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The Language of Passion: Selected Commentary - Hardcover

Vargas Llosa, Mario

 
9780374183264: The Language of Passion: Selected Commentary

Inhaltsangabe

Ten years of world-class journalism from one of Latin America’s most influential and controversial men of letters

Since 1977, Mario Vargas Llosa has contributed a biweekly column to Spain’s major newspaper, El País. Dubbed “Touchstone,” and read in syndication by Spanish-speaking readers around the globe, the column is renowned—in some circles, notorious—for skewering the excesses of the Latin American left and championing classic liberalism and free-market democracy. In this collection of columns from the 1990s, Vargas Llosa weighs in on the burning questions of the last decade, including the travails of Latin American democracy, the role of religion in civic life, and the future of globalization. But Vargas Llosa’s influence is hardly limited to politics. In some of the liveliest critical writing of his career, he makes a pilgrimage to Bob Marley’s shrine in Jamaica, celebrates the sexual abandon of Carnival in Rio, and examines the legacy of Vermeer, Bertolt Brecht, Frida Kahlo, and Octavio Paz, among others.

Vargas Llosa is a model of the engaged writer: whatever his subject, he brings to bear the intelligence, wit, tolerance, and moral seriousness that are the hallmark of his nonfiction. The Language of Passion is the work of a cosmopolite in the true sense of the word.

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Über die Autorin bzw. den Autor

Mario Vargas Llosa is the author of eight novels, most recently The Feast of the Goat (FSG, 2001). He won the National Book Critics Circle Award for his most recent book of essays, Making Waves (FSG, 1997).

Rezensionen

For 25 years Vargas Llosa has written a widely syndicated column for Spain's premier newspaper, El Pais, commenting with authority and elan on current events, culture, literature, art, and music. Making Waves (1997) gathered a bounty of earlier essays, and now this new volume offers electrifying selections from the 1990s. Journalism, Vargas Llosa writes, is the flip side to his highly imaginative fiction, the necessary second half of his writing practice that allows him "to feel involved with the everyday life of the planet." In his essays, therefore, he is spontaneous, forthright, and controversial, yet always cosmopolitan and erudite. He assesses what exactly ails democracies, the gap between idealism and economics, and the messy interplay of politics and religion. He celebrates the quiet joys of libraries and the wild and cathartic pleasures of Rio's Carnaval, and pays tribute to Bob Marley, Octavio Paz, and Vermeer. Ultimately, Vargas Llosa exemplifies the role of the writer in today's media-saturated world with his immense range of knowledge and interests, moral intelligence, and artistry. Donna Seaman
Copyright © American Library Association. All rights reserved

In the United States, Vargas Llosa is best known for his novels (In Praise of the Stepmother; etc.), but in Spanish-speaking countries, he's also noted as a thoughtful, intense newspaper columnist. His essays on the machinations of countries like Argentina and his native Peru have shed light on their politics and provided some material for a previous collection, Making Waves. In this second culling from his newspaper life, Vargas Llosa provides plenty of political meat for a newshound, but also displays his wide range of interest. From the first essay, about a romance writer who left her life savings to found a book award for-what else-romance writers, Vargas Llosa sparkles. He sometimes digresses into minor diatribes about culture and government, but he mostly strikes a balance between fierce passion for a subject and the journalistic objectivity that allows for proper analysis of it. Vargas Llosa writes, "I try to comment on some current event that rouses, angers, or disturbs me, subjecting it to the test of reason and in the process weighing my convictions, doubts, and confusions." He often succeeds in reaching this goal, applying his fascination with humanity to such diverse topics as Bob Marley's shrine, the legacy of Vermeer and daily life in a Palestinian village. Sweeping, intelligent and lively, these essays should widen Vargas Llosa's appeal considerably, allowing new readers to share his passion. The translation (by PW contributing editor Wimmer) is superb, allowing Vargas Llosa's wit and intellect to be delivered in English while retaining its Spanish flavor.
Copyright 2003 Reed Business Information, Inc.

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