“Irresistible....Amelia is still a joy.”
—New York Times Book Review
The intrepid archeologist Amelia Peabody and her fearless family, the Emersons, are back in Egypt, and something very nasty is afoot in Lord of the Silent—New York Times bestselling Grandmaster Elizabeth Peters’s sparkling adventure with more riddles than the Sphinx and more close calls and stunning escapes than an Indiana Jones movie. Reviewers are simply agog over Lord of the Silent, calling it, “Wonderfully entertaining” (Washington Times), “Deeply satisfying” (Entertainment Weekly), and in the words of the Toronto Globe and Mail, “The hype is true. This is Peters’s best book.”
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Amelia Peabody Emerson is the Mary Poppins of Egypt. Forthright, intrepid, and industrious, she brooks no nonsense from anyone and is armed with an apparently magical parasol. As the legions of fans of Elizabeth Peters's Edwardian archeological mystery series know, Amelia is also possessed of a swift temper, an incorrigible curiosity, and an uncanny proclivity for attracting trouble. But in 1915, with the world gripped by the madness of war, trouble is endemic. In an effort to prevent their son Ramses from being coerced into working for British intelligence (in the sort of endeavor that nearly got him killed a year earlier when he infiltrated a band of Egyptian nationalists and prevented a Turkish-backed uprising), Amelia and husband Emerson and the rest of their dizzyingly large entourage flee England for the reassuringly stoic splendor of their beloved Egyptian ruins.
So much for a quiet dig among the mastabas. With their usual luck, the family promptly finds itself inundated by would-be assassins and nosy journalists. Amelia quickly deduces that Ramses's undercover work is at the root of both threat and curiosity; more puzzling is the appearance of the odd corpse or two and a rash of stunningly efficient tomb robberies. When Ramses and his wife, Nefret, travel to Luxor to check on the security of some of their old excavations, they find an all-too-familiar irritant behind the robberies. It would be telling to reveal his identity, but fans of the series will soon figure it out, with the aid of a little suspension of disbelief. With Ramses and Nefret on one hand, and Amelia and Emerson on the other, engaged in "protecting" the other side from conflict and trouble, the novel unfolds in a merry chase of misdirection and miscommunication.
There is a comforting consistency to Peters's series. By now, all of the characters' quirks are etched in stone like so many well-worn hieroglyphs. Amelia's narrative has the familiarity of a treasured and oft-read letter from a slightly batty aunt. Even the miraculous return of (no, I really can't say), though perhaps intended as a radical plot twist, adheres to the most genteel of mystery traditions, à la Doyle and Christie. Innovation can be overrated; with Peters's flawless record of producing amusing, easily digested novels showing no signs of faltering, fans should devour this morsel--and wait impatiently for the next tasty installment. --Kelly FlynnFrom the Back Cover:
Undeterred by world war and enemy submarines, Amelia Peabody --Grandmaster Elizabeth Peters's indomitable archaeologist-sleuth -- once again sets sail for Egypt, where ghosts of an ancient past and specters of a present-day evil hover silently over an inscrutable land.Lord of the Silent
With son Ramses, his wife, Nefret, and a few unwelcome additions in tow, the elder Peabody-Emersons embark on a dangerous sea voyage to Alexandria, ultimately ending up in Cairo for their annual excavations. But in this autumn of 1915 the exotic, alluring city is not what it used to be. Cairo has been transformed into an armed camp teeming with enemy agents, and shockingly bold tomb robbers are brazenly desecrating the ancient sites.
Amelia's foremost priority is to prevent the War Office from pressing Ramses into service again, on the same sort of job that almost cost him his life the previous year. But in these terrible days of global conflict and relentless skullduggery, no place in Egypt is safe. Even remote Luxor provides no guarantee of safety, especially after Amelia discovers a fresh corpse resting in an ancient tomb.
The grim discovery presages further trouble for the Emersons, as the sinister conundrum pulls them all into a bubbling morass of corruption, intrigue, and international espionage deeper and more fiendish than any they have hitherto encountered. Death follows death, with abduction and an assault on Amelia herself intensifying the chaos of a world at war.
Yet there is an even darker danger in store for the Emersons. Can it be that one of Amelia's oldest and most dangerous adversaries will intervene to alter the family's destiny? Tantalizing clues suggest that this may be so and point toward an archaeological discovery of unparalleled importance -- and the resurrection of a voice that has been silent for millennia.
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Buchbeschreibung Williammr, 2001. Gebundene Ausgabe. Buchzustand: Gebraucht. Gebraucht - Gut - 404 pp. Artikel-Nr. INF3002869292