He's Gone: A Novel - Softcover

Caletti, Deb

 
9780345534354: He's Gone: A Novel

Inhaltsangabe

From National Book Award finalist Deb Caletti comes an intensely gripping story about love, loss, marriage, and secrets—perfect for readers of Jodi Picoult, Kristin Hannah, and Anna Quindlen.
 
“One of the best books I’ve read all year.”—Barbara O’Neal, author of The Garden of Happy Endings

“What do you think happened to your husband, Mrs. Keller?”
 
The Sunday morning starts like any other, aside from the slight hangover. Dani Keller wakes up on her Seattle houseboat, a headache building behind her eyes from the wine she drank at a party the night before. But on this particular Sunday morning, she’s surprised to see that her husband, Ian, is not home. As the hours pass, Dani fills her day with small things. But still, Ian does not return. Irritation shifts to worry, worry slides almost imperceptibly into panic. And then, like a relentless blackness, the terrible realization hits Dani: He’s gone.
 
As the police work methodically through all the logical explanations—he’s hurt, he’s run off, he’s been killed—Dani searches frantically for a clue as to whether Ian is in fact dead or alive. And, slowly, she unpacks their relationship, holding each moment up to the light: from its intense, adulterous beginning, to the grandeur of their new love, to the difficulties of forever. She examines all the sins she can—and cannot—remember. As the days pass, Dani will plumb the depths of her conscience, turning over and revealing the darkest of her secrets in order to discover the hard truth—about herself, her husband, and their lives together.
 
“A thought-provoking and moving exploration.”—New York Times bestselling author Erica Bauermeister

Look for special features inside. Join the Circle for author chats and more.

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Über die Autorin bzw. den Autor

Deb Caletti is an award-winning author and a National Book Award finalist whose books—Honey, Baby, Sweetheart; The Queen of Everything; The Secret Life of Prince Charming—are published and translated worldwide. She lives with her family in Seattle.

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9780345534354|excerpt

Caletti / HE'S GONE

1

I used to imagine it sometimes, what would happen if one day I just didn’t come home. Not that I ever considered running off— I could never actually do that, even if I occasionally had that fantasy about driving south and checking in to some hotel. Someplace with bathrobes, for sure. I love those. But, no, the thought was less about escape and more about some cruel intervention of fate. What if, say, the clichéd bus hit me as I crossed the clichéd street? The Mack truck. Whatever it was, something terrible would happen and my family would have to return home to find all the daily pieces of my interrupted life. My husband would see my cup of coffee, half finished, a curve of my lipstick on the brim. My mother would see my flannel pajamas with the Eiffel Towers on them in the laundry basket and the ChapStick on my nightstand. My book would be on the bed, open to the place I’d left off, and my hair would still be entwined in my brush. There would be my really expensive wrinkle minimizer, which honestly didn’t minimize much of anything, and my phone charger still plugged into the wall. This is how it would look, I would think. This stuff here.

Whenever I had to get on a plane, I played that game in my head, too. I worried about what people might find afterward, at my house. You know, if we went down in a fiery ball, wearing our yellow flotation devices with the helpful little whistles attached. Does anyone else do this? Fixate on impossible and pointless mental puzzles? I don’t know. Flying used to be fun, but after 9/11 I did this stupid thing where I would wonder if I should have hidden certain stuff before I left home. Not that there would be much to hide—I’m not guilty of too many things. But I’d worry about those few old love letters, the ones I’d kept from the early days with my first husband, which Ian would have hated to discover. And that half bottle of Vicodin from that root canal, which I’d kept in case I was hit with some emotional crisis I couldn’t handle. Oh, and that red lace thong-thing that Ian gave me one Valentine’s Day. I don’t know what he was thinking. If I never came home, my daughter might see it and think I actually wore it. That particular mental image might scar the poor girl for the rest of her life.

