The Memory of Blood (Bryant & May: Peculiar Crimes Unit Mystery, 9) - Softcover

Buch 9 von 18: Peculiar Crimes Unit

Fowler, Christopher

 
9780345528643: The Memory of Blood (Bryant & May: Peculiar Crimes Unit Mystery, 9)
Softcover
ISBN 10: 0345528646 ISBN 13: 9780345528643
Verlag: BANTAM TRADE, 2013

Inhaltsangabe

Christopher Fowler’s acclaimed Peculiar Crimes Unit novels crackle with sly wit, lively suspense, and twists as chilling as London’s fog. Now the indomitable duo of Arthur Bryant and John May, along with the rest of their quirky team, return to solve a confounding case with dark ties to the British theater and a killer who may mean curtains for all involved.

For the crew of the New Strand Theatre, the play The Two Murderers seems less performance than prophecy when a cast party ends in the shocking death of the theater owner’s son. The crime scene is most unusual, even for Bryant and May. In a locked bedroom without any trace of fingerprints or blood, the only sign of disturbance is a gruesome life-size puppet of Mr. Punch laying on the floor. Everyone at the party is a suspect, including the corrupt producer, the rakish male lead, the dour set designer, and the assistant stage manager, who is the wild daughter of a prominent government official.

It’s this last fact that threatens the Peculiar Crimes Unit’s investigation, as the government’s Home Office, wary of the team’s eccentric methods, seeks to throw them off the case. But the nimble minds of Bryant and May are not so easily deterred. Delving into the history of the London theater and the disturbing origins of Punch and Judy, the detectives race to find the maniacal killer before he reaches his even deadlier final act. 

Whip-smart and endlessly entertaining, The Memory of Blood is an ingeniously intricate mystery from the deliciously inventive Christopher Fowler.

Praise for The Memory of Blood
 
“[The Memory of Blood] breathes new life into the locked-room mystery. . . . Spiced with a little screwball-comedy dialogue and a touch of the occult.”—The Washington Post
 
“Great fun.”—The Seattle Times

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Über die Autorin bzw. den Autor

Christopher Fowler was the acclaimed author of the award-winning Peculiar Crimes Unit mysteries: Full Dark House, The Water Room, Seventy-Seven Clocks, Ten Second Staircase, White Corridor, The Victoria Vanishes, Bryant & May on the Loose, Bryant & May off the Rails, The Memory of Blood, The Invisible Code, Bryant & May and the Bleeding Heart, Bryant & May and the Burning Man, Bryant & May: Strange Tide, Bryant & May: Wild Chamber, Bryant & May: Hall of Mirrors, Bryant & May: The Lonely Hour, Bryant & May: Oranges & Lemons, Bryant & May: London Bridge Is Falling Down, and Bryant & May: Peculiar London. In 2015 Fowler won the coveted Crime Writers’ Association Dagger in the Library Award in recognition for his body of work. Christopher Fowler died in 2023.

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ONE

Chamber of Horrors

Arthur Bryant stood there pretending not to shiver.

He was tightly wrapped in a 1951 Festival of Britain scarf, with a Bloody Mary in one hand and a ketchup-crusted cocktail sausage in the other. Above his head, a withered yellow corpse hung inside a rusting gibbet iron.

'Well,' he said, 'this is nice, isn't it?'

His partner, John May, was not so consoled. The great chamber was freezing. Rain was pattering into an array of galvanised buckets. The smell of mildewed brickwork assailed his nostrils. A few feet behind him, the Witchfinder General Matthew Hopkins was stabbing a thin- bladed knife into a screaming priest, looking for the marks of the Devil. On the other side of the detectives stood a torture rack and several members of the Spanish Inquisition clad in crimson robes, armed with flaming brands and scourges.

'You could have made an effort and put on a clean jacket, instead of that ratty old overcoat,' said May. 'You look like a character from Toad of Toad Hall.'

'This is Harris Tweed,' said Bryant, fingering a frayed hole in his soup-stained sleeve. 'It was handed down to me by my grandfather.'

'Was that before or after he passed away?'

'Funny you should say that. He died in it. Gave himself a heart attack trying to get the lid off a jar of gherkins. My grandmother thought it was a pity to waste good fabric.'

A distorted tape loop of chanting monks began to play once more from hidden speakers, adding to the chamber's pervasive gloom.

May sighed. 'Of all the things you've put our Unit through over the years, this has to be the strangest. Hosting a cocktail party in a house of horrors in order to catch a murderer. If you ever say a word about it in your memoirs, I'll kill you.'

'I didn't hear any better ideas from you,' Bryant reminded him cheerfully. 'This is absolutely our last chance to break the case. At midnight we'll be forced to unlock the doors and we'll lose everything, unless we can flush him out in the next hour. Keep your eyes peeled for anything unusual.'

May looked around at the kidnapped party guests, most of whom were glumly wedged between rotting corpses. 'Unusual,' he repeated, trying not to lose his temper.

