From the Nobel Prize-winning author comes two novels and a collection of stories that capture the rhythms of life in the Caribbean and England with impressive subtlety and humor.
“The world’s writer, a master of language and perception.” —The New York Times Book Review
The Suffrage of Elvira is Naipaul’s hilarious take on an electoral campaign in the back country of Trinidad, where the candidates’ tactics include blatant vote-buying and supernatural sabotage. The eponymous protagonist of Mr. Stone and the Knights Companion is an aging Englishman of ponderously regular habits whose life is thrown into upheaval by a sudden marriage and unanticipated professional advancement. And the stories in A Flag on the Island take us from a Chinese bakery in Trinidad—whose black proprietor faces bankruptcy until he takes a Chinese name—to a rooming house in London—where the genteel landlady plays a nasty Darwinian game with her budgerigars. Unfailingly stylish, filled with intelligence and feeling, here is the work of a writer who can do just about anything that can be done with language.
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V.S. NAIPAUL was born in Trinidad in 1932. He came to England on a scholarship in 1950. He spent four years at University College, Oxford, and began to write, in London, in 1954. He pursued no other profession.
His novels include A House for Mr Biswas, The Mimic Men, Guerrillas, A Bend in the River, and The Enigma of Arrival. In 1971 he was awarded the Booker Prize for In a Free State. His works of nonfiction, equally acclaimed, include Among the Believers, Beyond Belief, The Masque of Africa, and a trio of books about India: An Area of Darkness, India: A Wounded Civilization and India: A Million Mutinies Now.
In 1990, V.S. Naipaul received a knighthood for services to literature; in 1993, he was the first recipient of the David Cohen British Literature Prize. He received the Nobel Prize in Literature in 2001. He died in 2018.
V. S. Naipaul's legendary command of broad comedy and acute social observation is on abundant display in these classic works of fiction-two novels and a collection of stories-that capture the rhythms of life in the Caribbean and England with impressive subtlety and humor.
"The Suffrage of Elvira is Naipaul's hilarious take on an electoral campaign in the back country of Trinidad, where the candidates' tactics include blatant vote-buying and supernatural sabotage. The eponymous protagonist of "Mr. Stone and the Knights Companion is an aging Englishman of ponderously regular habits whose life is thrown into upheaval by a sudden marriage and unanticipated professional advancement. And the stories in "A Flag on the Island take us from a Chinese bakery in Trinidad-whose black proprietor faces bankruptcy until he takes a Chinese name-to a rooming house in London-where the genteel landlady plays a nasty Darwinian game with her budgerigars. Unfailingly stylish, filled with intelligence and feeling, here is the work of a writer who can do just about anything that can be done with language.
"
l s legendary command of broad comedy and acute social observation is on abundant display in these classic works of fiction two novels and a collection of stories that capture the rhythms of life in the Caribbean and England with impressive subtlety and humor.
The Suffrage of Elvira is Naipaul s hilarious take on an electoral campaign in the back country of Trinidad, where the candidates tactics include blatant vote-buying and supernatural sabotage. The eponymous protagonist of Mr. Stone and the Knights Companion is an aging Englishman of ponderously regular habits whose life is thrown into upheaval by a sudden marriage and unanticipated professional advancement. And the stories in A Flag on the Island take us from a Chinese bakery in Trinidad whose black proprietor faces bankruptcy until he takes a Chinese name to a rooming house in London where the genteel landlady plays a nasty Darwinian game with her budg
i. The Bakshes
Democracy had come to Elvira four years before, in 1946; but it had taken nearly everybody by surprise and it wasn't until 1950, a few months before the second general election under universal adult franchise, that people began to see the possibilities.
Until that time Baksh had only been a tailor and a man of reputed wealth. Now he found himself the leader of the Muslims in Elvira. He said he controlled more than a thousand Muslim votes. There were eight thousand voters in County Naparoni, that is, in Elvira and Cordoba. Baksh was a man of power.
It was a puzzle: how Baksh came to be the Muslim leader. He wasn't a good Muslim. He didn't know all the injunctions of the Prophet and those he did know he broke. For instance, he was a great drinker; when he went to Ramlogan's rumshop he made a point of ordering white puncheon rum, the sort you have to swallow quickly before it turns to vapour in your mouth. He had none of the dignity of the leader. He was a big talker: in Elvira they called him 'the mouther'.
Chittaranjan, now, the other power in Elvira, was aloof and stiff, and whenever he talked to you, you felt he was putting you in your place. Baksh mixed with everybody, drank and quarrelled with everybody. Perhaps it was this that helped to make Baksh the Muslim leader, though the position should have gone in all fairness to Haq, a fierce black little man who wore a bristle of white beard and whiskers, and whose eyes flashed behind steel-rimmed spectacles when he spoke of infidels. Haq was orthodox, or so he led people to believe, but Haq was poor. He ran a grubby little stall, just twice the size of a sentry-box, stocked only with cheap sweets and soft drinks.