That’s pretty much been the extent of my secrets. I guess you could say my conscience works overtime. And while I never actually moved the red lace thong or hid the pill bottle before I traveled, I did wipe up spilled stuff in the microwave and remove that big slab of fluff from the dryer vent that wasn’t supposed to be in the dryer vent. I made sure my house was clean. Tidying up my domestic crimes so no one would find out that I made messes and couldn’t keep my appliances under control, which is probably some home version of the wear-clean-underwear-in-case-of-an-accident idea.

These head games—I guess they’re you, in your small way, trying to psych out the here-gone-ness of life, or maybe they’re about the awareness that comes after a certain age of inevitable grief hovering nearby. Or maybe they’re just about wanting to be good, even in death. Avoiding humiliation even when you’re stone-cold gone. I don’t know. But what I do know, what I’ve thought about since that day, is that it was always me I imagined suddenly missing. I never imagined finding anyone else’s pill bottles or the slippers that had formed to their feet, now ditched under the bed. I didn’t think about discovering someone else’s breakfast dishes or the change from their pocket left out on the dresser, their presence sitting right next to their absence.

That morning, well, the objects around me have no more significance than they did the day before. It seems wrong, doesn’t it? His reading glasses on the nightstand don’t send me some big message. His water glass doesn’t tell me the things I should know. I’d been dreaming—I was up high somewhere and I was scared and there was some kind of pounding noise, but when I open my eyes, I realize it’s a dream trick and that the sound is real. It’s outside my window. Our boat must have gotten loose or something, and it’s banging against the dock.

I lie there, catching up to the facts of my life as one does before first getting up, looking at the white of the curtains and trying to guess what the weather’s like. Dim white, likely cloudy. In Seattle, cloudy is a good prediction no matter what the season. I don’t check to see whether he’s there next to me or not. I guess I just assume he’s there, because it’s still early. We have one of those astronaut-foam-type mattresses, where you can thrash around and the other person won’t even notice. I think the advertisement shows a glass of water, which sits still and undisturbed on the bed in spite of some guy jumping next to it. Anyway, the dog can get up there, and you won’t even know it until you open your eyes and find him staring right at you.

I roll over. I’m trying to remember as best as I can. I recall expecting to see the hill of his shoulders turned away from me, his tidy black hair on the pillow. But I see only the empty bed next to me. Wide, empty, glorious space, and I stretch my legs over to his side and I’m happy about it, that space. I listen, trying to determine if he’s home. There’s that stupid banging, but the house seems still. Maybe he went for a run, or to work, even though it’s Sunday, which wouldn’t be unusual. Yeah: I realize there are no footsteps, or the sound of the toaster lever being pushed down, or the hum of television voices. He’s likely gone, and I’m relieved. I’m sure I’m not the only wife who feels that—the small relief at his absence. I love him very much, I do; but the house to yourself . . . No need for conversation or company or the press of his presence . . . Ah—coffee in bed, the thrill of aloneness, and a couple of Oreos on a paper towel for breakfast—bliss.

But first there’s that banging.

I get up and walk downstairs. God, I feel it then, the banging in my own head, a nasty throb from too much wine at that horrible party the night before. BetterWorks, Ian’s software company, had released a new product, something that would change the way we share large video files. I don’t really know the details. I should, but I don’t. I want to understand it all, but my mind has its own instant off switch that’s tripped by lengthy explanations, instruction manuals, and rules to board games read aloud. I have a college education, but, I swear, the minute someone wants to enlighten me about how a fax works or how to play hearts, the mental doors slam shut.

The party was one of those swanky affairs, held in the beautiful lobby of the BetterWorks offices on Queen Anne Hill. The night was all shiny black behind those high, high glass windows, and the city sparkled below us. The Space Needle was right there, in all its George Jetson–­Tomorrowland glory. Ian’s partner, Nathan Benjamin, was at the party, and I like Nathan. I liked him even before I met him years ago, because he has those two first names, which makes him sound friendly. But the room was full of other people, too, of course—programmers and project managers and investors and investors’ wives, eating fancy little foods off tiny napkins and making witty conversation, and later in the evening the party spilled over to the wide, damp lawn of Kerry Park, which lays adjacent to BetterWorks. All night I pretended not to be shy, even though I’d rather have been home eating popcorn...

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