Bryant sucked the celery stick from his Bloody Mary thoughtfully. Somewhere above the stalactite-spiked arches of London Bridge station a train rumbled. The bricks trembled and soot sifted down. The shunting mingled with the thunder outside. Rain was pouring under the front door and pooling around the sodden shoes of the guests, all of whom were underdressed for the occasion. In the silences between rain, thunder and trains, May saw the group's breath condensing and imagined he could hear their teeth chattering. A waitress passed them, bearing a tray of bloody eyeballs on sticks. On closer inspection, these turned out to be dyed pickled onions.

'Masks,' said Bryant, apropos of nothing.

May turned to him. 'Explain?'

'They're all wearing masks. Look at them all nodding and drinking.' He waved his sausage at the partygoers. 'You wouldn't think we had to bring them here under sufferance and lock them in. They were as jumpy as cats when they arrived, but they're attempting to pretend that everything's normal. Middle-class people with upper-middle incomes. They come alive at parties, no matter how strange the circumstances. They discuss house prices and holidays and restaurants, and give opinions on the plays they've seen. But after all that's happened in the last seven days, they know they've been brought here for another reason. What do you think is happening behind those forced smiles?'

'I imagine they're morbidly curious, the way people are about watching traffic accidents.'

'But they're careful to keep up the illusion of appearing unconcerned. An interesting phenomenon, isn't it?'

'That's the English for you,' said May, studying the gathered guests. 'We're great pretenders.'

'Yes, an odd mixture of exaggerated politeness and thoughtless cruelty. The true mark of English conversation is not being able to tell when you've been insulted. I think the more sophisticated society becomes, the more it hides behind the masks it manufactures.'

'Do we have to discuss this now, Arthur? We're on a bit of a deadline here.'

Bryant ignored his partner. 'It's just that we seem to be so good at hypocrisy. I always think when an Englishman says "We really must get together soon," he's telling you to piss off. We bury ourselves so deeply inside complex personas that it's amazing we remember who we really are. Which makes this room, for example, very hard to read. You know me, I don't play those games. I prefer honesty.'

'Yes, but you're downright rude to people,' retorted May. 'And I do know you. It's a class thing. This lot make you feel uncomfortable. You're from a working-class background. Your mother cleaned cinemas for a living. You hate the idea that one of the guests might get the better of you tonight.'

'No,' said Bryant firmly. 'I hate the idea that one of them thinks they can get away with murder.'

'Well, our legal priority over the investigation ends in exactly'-here May checked his classic Timex-'fifty-five minutes. You're cutting it a tad fine.'

'I know. We have to watch for the smallest signs, an odd look, any betrayal of emotion that might cause one of them to give the game away.'

'Arthur, an odd look isn't going to secure a conviction. We need concrete evidence before the clock strikes twelve.'

'Well, whose idea of a shindig was this?' said a tipsy blond woman in a tight black Lycra dress that had made her tanned breasts rise like golden loaves. She turned her attention to May while ignoring his partner. It was her habit to only address men she found useful or attractive, a trait that made her thoroughly unlikeable.

'How did you get in?' asked Bryant. 'This is a private party. No riffraff allowed.'

Rudeness had no effect on Janet Ramsey. As the editor of Hard News, the capital's gossip daily, she was used to having the door metaphorically slammed in her face. 'Actually, Uncle Fester, I'm here as a guest,' she rejoined airily. 'And you're up to something. I can smell it. I can see it on that old tortoise face of yours.'

'I'm surprised you can see anything through that face-lift,' Bryant harrumphed. 'If you print a single word about this, I'll send so many uniforms around to your office it'll look like you're staging The Pirates of Penzance.'

Ramsey gave him a blank look.

'There are a lot of policemen in The Pirates of Penzance,' May explained to her.

'I don't know why you hang around with Rip Van Winkle here,' said Ramsey, walking frosted fingernails up May's lapel. 'He's holding you back, John. He always has. Tell me the truth. Give an old newspaper gal a break. What's this party all about? Why are the guests locked in? Why does everyone look so anxious? What exactly are you two up to?'

'You wouldn't believe me if I told you, Janet.'

'I recognise some of the people in this room.' She narrowed her false eyelashes at the assembly. 'This wouldn't have anything to do with the murders your Unit has been investigating, would it?'

'You can't print conjecture,' May warned.

'I see the time has come to let you in on our little secret,' said Bryant, trying not to grimace as he took Ramsey's arm. 'Come with me and I promise all will be revealed.'

Ramsey knew she couldn't trust Bryant, but her curiosity got the better of her. She stumbled after him, into the chill shadows of the cobwebbed chamber. There was a short silence followed by a yelp and a clang of metal, and Bryant came back alone.

'What did you do?' asked May. 'Where's Janet?'

'I think I managed to spike her story,' he said cheerfully. 'I shut her in the Iron...

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Verlag
BANTAM TRADE
Erscheinungsdatum
2013
Sprache
Englisch
ISBN 10 
0345528646
ISBN 13 
9780345528643
Einband
Taschenbuch
Anzahl der Seiten
349
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
preigu
mail@preigu.de

Lengericher Landstr. 19
Osnabrück
49078
Deutschland

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Softcover