Woman, Eating: 'Absolutely brilliant - Kohda takes the vampire trope and makes it her own' Ruth Ozeki - Hardcover

Kohda, Claire

 
9780349015613: Woman, Eating: 'Absolutely brilliant - Kohda takes the vampire trope and makes it her own' Ruth Ozeki

Inhaltsangabe

'Absolutely brilliant - tragic, funny, eccentric . . . Claire Kohda takes the vampire trope and makes it her own' RUTH OZEKI

A BOOK OF 2022 IN HARPER'S BAZAAR, THE NEW YORKER, DAILY MAIL, GLAMOUR, BBC, HUFFPOST, and GAL-DEM

Lydia is hungry.
She's always wanted to try sashimi, ramen, onigiri with sour plum stuffed inside - the food her Japanese father liked to eat. And then there is bubble tea and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But Lydia can't eat any of this. The only thing she can digest is blood, and it turns out that sourcing fresh pigs' blood in London - where she is living away from her vampire mother for the first time - is much more difficult than she'd anticipated.

Then there are the humans: the people at the gallery she interns at, the strange men who follow her after dark, and Ben, a goofy-grinned artist she is developing feelings for. Lydia knows that they are her natural prey, but she can't bring herself to feed on them.

If Lydia is to find a way to exist in the world, she must reconcile the conflicts within her - between her demon and human sides, her mixed ethnic heritage, and her relationship with food, and, in turn, humans.

Before any of this, however, she must eat.

'Witty and thought-provoking' Stylist
'Blistering' Glamour
'Unusual, original and strikingly contemporary' Guardian
'Deliciously fresh' Waterstones
'A wholly 21st century take on bloodsucking' Observer
'Fascinating' BookRiot
'Pumps fresh blood into the horror genre' The Times

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Über die Autorin bzw. den Autor

Claire Kohda is a writer and musician. She reviews books for publications including the Guardian and the Times Literary Supplement, specialising in books from and about East Asia. As a violinist, she has played with musicians and ensembles including Jessie Ware, RY X, Pete Tong, the London Contemporary Orchestra and The English Chamber Orchestra, and on various film soundtracks.

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The skin on a neck appears different to me compared with the skin anywhere else on a body. It seems as thin and consumable as rice paper wrapped around a sweet. It is too blank compared to skin everywhere else, as though it is asking to have marks made on it.

Aus dem Klappentext

A dazzling, funny and addictive debut novel about identity and belonging, told through the eyes of a young vampire . . .


Lydia is hungry. She's always wanted to try sashimi, ramen, onigiri with sour plum stuffed inside - the food her Japanese father liked to eat. And then there is bubble tea and the vegetables grown by the other young artists at the studio she is secretly squatting in. But Lydia can't eat any of this. The only thing she can digest is blood, and it turns out that sourcing fresh pigs' blood in London - where she is living away from her vampire mother for the first time - is much more difficult than she'd anticipated.

Then there are the humans: the people at the gallery where she interns, the strange men who follow her after dark, and Ben, a goofy-grinned artist she is developing feelings for. Lydia knows that they are her natural prey, but she can't bring herself to feed on them.

If Lydia is to find a way to exist in the world, she must reconcile the conflicts within her - between her demon and human sides, her mixed ethnic heritage, and her relationship with food, and, in turn, humans. Before any of this, however, she must eat.

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