Piranha to Scurfy: And Other Stories (Vintage Crime/Black Lizard) - Softcover

Rendell, Ruth

 
9780375727597: Piranha to Scurfy: And Other Stories (Vintage Crime/Black Lizard)
Softcover
ISBN 10: 0375727590 ISBN 13: 9780375727597
Verlag: Knopf Doubleday Publishing Group, 2002

Inhaltsangabe

Nine deliciously frightening and exquisitely crafted tales of psychological terror from Ruth Rendell.

A self-appointed critic reads books only to catch out their errors of fact and usage, which he points out to their authors in vicious letters: Then one day he comes upon a book that attacks him. An elderly woman finally avenges herself on the man who raped her sixty years before. An idyllic village in the English countryside offers newcomers its own peculiar kind of hospitality and exacts a terrible price on those who reject it. Delivering high-voltage shocks with the elegance of a Henry James, Piranha to Scurfy is further evidence of Ruth Rendell’s mastery of any form she puts her hand to.

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Über die Autorin bzw. den Autor

Ruth Rendell is the author of Road Rage, The Keys to the Street, Bloodlines, Simisola, and The Crocodile Bird. She is the winner of the Mystery Writers of America Grand Master Award. She is also the recipient of three Edgars from the Mystery Writers of America and four Gold Daggers from Great Britain’s Crime Writers Association. In 1997, she was named a life peer in the House of Lords. Ruth Rendell also writes mysteries under the name of Barbara Vine, of which A Dark Adapted Eye is the most famous. She lives in England.

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Nine deliciously frightening and exquisitely crafted tales of psychological terror from Ruth Rendell.
A self-appointed critic reads books only to catch out their errors of fact and usage, which he points out to their authors in vicious letters: Then one day he comes upon a book that attacks "him. An elderly woman finally avenges herself on the man who raped her sixty years before. An idyllic village in the English countryside offers newcomers its own peculiar kind of hospitality and exacts a terrible price on those who reject it. Delivering high-voltage shocks with the elegance of a Henry James, Piranha to Scurfy is further evidence of Ruth Rendell's mastery of any form she puts her hand to.

Aus dem Klappentext

usly frightening and exquisitely crafted tales of psychological terror from Ruth Rendell.

A self-appointed critic reads books only to catch out their errors of fact and usage, which he points out to their authors in vicious letters: Then one day he comes upon a book that attacks him. An elderly woman finally avenges herself on the man who raped her sixty years before. An idyllic village in the English countryside offers newcomers its own peculiar kind of hospitality and exacts a terrible price on those who reject it. Delivering high-voltage shocks with the elegance of a Henry James, Piranha to Scurfy is further evidence of Ruth Rendell s mastery of any form she puts her hand to.

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Chapter One

It was the first time he had been away on holiday without Mummy. The first time in his life. They had always gone to the Isle of Wight, to Ventnor or Totland Bay, so, going alone, he had chosen Cornwall for the change that people say is as good as a rest. Not that Ribbon's week in Cornwall had been entirely leisure. He had taken four books with him, read them carefully in the B and B's lounge, in his bedroom, on the beach, and sitting on the clifftop, and made meticulous notes in the looseleaf notebook he had bought in a shop in Newquay. The results had been satisfactory, more than satisfactory. Allowing for the anger and disgust making these discoveries invariably aroused, he felt he could say he had had a relaxing time. To use a horrible phrase much favored by Eric Owlberg in his literary output, he had recharged his batteries.

Coming home to an empty house would be an ordeal. He had known it would be, and it was. Instead of going out into the garden, he gave it careful scrutiny from the dining room window. Everything outside and indoors was as he had left it. The house was as he had left it, all the books in their places. Every room contained books. Ribbon was not one to make jokes, but he considered it witty to remark that while other people's walls were papered, his were booked. No one knew what he meant, for hardly anyone except himself ever entered 21 Grove Green Avenue, Leytonstone, and those to whom he uttered his little joke smiled uneasily. He had put up the shelves himself, buying them from Ikea. As they filled he bought more, adding to those already there until the shelves extended from floor to ceiling. A strange appearance was given to the house by this superfluity of books, as the shelves necessarily reduced the size of the rooms, so that the living room, originally fifteen feet by twelve, shrank to thirteen feet by ten. The hall and landing were "booked" as densely as the rooms. The place looked like a library, but one mysteriously divided into small sections. His windows appeared as alcoves set deep in the walls, affording a view at the front of the house of a rather gloomy suburban street, thickly treed. The back gave onto the yellow-brick rears of other houses and, in the foreground, his garden, which was mostly lawn, dotted about with various drab shrubs. At the far end was a wide flower bed the sun never reached and in which grew creeping ivies and dark-leaved flowerless plants that like the shade.

