Fifteen all-new stories by science fiction’s top talents, collected by bestselling author George R. R. Martin and multiple-award winning editor Gardner Dozois
Burroughs’s A Princess of Mars. Bradbury’s The Martian Chronicles. Heinlein’s Red Planet. These and so many more inspired generations of readers with a sense that science fiction’s greatest wonders did not necessarily lie far in the future or light-years across the galaxy but were to be found right now on a nearby world tantalizingly similar to our own—a red planet that burned like an ember in our night sky . . . and in our imaginations.
This new anthology of fifteen all-original science fiction stories, edited by George R. R. Martin and Gardner Dozois, celebrates the Golden Age of Science Fiction, an era filled with tales of interplanetary colonization and derring-do. Before the advent of powerful telescopes and space probes, our solar system could be imagined as teeming with strange life-forms and ancient civilizations—by no means always friendly to the dominant species of Earth. And of all the planets orbiting that G-class star we call the Sun, none was so steeped in an aura of romantic decadence, thrilling mystery, and gung-ho adventure as Mars.
Join such seminal contributors as Michael Moorcock, Mike Resnick, Joe R. Lansdale, S. M. Stirling, Mary Rosenblum, Ian McDonald, Liz Williams, James S. A. Corey, and others in this brilliant retro anthology that turns its back on the cold, all-but-airless Mars of the Mariner probes and instead embraces an older, more welcoming, more exotic Mars: a planet of ancient canals cutting through red deserts studded with the ruined cities of dying races.
FEATURING ALL-NEW STORIES BY
James S. A. Corey • Phyllis Eisenstein • Matthew Hughes • Joe R. Lansdale • David D. Levine • Ian McDonald • Michael Moorcock • Mike Resnick • Chris Roberson • Mary Rosenblum • Melinda Snodgrass • Allen M. Steele • S. M. Stirling • Howard Waldrop • Liz Williams
And an Introduction by George R. R. Martin!
Praise for Old Mars
“Strong, fun and evocative.”—Tordotcom
“A fantastic anthology . . . Pulp magic lives in these pages.”—Bookhound
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George R. R. Martin is the #1 New York Times bestselling author of many novels, including the acclaimed series A Song of Ice and Fire—A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, and A Dance with Dragons—as well as Tuf Voyaging, Fevre Dream, The Armageddon Rag, Dying of the Light, Windhaven (with Lisa Tuttle), and Dreamsongs Volumes I and II. He is also the creator of The Lands of Ice and Fire, a collection of maps from A Song of Ice and Fire featuring original artwork from illustrator and cartographer Jonathan Roberts. As a writer-producer, Martin has worked on The Twilight Zone, Beauty and the Beast, and various feature films and pilots that were never made. He lives with the lovely Parris in Santa Fe, New Mexico.
Gardner Dozois has won fifteen Hugo Awards and thirty-two Locus Awards for his editing work, plus two Nebula Awards for his own writing. He was the editor of Asimov’s Science Fiction for twenty years, and is the author or editor of more than a hundred books, including The Year’s Best Science Fiction.
ALLEN M. STEELE
Allen Steele made his first sale to Asimov’s Science Fiction magazine in 1988, soon following it up with a long string of other sales to Asimov’s, as well as to markets such as Analog, The Magazine of Fantasy & Science Fiction, and Science Fiction Age. In 1990, he published his critically acclaimed first novel, Orbital Decay, which subsequently won the Locus Poll as Best First Novel of the year, and soon Steele was being compared to Golden Age Heinlein by no less an authority than Gregory Benford. His other books include the novels Clarke County, Space; Lunar Descent; Labyrinth of Night; The Weight; The Tranquility Alternative; A King of Infinite Space; OceanSpace; ChronoSpace; Coyote; Coyote Rising; Spindrift; Galaxy Blues, Coyote Horizon; and Coyote Destiny. His short work has been gathered in three collections, Rude Astronauts, Sex and Violence in Zero-G, and The Last Science Fiction Writer. His most recent books are a new novel in the Coyote sequence, Hex, and a YA novel, Apollo’s Outcasts. He has won three Hugo Awards, in 1996 for his novella “The Death of Captain Future,” in 1998 for his novella “Where Angels Fear to Tread,” and, most recently, in 2011 for his novelette “The Emperor of Mars.” Born in Nashville, Tennessee, he has worked for a variety of newspapers and magazines, covering science and business assignments, and is now a full-time writer living in Whately, Massachusetts, with his wife, Linda.
Here he takes us to a Mars very different from the Mars of his Hugo-winning novelette, the Old Mars of ancient dreams, and deep into the Martian Badlands, on a mission that could plunge two races, and two worlds, into all-out war.
Martian Blood
ALLEN M. STEELE
The most dangerous man on Mars was Omar al-Baz, and the first time I saw him, he was throwing up at the Rio Zephyria spaceport.
