Verwandte Artikel zu The Master & the Muses
Inhaltsangabe
They are his inspiration. He is their obsession.
Icon, rebel, unabashed romantic…
With a single look painter Thomas Rodin conveys the ecstasy of creativity—the pleasures awaiting the woman who can fuel his artistry.
the Innocent
What did this master artist see in me?
Genius abided in his soul, rapture in his flesh—I doubted not.
To refuse him…my folly. To surrender…my sensual salvation.
the Upstart
I chafed at the bonds of servitude until he set me free.
I turned my back on all that I knew to follow him and found myself between two men—master and student—one whom I loved with my heart…the other with my body.
the Courtesan
I understood, perhaps better than any, his needs.
I stoked the fires of his soul, the spark of his creativity—he made me a legend. But never could I forget his searing touch….
Three transcendent tales of women bewitched by a master of seduction—a slave as much to his art as to his boundless passion.
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Über die Autorin bzw. den Autor
Amanda's zest for life inspires her "character-driven" stories. Her passion is to take ordinary characters and place them in extraordinary situations. She feels fortunate to be able to do what she loves, aspires to stay fresh and unique to her voice, and listens to her readers. A member of RWA and a multi-genre hybrid author, her work is published internationally, in audio, in e-book and in print. She currently writes sizzling contemporary and erotic historical romance.
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Leicester Square, 1860
There he was, the same man again, watching me as I walked to work. His formal frock coat he wore over an ill-fitting shirt, tucked into rumpled trousers, giving the appearance that he'd just been roused from bed. I assumed he was local by manner of his dress, perhaps not of great wealth, but respectable, except for his deplorable habit of staring. Perched on his head, he wore a too-small brown derby that looked as if it had seen better days. These things I noticed since I've been a milliner's apprentice in one of London's premier hat shops from a young age. It was my job to be acquainted with the most current chapeau styles.
I must admit, I was not at all accustomed to being the subject of a man's interest. It intrigued me, but I chose to ignore my admirer, as any respectable lady would do. He was a persistent fellow, however, and for three days, I passed him standing on the opposite side of the street, daring only to glance at him as I arrived for work at Tozier's hat shop. My overactive imagination, a fault of which I'm reminded often by my mother, soon had me pondering whether he was planning something sinister against my employer.
On the third day just before the noon hour, he entered the shop. I was preparing a hat for display, pretending not to notice the strange thudding in my heart. He hung near the front door for a time, perusing the lady's handkerchiefs and lace gloves, ever so slowly inching his way over to where I stood. Perhaps I had misjudged him and he was simply debating what to buy for his spouse or mistress. Mrs. Tozier kept a private list of the men who often needed a "little something" for the special woman in their lives—most often not their wife. Discreet and professional, Mrs. Tozier would take their money, wrap their gift and offer them her smile.
"Pardon, mademoiselle," the mysterious man said in a smooth, baritone voice.
I looked up and met his startling blue-green eyes, clear as the sky and sparked by a mischievous curiosity that sent a shiver through me. His hair was a light brown, slicked behind his ears and dipping just to his collar. The firm line of his jaw, which looked as if it could use a barber's razor, was accentuated by a wicked dimple when he smiled. Perhaps I was mistaken and he was a foreigner? It might explain his hesitancy to approach me if he was unable to speak any English.
"Are you French, sir?" I enunciated my words clearly. He had an aristocratic air about him, a rather regal, pleasant face and, at closer look, he was quite handsome. Had he been dressed more appropriately, he might have passed as a baron or a duke.
"No, I am not French, mademoiselle."
Although I was relieved that I would not need to draw on my minimal skills in the French language, his admission raised a new bevy of questions. "Nor am I, sir. Why then, do you pretend to be something you are not?"
He took off his silly brown derby, and, with a sheepish grin, smoothed his palm over his locks in a vain effort to bring them under control. "My apologies for assuming you might speak French, working at a French hat shop."
