NATIONAL BOOK AWARD WINNER
A NEW YORK TIMES BESTSELLER
A NEW YORK TIMES NOTABLE BOOK
AN NPR BEST BOOK
Selected by New York Times' critic Dwight Garner as a Favorite Book
A Washington Post Best Political Book
A New Republic Best Book
A riveting examination of a nation in crisis, from one of the finest political journalists of our generation
American democracy is beset by a sense of crisis. Seismic shifts during a single generation have created a country of winners and losers, allowing unprecedented freedom while rending the social contract, driving the political system to the verge of breakdown, and setting citizens adrift to find new paths forward. In The Unwinding, George Packer, author of The Assassins' Gate: America in Iraq, tells the story of the United States over the past three decades in an utterly original way, with his characteristically sharp eye for detail and gift for weaving together complex narratives.
The Unwinding journeys through the lives of several Americans, including Dean Price, the son of tobacco farmers, who becomes an evangelist for a new economy in the rural South; Tammy Thomas, a factory worker in the Rust Belt trying to survive the collapse of her city; Jeff Connaughton, a Washington insider oscillating between political idealism and the lure of organized money; and Peter Thiel, a Silicon Valley billionaire who questions the Internet's significance and arrives at a radical vision of the future. Packer interweaves these intimate stories with biographical sketches of the era's leading public figures, from Newt Gingrich to Jay-Z, and collages made from newspaper headlines, advertising slogans, and song lyrics that capture the flow of events and their undercurrents.
The Unwinding portrays a superpower in danger of coming apart at the seams, its elites no longer elite, its institutions no longer working, its ordinary people left to improvise their own schemes for success and salvation. Packer's novelistic and kaleidoscopic history of the new America is his most ambitious work to date.
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George Packer is an award-winning author and staff writer at The Atlantic. His previous books include The Unwinding: An Inner History of the New America (winner of the National Book Award), The Assassins’ Gate: America in Iraq, and Our Man: Richard Holbrooke and the End of the American Century (winner of the Hitchens Prize and the Los Angeles Times Book Prize for biography). He is also the author of two novels and a play, and the editor of a two-volume edition of the essays of George Orwell.
No one can say when the unwinding began—when the coil that held Americans together in its secure and sometimes stifling grip first gave way. Like any great change, the unwinding began at countless times, in countless ways—and at some moment the country, always the same country, crossed a line of history and became irretrievably different.
If you were born around 1960 or afterward, you have spent your adult life in the vertigo of that unwinding. You watched structures that had been in place before your birth collapse like pillars of salt across the vast visible landscape—the farms of the Carolina Piedmont, the factories of the Mahoning Valley, Florida subdivisions, California schools. And other things, harder to see but no less vital in supporting the order of everyday life, changed beyond recognition— ways and means in Washington caucus rooms, taboos on New York trading desks, manners and morals everywhere. When the norms that made the old institutions useful began to unwind, and the leaders abandoned their posts, the Roosevelt Republic that had reigned for almost half a century came undone. The void was filled by the default force in American life, organized money.
The unwinding is nothing new. There have been unwindings every generation or two: the fall to earth of the Founders’ heavenly Republic in a noisy marketplace of quarrelsome factions; the war that tore the United States apart and turned them from plural to singular; the crash that laid waste to the business of America, making way for a democracy of bureaucrats and everymen. Each decline brought renewal, each implosion released energy, out of each unwinding came a new cohesion.
The unwinding brings freedom, more than the world has ever granted, and to more kinds of people than ever before—freedom to go away, freedom to return, freedom to change your story, get your facts, get hired, get fired, get high, marry, divorce, go broke, begin again, start a business, have it both ways, take it to the limit, walk away from the ruins, succeed beyond your dreams and boast about it, fail abjectly and try again. And with freedom the unwinding brings its illusions, for all these pursuits are as fragile as thought balloons popping against circumstances. Winning and losing are all- American games, and in the unwinding winners win bigger than ever, floating away like bloated dirigibles, and losers have a long way to fall before they hit bottom, and sometimes they never do.
