In the annals of espionage, one name towers above all others: that of H.A.R. “Kim” Philby, the ringleader of the legendary Cambridge spies. A member of the British establishment, Philby joined the Secret Intelligence Service in 1940, rose to the head of Soviet counterintelligence, and, as MI6’s liaison with the CIA and the FBI, betrayed every secret of Allied operations to the Russians, fatally compromising covert actions to roll back the Iron Curtain in the early years of the Cold War.
Written from Moscow in 1967, My Silent War shook the world and introduced a new archetype in fiction: the unrepentant spy. It inspired John le Carré’s Smiley novels and the later espionage novels of Graham Greene. Kim Philby was history’s most successful spy. He was also an exceptional writer who gave us the great iconic story of the Cold War and revolutionized, in the process, the art of espionage writing.
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Phillip Knightley is a journalist and the author of Master Spy: The Story of Kim Philby.
Graham Greene was a member of the SIS and one of the most highly regarded English novelists of the twentieth century. Among his many works are The Power and the Glory, The Human Factor, Our Man in Havana, and The Third Man.
s of espionage, one name towers above all others: that of H.A.R. “Kim” Philby, the ringleader of the legendary Cambridge spies. A member of the British establishment, Philby joined the Secret Intelligence Service in 1940, rose to the head of Soviet counterintelligence, and, as MI6’s liaison with the CIA and the FBI, betrayed every secret of Allied operations to the Russians, fatally compromising covert actions to roll back the Iron Curtain in the early years of the Cold War.
Written from Moscow in 1967, My Silent War shook the world and introduced a new archetype in fiction: the unrepentant spy. It inspired John le Carré’s Smiley novels and the later espionage novels of Graham Greene. Kim Philby was history’s most successful spy. He was also an exceptional writer who gave us the great iconic story of the Cold War and revolutionized, in the process, the art of espionage writing.
I. Taken On by the Secret Service
It was in the summer of 1940, to the best of my knowledge, that I first made contact with the British secret service. It was a subject that had interested me for some years. In Nazi Germany and later in Spain, where I served as correspondent for The Times with General Franco's forces, I had half expected an approach. I was confident that I would recognize my man the moment he made his first cautious soundings. He would be lean, and bronzed, of course, with a clipped moustache, clipped accents and, most probably, a clipped mind. He would ask me to stick my neck out for my country and frown austerely if I mentioned pay. But no, nothing happened. If anybody did size me up during that time, he found me wanting. The only intelligence officer who took the slightest interest in me during my Spanish days was German, a certain Major von der Osten, alias Don Julio, who died early in the World War in a motor accident in New York. He used to take me to Abwehr headquarters in the Convento de las Esclavas in Burgos, and explain his large wall maps dotted with the usual coloured pins. He dined and wined me in desultory fashion for a year or so, and it proved a useful contact as far as it went. It emerged in due course that his real interest in me was to get an introduction to a lady of my acquaintance. When I obliged him, he propositioned her forthwith, both espionage-wise and otherwise. She turned him down indignantly on both counts, and his manner to me became distant.
When the World War broke out, The Times sent me to Arras as their correspondent accredited to the Headquarters of the British Army. By June 1940 I was back in England, having been evacuated twice, from Boulogne and from Brest. In London, I had written two or three pieces for The Times, winding up the campaign and pointing its various morals. I have no idea what I wrote and, having just read the pungent comments on the campaign in Liddell-Hart's memoirs, I am grateful for the lapse of memory.* I must have produced dreadful rubbish. The main point was that, by the end of June, I was at a loose end. The Times showed no disposition to get rid of me or to overload me with work. Thus I had ample leisure to plot my future, if only I could make a good guess at the nature of the background I had to plot it against.
I decided early to leave The Times, considerate though they had always been to me. Army field censorship had killed my interest in war correspondence. Try writing a war report without mentioning a single place-name or designating a single unit and you will see what I mean.? Besides, the idea of writing endlessly about the morale of the British Army at home appalled me. But, in decid- ing to leave The Times, I had to remember that my call-up was fast approaching. I had no intention of losing all control of my fate through conscription into the army. It was therefore with increasing concern that I watched various irons I had put in the fire, nudging one or other of them as they appeared to hot up. I had one promising interview, arranged by a mutual friend, with Frank Birch, a leading light in the Government Code & Cypher School, a crypt-analytical establishment which cracked enemy (and friendly) codes. He finally turned me down, on the infuriating ground that he could not offer me enough money to make it worth my while. Disconsolately, I went to Holloway for my medical.