"What brings you to our shop, Mr.—?" I waited for his name.
"Rodin. William Rodin. Perhaps you've heard the name?"
I studied him evenly and gave no reply.
He waved his hat. "Well, I am confident that one day you will." His smile would have charmed a snake. "Are you familiar with the world of art, by chance? It is possible you may have heard of my brother, the famous artist, Thomas Rodin." He fingered his derby as he spoke. I noted by the appearance of its tattered edge that if he, too, was in the business of art, it was not doing very well these days—at least not for him.
"No, Mr. Rodin. I am afraid I have not heard of either you or your brother. My time is quite full with my duties here in the shop." I turned the hat stand this way and that, as if studying the display. The truth was, I had but a few times actually engaged in conversation with a male since Mrs. Tozier allowed me to work out front. Certainly not one who seemed interested in my thoughts.
He brought his hand to the collar of his coat, taking on a dignified stance as he tossed me a wide smile.
"Then, dear woman, our meeting is your good fortune, for now you will be able to say, 'I knew Thomas Rodin personally while he was in the prime of his artistic greatness.'"
I dipped my head to hide my smile. I did not wish to offend his pride.
"Are you interested in a hat, Mr. Rodin?"
He placed his bowler on the counter and leaned close. I glanced around the shop and prayed that Mrs. Tozier would not appear. She was a robust woman, with a thick French accent. Not one to tangle with, her grandfather had immigrated to London to open this milliner's shop. I could not afford to lose my job over some strange man and his absurd interest in telling me about his famous brother. I held up my hand politely. "Mr. Rodin, my apologies, but I do have work to do. If you are not looking to buy a hat, then I must excuse myself and return to my duties." I turned to leave, and he reached for my arm.
"Let me get right to the point."
"Just as soon as you remove your hand from my arm, sir," I said. However, I could not deny the pleasant warmth of his palm.
His mouth lifted at the corner, as if he knew his touch jarred me. Slowly, he removed his hand.
"I have come to offer you a proposition."
"Excuse me, sir? Perhaps you've forgotten just where you are. If you are here to seek companionship for the evening, the Ten Bells Pub is down the street. I'm sure you'll find what you seek there."
He looked at me in surprise. "No—I mean, of course not. I've come to offer you honest employment. You have the potential to become quite famous."
He liked to use that word with great frequency. "Famous, you say? As you are famous, Mr. Rodin?"
His eyes narrowed, studying me before he resumed his amiable expression. "My fame is in knowing the genius of the brotherhood. I am a designer, not an artist in the true sense of the word. However, presently being between projects, I have offered my services to my brother."
"That is quite thoughtful of you, Mr. Rodin. Now if you'll excuse me."
"Wait, I beg you to listen. The artists of the Pre-Raphaelite Brotherhood are looking for new models to pose for them. They have a very specific type of woman in mind and you fit the criteria brilliantly."
"Criteria, for your 'brotherhood'? Really?" I did not hide my skepticism.
"Indeed. You are what we would call a 'stunner.'"
The word made me sound like the type of woman one would pick up at the Cremorne on a Saturday evening. His eyes raked over me, unashamed.
I pulled a display between us and I busied myself with adjusting the feather on the band of the hat. He continued to stare. No man had ever seen me as a model before.
"Your hands are quite lovely," he said, leaning against the counter.
"Please, you'll smudge the finish. If Mrs. Tozier—"
At that moment, I heard a heavy clomp-clomp coming across the wood floor from the back room.
"There, now you've done it. If I lose my position—"
"I've just offered you another." He straightened and offered a pleasant smile.
"Miz Bridgeton, eez there a problem? Are you able to assist the geentleman?"
Mrs. Tozier came to my side. She was two inches shorter than I was, but more than made up for her height with her stern demeanor.
I started to...
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The Master & the Muses
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Spice (edition Original), 2010
ISBN 10: 0373605447
ISBN 13: 9780373605446
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