This much freedom leaves you on your own. More Americans than ever before live alone, but even a family can exist in isolation, just managing to survive in the shadow of a huge military base without a soul to lend a hand. A shiny new community can spring up overnight miles from anywhere, then fade away just as fast. An old city can lose its industrial foundation and two-thirds of its people, while all its mainstays—churches, government, businesses, charities, unions—fall like building flats in a strong wind, hardly making a sound.
Alone on a landscape without solid structures, Americans have to improvise their own destinies, plot their own stories of success and salvation. A North Carolina boy clutching a Bible in the sunlight grows up to receive a new vision of how the countryside could be resurrected. A young man goes to Washington and spends the rest of his career trying to recall the idea that drew him there in the first place. An Ohio girl has to hold her life together as everything around her falls apart, until, in middle age, she finally seizes the chance to do more than survive.
As these obscure Americans find their way in the unwinding, they pass alongside new monuments where the old institutions once stood—the outsized lives of their most famous countrymen, celebrities who only grow more exalted as other things recede. These icons sometimes occupy the personal place of house hold gods, and they offer themselves as answers to the riddle of how to live a good or better life.
In the unwinding, everything changes and nothing lasts, except for the voices, American voices, open, sentimental, angry, matter-of-fact; inflected with borrowed ideas, God, TV, and the dimly remembered past—telling a joke above the noise of the assembly line, complaining behind window shades drawn against the world, thundering justice to a crowded park or an empty chamber, closing a deal on the phone, dreaming aloud late at night on a front porch as trucks rush by in the darkness.
DEAN PRICE
At the turn of the millennium, when he was in his late thirties, Dean Price had a dream. He was walking to his minister’s house on a hard-surface road, and it veered off and became a dirt road, and that road veered off again and became another dirt road, with tracks where wagon wheels had worn it bare, but the grass between the tracks grew chest high, as if it had been a long time since anybody had gone down the road. Dean walked along one of the wagon tracks holding his arms out spread-eagle and felt the grass on either side hitting the underneath of his arms. Then he heard a voice—it came from within, like a thought: “I want you to go back home, and I want you to get your tractor, and I want you to come back here and bush-hog this road, so that others can follow where it’s been traveled down before. You will show others the way. But it needs to be cleared again.” Dean woke up in tears. All his life he had wondered what he was put on earth for, while going in circles like a rudderless ship. He didn’t know what the dream meant, but he believed that it contained his calling, his destiny.
At the time, Dean had just gotten into the convenience store business, which was no calling at all. It would be another five years before he would find one. He had pale freckled skin and black hair, with dark eyes that crinkled up when he smiled or laughed his high-pitched giggle. He got the coloring from his father and the good looks from his mother. He’d been chewing Levi Garrett tobacco since age twelve, and he spoke with the soft intensity of a crusader who never stopped being a country boy. His manner was gentle, respectful, with a quality of refinement that made the men drinking vodka out of plastic cups down at the local Moose Lodge question whether Dean could properly be called a redneck. From childhood on, his favorite Bible verse was Matthew 7:7: “Ask, and it shall be given you; seek, and ye shall find; knock, and it shall be opened unto you.” What he sought his whole life was independence—especially financial independence. His greatest fears, which haunted him all his life, were poverty and failure. He came by them naturally.
His grandparents on both sides had been tobacco farmers, and so had their grandparents, and their grandparents, back to the eighteenth century, all of them on the same few square miles of Rockingham County, North Carolina. They all had Scotch-Irish names that fit neatly on a tombstone: Price, Neal, Hall. And they were all poor. “It’s like if I were to walk down to the creek, I’m going to wear a path,” Dean said. “And every day I’m going to go the same way. That’s how the roads in this country were built, basically. The people that built the roads followed the animals’ paths. And once that path is set, it takes a tremendous amount of effort...
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