A few days later, Ralph Deakin, then Foreign News Editor of The Times, summoned me to his office. He bulged his eyes at me, puffed out his cheeks and creased his forehead, habits of his when upset. A certain Captain Leslie Sheridan, of the War Office, had telephoned to ask whether I was "available for war work." Sheridan had not impressed Deakin. He had claimed to be a journalist on the grounds of a previous association with the Daily Mirror. In short, Deakin wanted no part of the affair, and pressed me to let the matter drop. I was sorry to disappoint him. Although I had never heard of Sheridan, I strongly suspected that one of my irons was glowing bright. I decided to strike before it cooled, and immediately followed up the enquiry.
Soon afterwards I found myself in the forecourt of St. Ermin's Hotel, near St. James's Park station, talking to Miss Marjorie Maxse. She was an intensely likeable elderly lady (then almost as old as I am now). I had no idea then, as I have no idea now, what her precise position in government was. But she spoke with authority, and was evidently in a position at least to recommend me for "interesting" employment. At an early stage of our talk, she turned the subject to the possibilities of political work against the Germans in Europe. For ten years, I had taken a serious interest in international politics; I had wandered about Europe in a wide arc from Portugal to Greece; I had already formed some less than half-baked ideas on the subversion of the Nazi regime. So I was reasonably well equipped to talk to Miss Maxse. I was helped by the fact that very few people in England at that early date had given serious thought to the subject. Miss Maxse's own ideas had been in the oven very little longer than mine.
I passed this first examination. As we parted, Miss Maxse asked me to meet her again at the same place a few days later. At our second meeting, she turned up accompanied by Guy Burgess,* whom I knew well. I was put through my paces again. Encouraged by Guy's presence, I began to show off, name-dropping shamelessly, as one does at interviews. From time to time, my interlocutors exchanged glances; Guy would nod gravely and approvingly. It turned out that I was wasting my time, since a decision had already been taken. Before we parted, Miss Maxse informed me that, if I agreed, I should sever my connection with The Times and report for duty to Guy Burgess at an address in Caxton Street, in the same block as the St. Ermin's Hotel.
The Times gave me little difficulty. Deakin huffed and sighed a little, but he had nothing spectacular to offer me. So I left Printing House Square without fanfare, in a manner wholly appropriate to the new, secret and important career for which I imagined myself heading. I decided that it was my duty to profit from the experiences of the only secret service man of my acquaintance. So I spent the weekend drinking with Guy Burgess. On the following Monday, I reported to him formally. We both had slight headaches.
The organization to which I became attached called itself the Secret Intelligence Service (SIS). It was also widely known as MI5, while to the innocent public at large it was simply the secret service. The ease of my entry surprised me. It appeared later that the only enquiry made into my past was a routine reference to MI5, who passed my name through their records and came back with the laconic statement: Nothing Recorded Against. Today, every new spy scandal in Britain produces a flurry of judicial statements on the subject of "positive vetting." But in that happier Eden positive vetting had never been heard of. Sometimes, in the early weeks, I felt that perhaps I had not made the grade after all. It seemed that somewhere, lurking in deep shadow, there must be another service, really secret and really powerful, capable of backstairs machination on such a scale as to justify the perennial suspicions of, say, the French.But it soon became clear that such was not the case. It was the death of an illusion. Its passing caused me no pain.
Guy first took me to the office that had been assigned to me. It was a small room with a table, a chair and a telephone, and nothing else. With a snort of annoyance, Guy disappeared down the corridor and came back with a sheaf of foolscap which he laid on the table. Satisfied that I was now fully equipped for my duties, he told me that my salary would be the same as his: £600 per annum, paid...
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Paperback. Zustand: Good. 256 pages. Light tanning around page edgesIn the annals of espionage, one name towers above all others: that of H.A.R. ?Kim? Philby, the ringleader of the legendary Cambridge spies. A member of t he British establishment, Philby joined the Secret Intelligence Service in 1940, rose to the head of Soviet counterintelligence, and, as MI6?s liaison with th e CIA and the FBI, betrayed every secret of Allied operations to the Russians, f atally compromising covert actions to roll back the Iron Curtain in the early ye ars of the Cold War.Written from Moscow in 1967, My Silent War shook the world and introduced a new archetype in fiction: the unrepentant spy. It inspire d John le Carré?s Smiley novels and the later espionage novels of Graham Gree ne. Kim Philby was history?s most successful spy. He was also an exceptional w riter who gave us the great iconic story of the Cold War and revolutionized, in the process, the art of espionage writing. Artikel-Nr. 6893ae
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