Baksh made money. It was hard not to feel that for all his conviviality Baksh was a deep man. He was a talker, but he did things. Like that shirt-making business. For months Baksh talked. 'Make two three dozen cheap khaki shirts,' he told them in Ramlogan's rumshop. 'Take them to Princes Town and Rio Claro on market day. A cool seventy dollars. Some damn fool or the other come up to you. You tell him that the shirts not really good enough for him. You say you going to make something especially to fit him pussonal. You pretend you taking his measure, and when you go back the next week you give the damn fool the same shirt. Only, you charge him a little extra.' He talked like that for months. And then one day he actually did it all as he had said. And made money.
He lived in a tumbledown wooden house of two storeys, an elaborate thing with jalousies and fretwork everywhere, built for an overseer in the days of the Elvira Estate; but he used to say that he could put up something bigger than Chittaranjan's any day he chose. 'Only,' he used to say, 'they just ain't have the sort of materials I want for my house. This Trinidad backward to hell, you hear.' He kept the designs of Californian-style houses from American magazines to show the sort of house he wanted. 'Think they could build like that in Trinidad?' he would ask, and he would answer himself: 'Naah!' And if he were at the door of his tailoring establishment he would spit straight across the ragged little patch of grass into the deep gutter at the roadside.
For a tailor he dressed badly and he said this was so because he was a tailor; anyway, 'only poorer people does like dressing up, to try and pretend that they ain't so poor.' He dressed his children badly because he didn't want them 'running about thinking they is superior to poorer people children'.
In June 1950, when Harbans drove into Elvira to see Baksh, there were seven young Bakshes. The eldest was seventeen; he would be eighteen in August. The boy's name was not generally known but everyone called him Foam, which was short for Foreman.
*
The decorated Dodge lorry came to a stop in a narrow trace opposite Baksh's shop. Harbans saw the sign:
m. baksh
London Tailoring Est.
Tailoring and Cutting
Suits Made and Repair at City Prices
A flock of poorer people's children, freed from school that Friday afternoon, had been running after the lorry ever since it entered the Elvira main road. Many of them were half-dressed according to the curious rural prudery which dictated that the top should be covered, not the bottom. They shouted, 'Vote Harbans for Elvira, man!' and made a chant of it. Harbans resented the whole thing as an indignity and was tempted to shoo the children away when he got out of the lorry, but he remembered the election and pretended not to hear.
He wasn't a tall man but looked taller than he was because he was so thin. He walked with a clockwork jerkiness, seeming to move only from the knees down. His white shirt, buttoned at the wrist, was newly ironed, like his trousers. The only rakish touch in his dress was the tie he used as a trousers-belt. Altogether, there was about him much of the ascetic dignity of the man who has made money.
Foam, Baksh's eldest son, sat at the Singer sewing-machine near the door, tacking a coat; an overgrown bony boy with a slab-like face: you felt that the moment he was born someone had clapped his face together.
Foam said, 'Candidate coming, Pa.'
'Let him come,' Baksh said. If Harbans had heard he would have recognized the casual aggressiveness he had been fearing all afternoon. Baksh stood at a counter with a tape-measure round his neck, consulting a bloated copy-book and making marks with a triangular piece of yellow chalk on some dark blue material. At one end of the counter there was a pile of new material, already cut. A yardstick, its brass tips worn smooth, was screwed down at the other end.
Light came into the shop only through the front door and didn't reach everywhere. Age had given the unpainted wallboards the barest curve; darkness had made them a dingy russet colour; both had given the shop a moist musty smell. It was this smell, warm and sharp in the late afternoon, not the smell of new cloth, that greeted Harbans when he walked over the shaky plank spanning the gutter and came into the yard.
Foam kept on tacking. Baksh made more marks on his cloth.
Two months, one month ago, they would have jumped up as soon as they saw him coming.
Harbans suffered.
'Aah, Baksh.' He used his lightest coo. 'How you is?' He flashed his false teeth at Foam and added all at once, 'And how the boy is? He doing well? Ooh, but he looking too well and too nice.'
Foam scowled while Harbans ruffled his hair.
'Foam,' Baksh said, very gently, 'get up like a good boy and give Mr Harbans your bench.'
Baksh left his chalk and cloth and came to the doorway. He had the squat build of the labourer and didn't look like a leader or even like the father of seven children. He seemed no more than thirty. He seated Harbans and spat through the door into the gutter. 'Ain't got much in the way of furnishings, you see,' he said, waving his hands about the dark windowless room with its gloomy walls and high sooty ceiling.
'It matters?' Harbans said.
'It matter when you ain't have.'
Harbans said, 'Aah.' Baksh frightened him a little. He didn't like the solid square face, the thick eyebrows almost meeting at the bridge of a thick nose, the thick black moustache over thick lips. Especially he didn't like Baksh's bloodshot eyes. They made him look too reckless.
Harbans put his hands on his thin knees and looked at them. 'I take my life in my hands today, Baksh, to come to see you. If I tell you how I hate driving!'
'You want some suit and things?'
'Is talk I want to talk with you, Baksh.'
Baksh tried to look surprised.
'Foam,' Harbans said, 'go away a lil bit. It have a few things, pussonal, I want to say to your father.'
Foam didn't move.
Baksh laughed. 'No, man. Foam is a big man now. Eh, in two...
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