This happens more frequently than you might think. People coming here for the first time often don’t realize just how thin the air really is. The cold surprises them, too, but I’m told the atmospheric pressure is about the same as you’d find in the Himalayas. So they come trooping down the ramp of the shuttle that transported them from Deimos Station, and if the ride down didn’t make them puke, then the shortness of breath, headaches, and nausea that comes with altitude sickness will.
I didn’t know for sure that the middle-aged gent who’d doubled over and vomited was Dr. al-Baz, but I suspected that he was; I hadn’t seen any other Middle Eastern men on his flight. There was nothing I could do for him, though, so I waited patiently on the other side of the chain-link security fence while one of the flight attendants came down the ramp to help him. Dr. al-Baz waved her away; he didn’t need any assistance, thank you. He straightened up, pulled a handkerchief from his overcoat pocket, and wiped his mouth, then picked up the handle of the rolling bag he’d dropped when his stomach revolted. Nice to know that he wasn’t entirely helpless.
He was one of the last passengers to step through the gate. He paused on the other side of the fence, looked around, and spotted the cardboard sign I was holding. A brief smile of relief, then he walked over to me.
“I’m Omar al-Baz,” he said, holding out his hand. “You must be Mr. Ramsey.”
“Yes, I’m your guide. Call me Jim.” Not wanting to shake a hand that just wiped a mouth, which had just spilled yuck all over nice clean concrete, I reached forward to relieve him of his bag.
“I can carry this myself, thank you,” he said, not letting me take his bag from him. “But if you could help me with the rest of my luggage, I’d appreciate it.”
“Sure. No problem.” He hadn’t hired me to be his porter, and if he’d been the jerk variety of tourist some of my former clients had been, I would’ve made him carry his own stuff. But I was already beginning to like the guy: early fifties, skinny but with the beginnings of a potbelly, coarse black hair going grey at the temples. He wore round spectacles and had a bushy mustache beneath a hooked, aquiline nose, and looked a little like an Arab Groucho Marx. Omar al-Baz couldn’t have been anything but what he was, an Egyptian-American professor from the University of Arizona.
I led him toward the terminal, stepping around the tourists and business travelers who had also disembarked from the 3 p.m. shuttle. “Are you by yourself, or did someone come with you?”
“Unfortunately, I come alone. The university provided grant money sufficient for only one fare, even though I requested that I bring a grad student as an assistant.” He frowned. “This may hinder my work, but I hope that what I intend to do will be simple enough that I may accomplish it on my own.”
I had only the vaguest idea of why he’d hired me to be his guide, but the noise and bustle of the terminal were too much for a conversation. Passenger bags were beginning to come down the conveyor belt, but Dr. al-Baz didn’t join the crowd waiting to pick up suitcases and duffel bags. Instead, he went straight to the PanMars cargo window, where he presented a handful of receipts to the clerk. I began to regret my offer to help carry his bags when a cart was pushed through a side door. Stacked upon it were a half dozen aluminum cases; even in Martian gravity, none small enough to be carried two at a time.
“You gotta be kidding,” I murmured.
“My apologies, but for the work I need to do, I had to bring specialized equipment.” He signed a form, then turned to me again. “Now . . . do you have a means of taking all this to my hotel, or will I have to get a cab?”
I looked over the stack of cases and decided that there weren’t so many that I couldn’t fit them all in the back of my jeep. So we pushed the cart out to where I’d parked beside the front entrance and managed to get everything tied down with elastic cords I carried with me. Dr. al-Baz climbed into the passenger seat and put his suitcase on the floor between his feet.
“Hotel first?” I asked as I took my place behind the wheel.
“Yes, please . . . and then I wouldn’t mind getting a drink.” He caught the questioning look in my eye and gave me a knowing smile. “No, I am not a devout follower of the Prophet.”
“Glad to hear it.” I was liking him better all the time; I don’t trust people who won’t have a beer with me. I started up the jeep and pulled away from the curb. “So . . . you said in your e-mail you’d like to visit an aboriginal settlement. Is that still what you want to do?”
“Yes, I do.” He hesitated. “But now that we’ve met, I think it’s only fair to tell you that this is not all that I mean to do. The trip here involves more than just meeting the natives.”
“How so? What else do you want?”
He peered at me over the top of his glasses. “The blood of a Martian.”
When I was a kid, one of my favorite movies was The War of the Worlds—the 1953 version, made about twelve years before the first probes went to Mars. Even back then, people knew that Mars had an Earth-like environment; spectroscopes had revealed the presence of an oxygen-nitrogen atmosphere, and strong telescopes made visible the seas and canals. But no one knew for sure whether the planet was inhabited until Ares I landed there in 1977, so George Pal had a lot of latitude when he and his film crew...
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