This book gives an account of characterization in moving image fictions. Areas of investigation include the importance of performer and stars, the societal contexts of types, the constraints of the medium, the role of a specific genre and the question of emotional and moral engagement.
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Johannes Riis is an Associate Professor of Film Studies at the University of Copenhagen. He has published extensively on issues of film acting, including a monograph (Spillets kunst: Følelser i film); articles in numerous journals and anthologies, including Cinema Journal, Projections, and The Routledge Companion to Philosophy and Film. A member of the Board of Directors at The Society for Cognitive Studies of the Moving Image since 2005, he is currently writing a book on film acting styles between 1920 and 1980.
Aaron Taylor is an Associate Professor of New Media and a Board of Governors Research Chair (2019-2023) at the University of Lethbridge. He is the editor of Theorizing Film Acting, and his essays on performance have been published in numerous journals and anthologies, including Cinema Journal, Velvet Light Trap, [in]Transition, Quarterly Review of Film and Video, The Journal of Film and Video, Close-Up: Great Cinematic Performances Vol. 2, Make Ours Marvel, Millennial Masculinity, Acting and Performance in Moving Image Culture, and Stages of Reality.
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