A new collection of poetry by the Pulitzer Prize-winning author of The Hard Hours presents a series of poems in which biblical characters shed light on the many similarities between their world and the modern one and share timeless reflections on life from a mature perspective. Reprint.
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Anthony Hecht's first book of poems, A Summoning of Stones, appeared in 1954. It was followed by The Hard Hours, which received the Pulitzer Prize for poetry in 1968. Millions of Strange Shadows was published in 1977, and The Venetian Vespers in 1979. The last three titles, together with the author's selection from the first book was published in 1990 as Collected Earlier Poems, together with a new book, The Transparent Man. He is the author also of a book of critical essays, , 1986; The Hidden Law, 1993, his study of the poetry of W.H. Auden; and On the Laws of the Poetic Art, 1995, the Andrew W. Mellon Lectures in the Fine Arts, delivered at the National Gallery of Art in Washington in 1992. He has taught widely, most recen
f Anthony Hecht has been praised by Harold Bloom and Ted Hughes, among others, for its sure control of difficult material and its unique music and visual precision. This new volume is the fruit of a mellowing maturity that carries with it a smoky bitterness, a flavor of ancient and experienced wisdom, as in this stanza from Sarabande on Attaining the Age of Seventy-seven :
A turn, a glide, a quarter-turn and bow,
The stately dance advances; these are airs
Bone-deep and numbing as I should know
by now,
Diminishing the cast, like musical chairs.
Hecht s verse by turns lyric and narrative, formal and free is grounded in the compassion that comes from a deep understanding of every kind of human depredation, yet is tempered by flashes of wry comedy, and still more by innocent pleasure in the gifts of the natural world. Followers of his poetry will recognize an evolution of style in many of these poems a quiet and
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