The Elusive Embrace: Desire and the Riddle of Identity - Softcover

Mendelsohn, Daniel

 
9780375706974: The Elusive Embrace: Desire and the Riddle of Identity
Softcover
ISBN 10: 0375706976 ISBN 13: 9780375706974
Verlag: Knopf Doubleday Publishing Group, 2000

Inhaltsangabe

Hailed for its searing emotional insights, and for the astonishing originality with which it weaves together personal history, cultural essay, and readings of classical texts by Sophocles, Ovid, Euripides, and Sappho, The Elusive Embrace is a profound exploration of the mysteries of identity. It is also a meditation in which the author uses his own divided life to investigate the "rich conflictedness of things," the double lives all of us lead.

Daniel Mendelsohn recalls the deceptively quiet suburb where he grew up, torn between his mathematician father's pursuit of scientific truth and the exquisite lies spun by his Orthodox Jewish grandfather; the streets of manhattan's newest "gay ghetto," where "desire for love" competes with "love of desire;" and the quiet moonlit house where a close friend's small son teaches him the meaning of fatherhood.  And, finally, in a neglected Jewish cemetery, the author uncovers a  family secret that reveals the universal need for storytelling, for inventing myths of the self.  The book that Hilton Als calls "equal to Whitman's 'Song of Myself,'" The Elusive Embrace marks a dazzling literary debut.

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Über die Autorin bzw. den Autor

DANIEL MENDELSOHN is a frequent contributor to The New Yorker and The New York Review of Books, where he is the Editor at Large. His books include the international best seller The Lost: A Search for Six of Six Million, winner of the National Book Critics Circle Award and many other honors; a memoir, The Elusive Embrace, a New York Times Notable Book and a Los Angeles Times Best Book of the Year; a translation, with commentary, of the complete poems of C. P. Cavafy; and two collections of essays, How Beautiful It Is and How Easily It Can Be Broken and Waiting for the Barbarians. A professor of Humanities at Bard College, he is Director of the Robert B. Silvers Foundation.

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Hailed for its searing emotional insights, and for the astonishing originality with which it weaves together personal history, cultural essay, and readings of classical texts by Sophocles, Ovid, Euripides, and Sappho, The Elusive Embrace is a profound exploration of the mysteries of identity. It is also a meditation in which the author uses his own divided life to investigate the "rich conflictedness of things," the double lives all of us lead.
Daniel Mendelsohn recalls the deceptively quiet suburb where he grew up, torn between his mathematician father's pursuit of scientific truth and the exquisite lies spun by his Orthodox Jewish grandfather; the streets of manhattan's newest "gay ghetto," where "desire for love" competes with "love of desire; " and the quiet moonlit house where a close friend's small son teaches him the meaning of fatherhood. And, finally, in a neglected Jewish cemetery, the author uncovers a family secret that reveals the universal need for storytelling, for inventing myths of the self. The book that Hilton Als calls "equal to Whitman's 'Song of Myself, '" The Elusive Embrace marks a dazzling literary debut.

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From Chapter One

For a long time I have lived in two places.

        One of these places is a quiet street lined with houses whose windows peer out from between wooden shutters at trees and the occasional car, a street in many ways like the nondescript one where I grew up, seething and afraid. When I am in that place, I live in one of those narrow squinting houses with a woman and a small child. I will come to that later.

        The other place where I live is in New York City, slightly to the north of gay culture.

        Half a block west of my front door lies Eighth Avenue, a one-way, four-lane, north-south artery that carries traffic uptown--that is, north. Eighth Avenue begins far downtown as the much smaller Hudson Street, still paved in places with cobblestones and endlessly subject to obscure and ongoing repairs; down there, it takes you past tiny cross-streets whose numberless names betray their great age, since once you get above the Village, above Fourteenth Street, the later, modern, rigid grid on which Manhattan is laid out supersedes the haphazard and twisted and ancient streets to the south. The grid is, for the most part, easy: its longitudinal lines are all called avenues, their numbers increasing as you go from east to west (with a few famous exceptions, like Park and Madison), and its latitudinal lines are streets, whose numbers escalate as you go from south to north. Attempts are occasionally made to impose names on these numbers--we are supposed to call Sixth Avenue "the Avenue of the Americas," for instance, and someone has rechristened a snippet of West Sixty-fifth Street near Lincoln Center "Leonard Bernstein Way"--but New Yorkers, always pressed for time, enjoy the brisk and unromantic efficiency of the numbers and ignore the names. In many ways we are a city of people who prefer numbers to names.

