A new short story collection from the author of the acclaimed Sweetwater encompasses fiction from the past nine years that explores the complex interconnections and relationships that make up the world and includes "The Face Lift," "Family Christmas," "The Treatment," and "Assistance." 22,500 first printing.
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ROXANA ROBINSON is the author of two novels, Sweetwater and This Is My Daughter; a biography of Georgia O’Keeffe; and two previous short-story collections, A Glimpse of Scarlet and Asking for Love. Four of her works have been named Notable Books of the Year by The New York Times. She has received fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the MacDowell Colony. Robinson’s fiction has appeared in Best American Short Stories, The Atlantic, The New Yorker, Harper’s, Daedalus, and Vogue. She lives in New York City and Westchester County, New York.
Family Christmas
At Christmas, we went to my grandparents’.
My grandparents lived outside New York in a private park, a strange nineteenth-century hybrid between a club and a housing development. The Park was enclosed by a thick stone wall, and at the entrance was a pair of stone gateposts, and a gatehouse. As we approached the gate, a man appeared in the doorway of the gatehouse, sternly watching our car. Our father, who knew the gatekeeper, would roll down his window and say hello, or sometimes he would just smile and wave, cocking his hand casually backward and forward. The gatekeeper would recognize my father then and nod, dropping his chin slowly, deeply, in confirmation of an unspoken agreement, and we would drive through the gates into the Park.
One year there was a gatekeeper who did not know my father. The new man stepped out of the gatehouse as we approached and waved heavily at the ground, motioning for us to stop. He was frowning in an official way.
“He’s new,” said my father, slowing down. “Never seen him before.”
My mother laughed. “He probably won’t let us in,” she said.
My father pulled up to the gatehouse and rolled down his window. “We’re here to see my family, the Weldons,” he said politely. “I’m Robert Weldon.” My father looked like his father: he had the same blue eyes, the long straight nose, and the high domed forehead. The gatekeeper glanced noncommittally at the car, and then he nodded. He was still frowning, but now in a private, interior way that no longer seemed to have anything to do with us. He gave us a slow wave through the gates, then he went ponderously back into the little house.
The four of us children sat motionless in the back. After our mother spoke we had fallen silent. Our faces had turned solemn, and we had aligned our legs neatly on the seats. Our knees matched. Our docile hands lay in our laps. We were alarmed.
We did not know why some cars might be turned away from the Park gates. We had never seen it happen, but we knew that it must happen: Why else would the gatekeeper appear, with his narrowed eyes and official frown? We knew that our car did not look like our grandparents’ car, nor any of the other cars that slid easily in between the big stone gateposts without even slowing up. Those cars were dark and sleek. They looked fluid, liquid, full of curves, as though they had been shaped by speed, though they always seemed to move slowly. Those cars were polished, the chrome gleamed, the smooth swelling fenders shone, and the windows were lucid and unsmudged. Those cars were driven sedately by men in flat black hats and black jackets. It was the driver who nodded to the gatekeeper. The passenger, who was in the back seat, never next to the driver in the front, did not even look up as they drove through the gates.
Our car, on the other hand, was a rackety wooden-sided station wagon, angular, high-axled, flat-topped. The black roof was patched, and the varnished wooden sides were dull and battered. Our car was driven by our father, who did not wear a black jacket, and next to him in the front seat was our mother. The two slippery brown back seats were chaotic with suitcases, bags of presents, the four of us children, and our collie, Huge. We felt as though we were another species when we arrived at this gate, and it seemed entirely possible that we would be turned away. The rules of entry and exclusion from the Park were mysterious to us; they were part of the larger unknowable world which our parents moved through but which we did not understand. It was like the struggle to learn a language, listening hard for words and idioms and phrases, being constantly mystified and uncomprehending, knowing that all around us, in smooth and fluent use by the rest of the world, was a vast and intricate system we could not yet grasp.
After we were through the gates, my mother turned to us.
“Well, we made it,” she said humorously. “They let us in this time.” She smiled and raised her eyebrows, waiting for us to answer. My mother was small and lively, with thick light brown hair parted on one side and held with a barrette. She wore her clothes casually; sweaters, and long full skirts.
We said nothing to her. We disapproved of my mother’s levity, all of us: Sam and Jonathan, my two older brothers; Abby, my older sister; and me, Joanna. I was the youngest, and the most disapproving.
Inside the gates, the road meandered sedately through the Park, which was on the slopes of a small steep mountain. Up on the top, along the ridge, the land was still wild and untouched. Deer moved delicately through the thickets, and we had heard there were bobcats, though we had never seen one. Down along the narrow paved roads all was mannerly, a landscape of wide lawns, great towering shade trees and luxuriant shrubberies. Unmarked driveways slid discreetly into the road’s docile curves. Set far back, even from this narrow private interior road, were the houses. Tall, ornate, gabled and turreted, half-hidden by brick walls, stonework, and the giant old trees that surrounded them, they stood comfortable and secure within their grounds.
Our grandparents’ house was called Weldonmere, and it stood below the road, at the bottom of a wide sloping oval of lawn. The driveway traced a long semicircle, starting from one corner of the front lawn, swooping down to the house at midpoint, then back up to the road again. Along the road stood a screen of trees: dogwoods, cherries, and an exotic Japanese maple, with small fine-toothed leaves, astonishingly purple in season. Down the hill, protecting the house with its benevolent presence, stood a great copper beech, dark and radiant. Its dense branches, like a vast layered skirt, swept down to the lawn, and beneath them were deep roomy eaves, where we played in the summer. Now all these trees were bare, and mantled with snow.
Weldonmere was white, with pointed Victorian gables and round neoclassical columns. At the front door was a big porte cochere, and above it the house rose up three stories to the scalloped blue-black slates of the roof.
My father stopped the car under the porte cochere, and we cascaded out. Huge darted alertly into the bushes, his long nose alive to a new universe. We children, following our parents through the brief shock of cold air, lurched stiffly into the big square front hall. We stood among the suitcases on the Turkey carpet, blinking in the light of the chandelier. Our parents called out to the household in a general and celebratory way.
“Well, hello! You’re here!” Grandpère appeared in the doorway to the living room. Grandpère was tall and dignified, with a neat thick silver mustache. He held himself very straight, like an officer, which he had been, or a rider, which he still was. There was about him an air of order, he was always in charge. Grandpère carried his gold watch on a chain in his pocket, and he wore a waistcoat, which was pronounced “weskit.” He was a formal man, courtly, but kind. Underneath the mustache was always the beginning of a smile.
“Hello, Robert! Sarah, children.” His voice was deep, his manner ceremonial. He included us all in his smile, and he opened his arms in a broad welcoming gesture.
Grandmère appeared behind him. Grandmère was narrow and elegant. She wore a long dark dress, and her white hair was parted on the side. It was straight at first, then turned to dense mannerly curls, pressed flat against her head. Her mouth was eternally pursed in a gentle smile. Grandmère was from Charleston, South Carolina, but her mother’s family had been from Baton Rouge, where they spoke French. She had been brought...
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