A new collection of poems from Les Murray that renews and transforms the contemporary world through language
In Waiting for the Past, Les Murray employs his molten sense of language to renew and transform our experience of the world. With quicksilver verse, he conjures his rural past, the life of the poor dairy boy in Australia, as he simultaneously feels the steady tug of aging, of time pulling him back to the present. Here, syntax, sense, and sound combine with such acrobatic grace that his poems render the familiar into the unknown, the unknown into the revelatory.
Whether Murray is writing about a boy on a walkabout hiding from grief, a sounding whale “spilling salt rain,” or leaves that “tread on the sky,” the great Australian poet’s sense of wonder, his ear for the everyday, his swiftness of thought, are everywhere in these pages. As Derek Walcott said of Murray’s work, “There is no poetry in the English language now so rooted in its sacredness, so broad-leafed in its pleasures, and yet so intimate and conversational.”
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Les Murray (1938-2019) was a widely acclaimed poet, recognized by the National Trust of Australia as one of the nation’s treasures in 2012. He received the T. S. Eliot Prize for the Best Book of Poetry in English in 1996 for Subhuman Redneck Poems, and was also awarded the Gold Medal for Poetry presented by Queen Elizabeth II.
Murray also served as poetry editor for the conservative Australian journal Quadrant from 1990-2018. His other books include Dog Fox Field, Translations from the Natural World, Fredy Neptune: A Novel in Verse, Learning Human: Selected Poems, Conscious and Verbal, Poems the Size of Photographs, and Waiting for the Past.
Title Page,
Copyright Notice,
Dedication,
The Black Beaches,
Inspecting the Rivermouth,
The Canonisation,
High Rise,
Nuclear Family Bees,
When Two Percent Were Students,
I Wrote a Little Haiku,
Dynamic Rest,
West Coast Township,
Money and the Flying Horses,
Sun Taiko,
Persistence of the Reformation,
Child Logic,
Floodtime Night Shelter,
Powder of Light,
The Backroad Collections,
Tap Dogs Music,
English as a Second Language,
High Speed Trap Space,
Diabetica,
The Privacy of Typewriters,
All of Half Way,
Big Rabbit at the Verandah,
Being Spared the Inquests,
Time Twins,
The Plaster Eater,
The Glory and Decline of Bread,
Eating from the Dictionary,
O.K. Primavera Lips,
Order of Perception: West Kimberley,
The Mussel Bowl,
Growth,
A Denizen,
Radiant Pleats, Mulgoa,
Bird Signatures,
Last World Before the Stars,
1960 Brought the Electric,
Vertigo,
Holland's Nadir,
Dog Skills,
Raising an Only Child,
Clan-Sized Night Chanting,
Bread Again,
Bench Seats,
Grooming with Nail Clippers,
The Thirties,
Bollywood Video,
Savoury,
Up to the Greek Club,
Self and Dream Self,
Beasts of the City,
Whale Sounding,
The Genghis Firmament,
The Massacre,
The Care,
High Foliage,
The Walk-Off in Newtown,
Jesus Was a Healer,
The Flute,
The Murders of Women,
Under the Lube Oil,
Winter Garden,
Goths in Leipzig,
Maryanne Bugg,
Acknowledgements,
Also by Les Murray,
A Note About the Author,
Copyright,
The Black Beaches
Yellow rimming the ocean
is mountains washing back
but lagoons in cleared land often
show beaches of velvet black
peat of grass and great trees
that were wood-fired towers
then mines of stary coals
fuming deep in dragon-holes.
This morning's frost dunes
afloat on knee-sprung pasture
were gone in a sugar lick
leaving strawed moisture
but that was early
and a change took back the sun
hiding it in regrowth forest.
Coal formed all afternoon.
Inspecting the Rivermouth
Drove up to Hahndorf:
boiled lamb hock, great scoff!
Lamplit rain incessant.
Next morning to the Murray mouth,
reed-wrapped bottlings of view
grigio and verdelho.
Saw careers from the climbing bridge,
the steel houses it threw
all over Hindmarsh Island,
the barrages de richesse,
film culture, horseradish farms,
steamboats kneading heron-blue
lake, the river full again.
Upstream, the iron cattle bridges.
So. Then a thousand miles
home across green lawn.
The Canonisation
Rome, 17 October 2010
Mary MacKillop, born 1842,
what are the clergy giving you
on my birthday, Mother Mary?
Sainthood? So long after God did?
Independence? But you're your own Scot.
The job of Australian icon?
Well yes. Black flies in the buggy.
Bush pianos. The cheek-sawing wimple
in summer: you did do local penance.
Your vow to "educate poor children" –
might you now say "to heal
the education of poor children"?
Who says a woman can't rise
in the Church? Mother Mary,
awake in Heaven, pray for us.
High Rise
Fawn high rise of Beijing
with wristwatch-shaped
air conditioners on each window
and burglar bars to the tenth
level in each new city,
white-belted cylinders of dwelling
around every Hong Kong bay –
Latest theory is, the billions
will slow their overbreeding
only when consuming in the sky.
Balconious kung fu of Shanghai.
A nineteenth floor lover
heroic among consumer goods
slips off the heights of desire
down the going-home high wire –
above all the only children.
Nuclear Family Bees
Little native-bee hives
clotted all up the trunk
of a big tree by the river.
Not pumped from a common womb
this world of honey-flies
is a vertical black suburb
of glued-on prism cells.
Hunters stopping by
would toe-walk up,
scab off single wax houses
and suck them out, as each
smallholder couple hovered
remonstrating in the air
with their life to rebuild,
new eggs, new sugarbag,
gold skinfulls of water.
When Two Percent Were Students
Gorgeous expansion of life
all day at the university,
then home to be late for meals,
an impractical, unwanted boarder.
When rush hours were so tough
a heart attack might get stepped over
you looked up from the long footpaths
to partings in the houses' iron hair.
Hosts of Depression-time and wartime
hated their failure, which was you.
Widows with no facelift of joy
spat their irons. Shamed by bookishness
you...
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Hardback. Zustand: Good. A new collection of poems from Les Murray that renews and transforms the contemporary world through language In Waiting for the Past, Les Murray employs his molten sense of language to renew and transform our experience of the world. With quicksilver verse, he conjures his rural past, the life of the poor dairy boy in Australia, as he simultaneously feels the steady tug of aging, of time pulling him back to the present. Here, syntax, sense, and sound combine with such acrobatic grace that his poems render the familiar into the unknown, the unknown into the revelatory. Whether Murray is writing about a boy on a walkabout hiding from grief, a sounding whale "spilling salt rain," or leaves that "tread on the sky," the great Australian poet's sense of wonder, his ear for the everyday, his swiftness of thought, are everywhere in these pages. As Derek Walcott said of Murray's work, "There is no poetry in the English language now so rooted in its sacredness, so broad-leafed in its pleasures, and yet so intimate and conversational.". Artikel-Nr. 00040461021
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