        As Hudson Street arcs its way up through the West Village, which until recently was the center of New York gay life, it shakes off its curves and widens, becoming Eighth Avenue just below Fourteenth Street, which is the east-west thoroughfare that marks the southern boundary of the neighborhood called Chelsea, the current center of New York gay life. Fourteenth Street divides the Village from Chelsea. Most of the streets in Greenwich Village have names; all of the streets in Chelsea are numbered.

        If you walk the half-block from my door to Eighth Avenue and make a right turn into it here, in the mid-Twenties, following the traffic north, it'll take you first past some nondescript lofts and tenements and, at Twenty-seventh Street, the Fashion Institute of Technology, which is known generally by its acronym, F.I.T., or, more locally, as "Fags In Training"; then it heads past the big train station at Thirty-fourth Street and the bus station at Forty-second. The avenue continues up through the glittering clutter of Times Square and, after dissolving briefly into the incoherent rapids of Columbus Circle, reemerges rather grandly as Central Park West. Lined by stout matronly prewar buildings on one side and the park on the other, Central Park West neatly divides Culture from Nature for the perusal of those well heeled enough to appreciate the view. It continues with bourgeois rectitude straight up along the park into the West Seventies and Eighties and Nineties--addresses that, at least until the rise of Chelsea as the city's premier gay neighborhood, were favored by a lot of gay men, but are now more likely to be associated, at least by the emigres here in my neighborhood, with yuppies, strollers, and, vaguely, heterosexuality.

        But of course I rarely turn right at the end of my block. Instead I almost always head south, against the flow of traffic. When I do so it's only a couple of blocks from my street to Twenty-third Street, which is Chelsea's northern border. The neighborhood itself extends as far east as Broadway and as far west as Tenth Avenue; but its living heart is Eighth Avenue. Between Fourteenth Street on the south and Twenty-third Street on the north, Eighth Avenue is, for all intents and purposes, the Main Street of the gayest enclave of the gayest city in the world.

        When I was in high school, in a newish suburb that had the word "Old" in its name, as if to assuage the insecurities of its first-generation American homeowners, a place where the houses, identical in structure, were distinguishable only by the color of their nonfunctional shutters, I dreamed of a place like this. I am sure that many other gay youths had (and still have) the same dream. Like me, they may have secretly read certain books over the course of successive weekends while standing nervously in the stacks of the local public library or in B. Dalton, so great was the terror of bringing those particular books home; like me, they may have kissed and fondled the soft demanding bodies of girls with the same sense of willed detachment they brought to laboratory dissections of frogs; like me, they may have needed to summon up the pictures of other classmates as they did so, classmates who were also boys, whose striped swimsuits and wide, awkward shoulders gave some of their friends a sense of panicked tenderness that, because unutterable, soon hardened into irony. I secretly imagined a place where all the people were other boys, and where all the stores and books and songs and movies and restaurants were by boys, about other boys. It would be a place where somehow the outside reality of the world that met your eyes and ears could finally be made to match the inner, hidden reality of what you knew yourself to be. A place where willed detachment and a carapace of irony would no longer be necessary.

        This is the place I can go to if, when I reach the end of my street, I turn left instead of right. Curiously, now that I'm here it's not clear to me that this is the place I want to be. I divide my time now between my two geographies: the familiar streets of Chelsea, with its men and boys and flesh, and the street in the suburb about sixty miles away, lined with pin oaks and taciturn old houses. In front of these houses you will see no young men. You might see a retired widower mowing the lawn--"cutting the grass," he might say--with a rusting red mower, or an old woman sitting on the porch, fanning herself with a tabloid, scanning the street and other people's windows for some event, something to happen. Built long before the thinly shingled houses in the place where I grew up were hastily assembled, these houses are stolid: you sense about them that they know they will outlive, once again, the present generation of owners. These houses have real shutters, shutters that work.


Sometimes when I take a break from writing I walk down the east side of Eighth to Fourteenth Street, then cross over to the west side and walk back up. At the corner of Twenty-second Street is the Big Cup, a Day-Glo-painted coffeehouse that has proved even more popular as a late-night alternative to gay bars than it is as an afternoon gathering spot for other self-employeds. The latter tend, as far as I can see, to fall into two groups: writers, whose elaborate charade of using their laptops productively sags more and more with every hopeful glance up at the opening door, and a small but fairly regular collection of hustlers, who monopolize the telephone at the back of the room while checking off entries in what you assume must be small black books. In Twenty-second Street itself are Barracuda, a...

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Verlag
Knopf Doubleday Publishing Group
Erscheinungsdatum
2000
Sprache
Englisch
ISBN 10 
0375706976
ISBN 13 
9780375706974
Einband
Taschenbuch
Anzahl der Seiten
223
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
preigu
mail@preigu.de

Lengericher Landstr. 19
Osnabrück
49078
Deutschland

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