The futuristic hardboiled noir that Lauren Beukes calls “sharp as a paper-cut” about a garbage man turned kill-for-hire.
Spademan used to be a garbage man. That was before the dirty bomb hit Times Square, before his wife was killed, and before the city became a blown-out shell of its former self.
Now he’s a hitman.
In a near-future New York City split between those who are wealthy enough to “tap in” to a sophisticated virtual reality, and those who are left to fend for themselves in the ravaged streets, Spademan chose the streets. When his latest client hires him to kill the daughter of a powerful evangelist, he must navigate between these two worlds—the wasteland reality and the slick fantasy—to finish his job, clear his conscience, and make sure he’s not the one who winds up in the ground.
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Adam Sternbergh is the culture editor of The New York Times Magazine. Formerly an editor-at-large for New York, his writing has been featured in several other publications including GQ, The Times of London, and on the radio program This American Life. He lives in Brooklyn and is at work on a second Spademan novel.
www.adamsternbergh.com · @sternbergh
1.
My name is Spademan. I’m a garbageman.
--this fucker.
I don’t care.
Don’t you want--
Just a name.
I have his address.
Great.
See this fucker--
I said don’t.
Okay.
The less I know, etcetera.
How much?
What I said. To the account I mentioned.
And how will I--
You won’t hear from me again.
But how do I--
The dead guy. That’s how.
I don’t want to know your reasons. If he owes you or he beat you or she swindled you or he got the promotion you wanted or you want to fuck his wife or she fucked your man or you bumped into each other on the subway and he didn’t say sorry. I don’t care. I’m not your Father Confessor.
Think of me more like a bullet.
Just point.
--best friends. At least that’s what I thought. Then it turns out she’s fucking him.
Please, ma’am. I will disconnect. And this number doesn’t work twice.
Wait. Is this safe?
Which part?
Aren’t they listening?
Of course.
So?
Doesn’t matter.
Why not?
Picture America.
Okay.
Now picture all the phone calls in all the cities in America.
Okay.
Now picture all the people in all the world who are calling each other right now trying to plot ways to blow America up.
Okay.
So who the fuck do you think is going to care about you and your former best friend?
I see. Will you tell her--
No.
Will you tell her when you see her that it was me who sent you. It was me.
I’m not FedEx. I don’t deliver messages. Understand?
Yes.
Good. Now the name. Just the name.
I kill men. I kill women because I don’t discriminate. I don’t kill children because that’s a different kind of psycho.
I do it for money. Sometimes for other forms of payment. But always for the same reason. Because someone asked me to.
And that’s it.
A reporter buddy once told me that in newspapers, when you leave out some important piece of information at the beginning of a story, they call it burying the lede.
So I just want to make sure I don’t bury the lede.
Though it wouldn’t be the first thing I’ve buried.
It might sound hard but it’s all too easy now. This isn’t the same city anymore. Half-asleep and half-emptied-out, especially this time of morning. Light up over the Hudson. The cobblestones. At least I have it mostly to myself.
These buildings used to be warehouses. Now they’re castles. Tribeca, a made‑up name for a made‑up kingdom. Full of sleeping princes and princesses, holed up on the highest floors. Arms full of tubes. Heads full of who knows. And they’re not about to come down here, not at this hour, on the streets, with the carcasses, with the last of the hoi polloi.
Yes, I know the word hoi polloi. Read it on a cereal box.
I never liked Manhattan, even back when everyone still liked it, when people still flocked from all over the world to visit and smile and snap photos. But I do like the look of Tribeca. Old industrial neighborhood, a remnant from when this city used to actually make things. So I come across the river in the early morning to walk around here before dawn. Last quiet moment before people wake up. Those who still bother waking up.
Used to be you’d see men with dogs. This was the hour for that. But there are no dogs anymore, of course, not in this city, and even if you had one, you’d never walk it, not in public, because it would be worth a million dollars and you’d be gutted once you got around the corner and out of sight of your trusty doorman and your own front door.
I did see a man once walking a million-dollar dog. On a treadmill, in a lobby, behind bullet-proof glass.
Feed-bag delivery boy on a scooter zips past me, up Franklin, tires bouncing over the cobblestones. Engine whines like he’s driving a rider-mower, killing the morning quiet. Cooler on the scooter carries someone’s liquid breakfast. Lunch and dinner too, in IV bags.
Now it’s just nurses and doormen and feed-bag delivery boys out at this hour. Tireless members of the service economy.
Like me.
Phone rings.
--and how old is she?
Eighteen.
You sure about that?
Does it matter?
Yes. Quite a bit.
Well, she’s eighteen.
Got a name?
Grace Chastity Harrow. But she goes by a new name now. Persephone. That’s what her friends call her, so I hear. If she has any friends.
Where is she?
New York by now. I assume.
That’s not much to go on.
She’s a dirty slut junkie--
Calm down or I hang up.
So you’re just a hunting dog? Is that it?
Something like that.
Just a bloodhound in a world of foxes?
Look, you need a therapist, that’s a different number.
She’s somewhere in New York, so far as I know. She ran away.
I have to ask. Any relation?
I thought this was no questions.
This matters.
To whom?
To me.
No, I meant any relation to whom?
T. K. Harrow. The evangelist.
Now why should that matter?
Famous people draw attention. It’s a different business. Different rates.
As I said, I’ll pay double. Half now, half later.
All now, and as I said, I need to know.
Yes. She betrayed his--
I don’t care.
But you’ll do it?
A fake name in a big city. Not exactly a treasure map. More like a mile of beach and a plastic shovel.
She said she was headed to New York. To the camps. They call her Persephone. That’s a start, right?
I guess we’ll find out.
May I ask you another question?
Go ahead.
You can kill a girl, just like that?
Yes I can.
Fascinating.
Before you transfer that money, you better make sure you ask yourself the same thing.
I hang up and write a single word on a scrap of paper.
Persephone.
Pocket it.
Then take the SIM card out of the phone, snap it, and drop the phone down a sewer grate, hidden beneath the cobblestone curb.
No motives, no details, no backstory. I don’t know and I don’t want to know. I have a number and if you’ve found it, I know you’re serious. If you match my price, even more so. Once the money arrives, it starts. Then it ends.
Waste disposal. Like I said.
It’s an old joke, but I like it.
Truth is, I never spend the money.
2.
I start at the camps. The biggest one’s Central Park. At first the rich at the rim of the park hired private guards to chase them out, tear down their tents, send them scurrying, by any means necessary. Then there was a couple of incidents, a few headlines, then a skinning. Private guards got creative. Peeled a kid and hung him upside-down from a tree. That didn’t play well, even in the Post.
All that’s over now. The rich never come out to the park anymore, could give a shit about Strawberry Fields, the camps have been here three, four years, long past anyone caring.
Dozens of pup tents, like rows of overturned egg cartons. Dirty faces. Drum circles and dreadlocks.
I ask around.
The first person who knows her has a forehead full of fresh stitches.
Bitch cut my face.
Band of white peeks up over his waistband. Not boxers. Bandages.
Looks like she didn’t stop there.
He picks at a stitch.
Hardy-har-har.
Kid nearby pipes up.
I knew...
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