The Wishing Thread: A Novel - Softcover

Van Allen, Lisa

 
9780345538550: The Wishing Thread: A Novel
Softcover
ISBN 10: 0345538552 ISBN 13: 9780345538550
Verlag: Random House Publishing Group, 2013

Inhaltsangabe

NEW YORK TIMES BESTSELLER • USA TODAY BESTSELLER

“Reader to reader, knitter to knitter: You’re going to love this book.”—Debbie Macomber

For fans of Jennifer Chiaverini and Sarah Addison Allen, The Wishing Thread is an enchanting novel about the bonds between sisters, the indelible pull of the past, and the transformational power of love.
 
The Van Ripper women have been the talk of Tarrytown, New York, for centuries. Some say they’re angels; some say they’re crooks. In their tumbledown “Stitchery,” not far from the stomping grounds of the legendary Headless Horseman, the Van Ripper sisters—Aubrey, Bitty, and Meggie—are said to knit people’s most ardent wishes into beautiful scarves and mittens, granting them health, success, or even a blossoming romance. But for the magic to work, sacrifices must be made—and no one knows that better than the Van Rippers.
 
When the Stitchery matriarch, Mariah, dies, she leaves the yarn shop to her three nieces. Aubrey, shy and reliable, has dedicated her life to weaving spells for the community, though her sisters have long stayed away. Bitty, pragmatic and persistent, has always been skeptical of magic and wants her children to have a normal, nonmagical life. Meggie, restless and free-spirited, follows her own set of rules. Now, after Mariah’s death forces a reunion, the sisters must reassess the state of their lives even as they decide the fate of the Stitchery. But their relationships with one another—and their beliefs in magic—are put to the test. Will the threads hold?

Praise for The Wishing Thread
 
“With deft needlework, a dash of folklore, and some good old-fashioned family angst, Lisa Van Allen knits together the threads of second chances, the pleasure of giving, the complications of sisterhood, and love. There’s a bit of magic in The Wishing Thread, in the words and the story as well as in the yarn.”—Meg Waite Clayton, author of The Wednesday Sisters
 
“Rich in myth and mystery, The Wishing Thread explores the tangle that is being a woman—from family and friendship to romance and community. Prepare to be ensnared, enthralled, enchanted!”—USA Today bestselling author Christie Ridgway
 
“The Wishing Thread is a lyrical, emotional, finely knit portrayal of three sisters struggling with love, magic and sacrifice. This is the best book I’ve read all year.”—Lisa Verge Higgins, author of The Proper Care and Maintenance of Friendship
 
“An intriguing story of three sisters tied by blood and a strange inheritance, each searching for a way to belong in that place where magic and life intersect. Wonderful!”—Shelley Noble, author of Beach Colors
 
“Van Allen knits together this pleasantly entertaining tale as easily as the Van Ripper women knit together the often unraveling threads of people’s lives. . . . Chick-lit cozy meets magical realism with inevitably warm and fuzzy results.”—Booklist
 
“Fans of magical realism will want to pick up this enjoyable novel, which not only weaves magic through stitchery, but also weaves a realistic story about family and sisterhood and the threads that pull us back home.”—RT Book Reviews

Includes an exclusive conversation between Sarah Addison Allen and Lisa Van Allen. Join the Random House Reader’s Circle for author chats and more.

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Über die Autorin bzw. den Autor

Lisa Van Allen’s writing has been published in many literary journals and has been nominated for the Pushcart Prize. She currently lives in northern New Jersey with her husband and their pet hedgehog.

Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.

1

"Long-Tail Cast On"

Mariah Van Ripper had never done things in life on anyone else's time line, and dying had been no exception. On Mariah's last earthly day in Tarrytown, her niece Aubrey had been sitting in the yarn room, the stitches of a lacy mohair shawl waltzing between her fingers. She hadn't realized she'd been dozing, her mind wandering dreamy byways even while her fingers danced through stitch after stitch, until the moment that Mariah appeared in the doorway.

"Oh good. Aubrey! There was something I wanted to tell you."

Aubrey looked up from her knitting. Framed by the doorjamb, Mariah listed slightly to the side like a wide flag waving in a gentle wind. She wore a long shapeless dress made of cotton so crisp and white that it nearly glowed.

"What are you doing back?" Aubrey asked. "I thought you had an appointment with Councilman Halpern. Did you forget something?"

"Yes . . . I believe I did."

"Well, whatever it was, I would have brought it over to you if you'd called me," Aubrey said, chastising a little. "What do you need?"

Mariah didn't answer. Her eyes were wide and confused as a sleepy child's. She murmured between half-closed lips.

"Mariah?" Aubrey stopped knitting at the end of a row, dropped her hands. The shawl lay sunlit and rumpled as yellow fall leaves in her lap. "What is it? What's wrong?"

"Something I was going to tell you . . ."

"Well, let's hear it."

"Something . . ."

"Hey. You feeling okay?"

Aubrey watched her aunt's pupils telescope into tiny black points. She seemed focused on something Aubrey couldn't see, a speck of dust perhaps, dancing in the air, or some secret thought of her own, anchored so deep in her gray matter that her unseeing eyes drifted like boats from their moorings. Mariah was of middling height and impressive girth, with hair like long runny drippings of pigeon-gray paint. Although she had not been a beauty even in her youth, she had kind eyes, a generous smile, and deep, appealing wrinkles. The sun coming from behind her silvered her hair and the white hem of her dress.

