-school types who don't know each other very well and get stuck together in Saturday detention in their library.
Emily shook her head. "Is it really a good idea for me to watch something that takes place in a school library?"
"Emily," said Aunt Cindy, "you're seventeen years old. I think you're smart enough by now to separate fact from fiction."
That's the thing, though; Emily isn't so sure. A story gets told one too many times and facts melt away like pats of butter. Case in point: not even forty-eight hours after Paul died, people in Grenfell County were saying that he had tried to use Mr. Jim, the one-armed janitor, as target practice when the truth was that the two of them had simply passed each other in the hall as Paul made his way to the library.
Another case in point: a new girl shows up at the Amherst School for Girls after the holiday break, and rumor has it that this new girl got into major trouble at her old school. Why else would she materialize midway through her junior year at a place where she has no friends, no connections, no legacy? Emily and Aunt Cindy sat on the couch biding time until Christmas was past and the new year was under way, eating popcorn and watching stupid high school movies about nerds who prevail or virgins who succumb.
Before Boston, before ASG, Emily had wanted nothing more than to be loved by a boy. When she was fourteen, fifteen, sixteen, she had watched girls on the cheerleading squad sprout wings with each boyfriend. They became more beautiful, the beauty of confidence. For four months, Emily had it, too.
But here at ASG, she is surrounded by girls more self-assured than she, clean-looking girls who sleep next to photographs of their boyfriends and talk to them daily on the phone in the hall. Boys are kept at a safe distance. The girl who gave...
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