He had got over expecting Mummy to come downstairs or walk into a room. She had been gone four months now. He sighed, for he was a long way from recovering from his loss and his regrets. Work was in some ways easier without her and in others immeasurably harder. She had reassured him; sometimes she had made him strong. But he had to press on—there was really no choice. Tomorrow things would be back to normal.

He began by ranging before him on the desk in the study—though was not the whole house a study?—the book-review pages from the newspapers that had arrived while he was away. As he had expected, Owlberg's latest novel, Paving Hell, appeared this very day in paperback, one year after hardcover publication. It was priced at £6.99 and by now would be in all the shops. Ribbon made a memo about it on one of the plain cards he kept for this purpose. But before continuing he let his eyes rest on the portrait of Mummy in the plain silver frame that stood on the table where used, read, and dissected books had their temporary home. It was Mummy who had first drawn his attention to Owlberg. She had borrowed one of his books from the public library and pointed out to Ribbon with indignation the mass of errors, solecisms, and abuse of the English language to be found in its pages. How he missed her! Wasn't it principally to her that he owed his choice of career, as well as the acumen and confidence to pursue it?

He sighed anew. Then he returned to his newspapers and noted down the titles of four more novels currently published in paperback, as well as the new Kingston Marle, Demogorgon, due to appear this coming Thursday in hardcover with the maximum hype and fanfares of metaphorical trumpets, but almost certainly already in the shops. A sign of the degeneracy of the times, Mummy had said, that a book whose publication was scheduled for May appeared on sale at the end of April. No one could wait these days; everyone was in a hurry. It certainly made his work harder. It increased the chances of his missing a vitally important novel that might have sold out before he knew it was in print.

Ribbon switched on his computer and checked that the printer was linked to it. It was only nine in the morning. He had at least an hour before he need make his trip to the bookshop. Where should it be today? Perhaps the City or the West End of London. It would be unwise to go back to his local shop so soon and attract too much attention to himself. Hatchard's, perhaps then, or Books Etc. or Dillon's, or even all three. He opened the notebook he had bought in Cornwall, reread what he had written, and with the paperback open on the desk, reached for the Shorter Oxford Dictionary, Brewer's Dictionary of Phrase and Fable, and Whittaker's Almanac. Referring to the first two and noting down his finds, he began his letter.

21 Grove Green Avenue London E11 4ZH

Dear Joy Anne Fortune,

I have read your new novel Dreadful Night with very little pleasure and great disappointment. Your previous work has seemed to me, while being without any literary merit whatsoever, at least to be fresh, occasionally original, and largely free from those errors of fact and slips in grammar that, I may say, characterize Dreadful Night.

Look first at page 24. Do you really believe "desiccated" has two s's and one c? And if you do, has your publisher no copy editor whose job it is to recognize and correct these errors? On page 82 you refer to the republic of Guinea as being in East Africa and as a former British possession, instead of being in West Africa and formerly French, and on page 103 to the late General Sikorski as a one-time prime minister of Czechoslovakia rather than of Poland. You describe, on page 139, "hadith" as being the Jewish prayers for the dead instead of what it correctly means, the body of tradition and legend surrounding the Prophet Muhammad and his followers, and on the following page "tabernacle" as an entrance to a temple. Its true meaning is a portable sanctuary in which the Ark of the Covenant was carried.

Need I go on? I am weary of underlining the multifarious mistakes in your book. Needless to say, I shall buy no more of your work and shall advise my highly literate and discerning friends to boycott it.

Yours sincerely, Ambrose Ribbon

The threat in the last paragraph was an empty one. Ribbon had no friends and could hardly say he missed having any. He was on excellent, at least speaking, terms with his neighbors and various managers of bookshops. There was a cousin in Gloucestershire he saw occasionally. Mummy had been his friend. There was no one he had ever met who could approach replacing her. He wished, as he did every day, she were back there beside him and able to read and appreciate his letter.

He addressed an envelope to Joy Anne Fortune care of her publisher (she was not one of "his" authors unwise enough to reply to him on headed writing paper), put the letter inside it, and sealed it up. Two more must be written before he left the house, one to Graham Prink pointing out mistakes in Dancing Partners, "lay" for "lie" in two instances and "may" for "might" in three, and the other to Jeanne Pettle to tell her that the plot and much of the dialogue in Southern Discomfort had been blatantly lifted from Gone With the Wind. He...

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Verlag
Knopf Doubleday Publishing Group
Erscheinungsdatum
2002
Sprache
Englisch
ISBN 10 
0375727590
ISBN 13 
9780375727597
Einband
Taschenbuch
Anzahl der Seiten
224
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
Buchbär
info@buchbaer.de

Weberstr. 67
Osnabrück
49084
Deutschland

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