A new verse rendering of the great epic of ancient Mesopotamia, one of the oldest works in Western Literature. Ferry makes Gilgamesh available in the kind of energetic and readable translation that Robert Fitzgerald and Richard Lattimore have provided for.
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David Ferry, a finalist for the National Book Critics Circle Award in Poetry for his translation of Gilgamesh, is a poet and translator who has also won the Lenore Marshall Poetry Prize, given by the Academy of American Poets, and the Rebekah Johnson Bobbitt National Prize for Poetry, given by the Library of Congress. In 2001, he received an Award in Literature from the American Academy of Arts and Letters. Ferry is the Sophie Chantal Hart Professor of English Emeritus at Wellesley College.
Title Page,
Copyright Notice,
Acknowledgments,
Dedication,
Introduction by William L. Moran,
GILGAMESH,
Tablet I,
Tablets II and III,
Tablets IV and V,
Tablet VI,
Tablet VII,
Tablet VIII,
Tablet IX,
Tablet X,
Tablet XI,
GILGAMESH, ENKIDU, AND THE NETHER WORLD,
Tablet XII,
Notes,
Copyright,
TABLET I
i
The Story
of him who knew the most of all men know;
who made the journey; heartbroken; reconciled;
who knew the way things were before the Flood,
the secret things, the mystery; who went
to the end of the earth, and over; who returned,
and wrote the story on a tablet of stone.
He built Uruk. He built the keeping place
of Anu and Ishtar. The outer wall
shines in the sun like brightest copper; the inner
wall is beyond the imagining of kings.
Study the brickwork, study the fortification;
climb the great ancient staircase to the terrace;
study how it is made; from the terrace see
the planted and fallow fields, the ponds and orchards.
This is Uruk, the city of Gilgamesh
the Wild Ox, son of Lugalbanda, son
of the Lady Wildcow Ninsun, Gilgamesh
the vanguard and the rear guard of the army,
Shadow of Darkness over the enemy field,
the Web, the Flood that rises to wash away
the walls of alien cities, Gilgamesh
the strongest one of all, the perfect, the terror.
It is he who opened passes through the mountains;
and he who dug deep wells on the mountainsides;
who measured the world; and sought out Utnapishtim
beyond the world; it is he who restored the shrines;
two-thirds a god, one-third a man, the king.
Go to the temple of Anu and Ishtar:
open the copper chest with the iron locks;
the tablet of lapis lazuli tells the story.
ii
There was no withstanding the aura or power of the Wild
Ox Gilgamesh. Neither the father's son
nor the wife of the noble; neither the mother's daughter
nor the warrior's bride was safe. The old men said:
"Is this the shepherd of the people? Is this
the wise shepherd, protector of the people?"
The gods of heaven listened to their complaint.
"Aruru is the maker of this king.
Neither the father's son nor the wife of the noble
is safe in Uruk; neither the mother's daughter
nor the warrior's bride is safe. The old men say:
'Is this the shepherd of the people? Is this
the wise shepherd, protector of the people?
There is no withstanding the desire of the Wild Ox.'"
They called the goddess Aruru, saying to her:
"You made this man. Now create another.
Create his double and let the two contend.
Let stormy heart contend with stormy heart
that peace may come to Uruk once again."
Aruru listened and heard and then created
out of earth clay and divine spittle the double,
the stormy-hearted other, Enkidu,
the hairy-bodied wild man of the grasslands,
powerful as Ninurta the god of war,
the hair of his head like the grain fields of the goddess,
naked as Sumuqan the god of cattle.
He feeds upon the grasslands with gazelles;
visits the watering places with the creatures
whose hearts delight, as his delights, in water.
iii
One day a hunter came to a watering place
and saw Enkidu; he stood expressionless,
astonished; then with his silent dogs he went
home to his father's house, fear in his belly.
His face was as one estranged from what he knows.
He opened his mouth and said to his father: "Father,
I saw a hairy-bodied man today
at the watering place, powerful as Ninurta
the god of war; he feeds upon the grasslands
with gazelles; he visits the watering places
with the beasts; he has unset my traps and filled
my hunting pits; the creatures of the grasslands
get away free. The wild man sets them free.
Because of him I am no longer a hunter."
His father said: "Go to Uruk and there
present yourself to Gilgamesh the king,
who is the strongest of all, the perfect, the terror,
the wise shepherd, protector of the people.
Tell him about the power of the wild man.
Ask him to send a harlot back with you,
a temple prostitute, to conquer him
with her greater power. When he visits the watering place,
let her show him her breasts, her beauty, for his wonder.
He will lie with her in pleasure, and then the creatures,
the gazelles with whom he feeds upon the grasslands,
and the others with whom he visits the watering places,
will flee from him who ranged the hills with them."
So the hunter went to Gilgamesh in Uruk
and told him about the power of the wild man,
and how he had unset the traps and filled
the pits, so that the creatures got away free.
The lord of Uruk said to the hunter then:
...
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