"Ah, well," Mariah said. "I guess you'll have to figure it out." She sighed, not unhappily. And then she stepped out of the yarn room and out of sight.

Aubrey set aside her knitting and crossed the wide wooden floorboards. She felt light-headed, caught up in the swill of her own worry. Mariah's health had been in decline for the last few years, and it occurred to Aubrey that her aunt might be having a stroke. The doctors had warned them. Aubrey peered around the doorjamb; Mariah had vanished without the sound of a single footfall to mark the direction she'd gone.

Not even possible, Aubrey thought.

But she called up the stairs anyway. "Mariah?"

She called down the hall. "Hey, Mari?"

She jumped when the phone rang. The hair at the nape of her neck stood on end.

She picked up the receiver very slowly. "Yes?"

"Aubrey Van Ripper?" a stranger asked.

It was then that Aubrey knew--knew before she'd been told--that her aunt had not returned to the Stitchery for some forgotten item. In fact, she was not in the Stitchery at all. And Aubrey thought of how vulgar it was that news of death, such an intimate and private thing, should be borne on the lips of a stranger.

For the first time in her life, Aubrey was alone, fully and finally and unexpectedly alone, alone in that moment and forevermore alone, her knitting needles stilled on a table in the yarn room, her ear hot from the press of the phone, and a stranger's words floating to her from somewhere, not here, explaining a thing that had happened all the way across town.



In his private office not far from the Tarrytown village hall, safely ensconced behind neocolonial pillars and Flemish brickwork, Councilman Steve Halpern poured himself a drink from the small flask he kept for emergency use in his bottom desk drawer. The ambulance had left only moments ago, bearing Mariah Van Ripper's body away from his office for the last time. He leaned back in his cigar-brown chair. It whined under his weight.

"You know, a person never wants to see a thing like this happen," he said.

Jackie Halpern, who managed his electoral campaigns, his accounting, his sock drawer, and his blood-pressure medication, smiled. "Of course not."

"But if it had to happen--"

"Don't say it," she told him. "I know."



Slowly, like a thin vapor snaking its way inch by inch through Tarrytown's friendly suburban streets, rumors of Mariah Van Ripper's death spread among people who knew her and people who did not, until finally the fog of bad news wafted thick as raw wool down toward the river, down into the ramshackle neighborhood that Mariah had called home. The dogs of Tappan Square, mangy rottweilers and pit bulls that barked through closed windows, grew uniformly silent and did not so much as squeak at passersby. The oxidized old rooster atop the Stitchery's tower spun counterclockwise in three full circles before coming to point unwaveringly east, and if any of Tappan Square's residents had seen it, they would have known it was not a good sign.

Tappan Square was not Tarrytown's best-kept secret. It did not factor into the region's well-known, accepted lore. When visitors pointed their GPS systems toward Tarrytown and its sister, Sleepy Hollow, they always bypassed Tappan Square. Instead, they flocked to Sunnyside, the ivy-choked cottage where Washington Irving lived and died and dreamed of the Galloping Horseman and Ichabod Crane. They cowered happily at the foot of that tyrannical gothic castle, Lyndhurst, lording over the Hudson River with its crenellated scowl, and they pointed out landmarks from vampire horror movies in its dim, hieratic halls. They trudged among the lichen-flecked soul effigies at the Old Dutch Church, picking their way with cameras and sturdy shoes among tombstones that said BEEKMAN, CARNEGIE, ROCKEFELLER, and SLOAT. They searched for what everyone searches for on the shores of the Hudson River: enchantment. Some of that good old-fashioned magic. And yet, rarely did outsiders make their way to the neighborhood of Tappan Square, where salsa beats blared hard from the windows of rusting jalopies, where illegal cable wires were strung window-to-window, and where magic, or some semblance of the thing, still found footing on the foundation of the building that the Van Ripper family had always called home.

The Stitchery, as it came to be called by neighbors and eventually by the family within it, had always been filled with Van Rippers. To its neighbors, the Stitchery was a curiosity like a whale's eyeball in a formaldehyde mason jar, a taxidermied baby horse with wax eyes coated in dust, a thing that should have been allowed to vanish after the life had passed out of it but instead was artificially preserved. With its architectural hodgepodge cobbled together over the centuries--its temperate Federalist core, its ardent mansard garret, its fish-scaled tower with witch's hat roof--the house did not offer the most welcoming appearance. The latest batches of Van Rippers, most recently led by Mariah, did not believe in renovation. They did not repaint over the awful cabbage-rose wallpaper in the parlor, or fix the scrolling black gate in front of the house that had been knocked crooked during the Great Blizzard of 1888, or replace the sign on the front door that read YARNS even though it was nearly illegible with age. In fact, they vehemently protested such alterations and "unnecessary" upgrades as affronts to history. Mariah Van Ripper was said to have wept, actually wept, when one of the Stitchery's great old toilets needed its innards gutted, and exact replacements for the old digestive system could not be found.

And so the Stitchery was allowed to fall out of...

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Verlag
Random House Publishing Group
Erscheinungsdatum
2013
Sprache
Englisch
ISBN 10 
0345538552
ISBN 13 
9780345538550
Einband
Taschenbuch
Anzahl der Seiten
400
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
Buchbär
info@buchbaer.de

Weberstr. 67
Osnabrück
49084
Deutschland

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