Deception: An Alex Delaware Novel - Softcover

Buch 25 von 41: Alex Delaware

Kellerman, Jonathan

 
9780345505682: Deception: An Alex Delaware Novel
Softcover
ISBN 10: 0345505689 ISBN 13: 9780345505682
Verlag: Ballantine Books, 2011

Inhaltsangabe

Her name is Elise Freeman, and her chilling cry for help comes too late to save her. On a DVD found near her lifeless body, the emotionally and physically battered woman chronicles a long ordeal of abuse at the hands of three sadistic tormentors. But even more shocking is the revelation that the offenders, like their victim, are teachers at one of L.A.’s most prestigious prep schools. Homicide detective Milo Sturgis is assigned to probe the hallowed halls of Windsor Prep Academy, and if ever he could use Dr. Alex Delaware’s psychological prowess, it’s now. As the scandal-conscious elite close ranks around Windsor Prep, Alex and Milo push to expose the dirty secrets festering among society’s manor-born. But while searching for predators among the privileged, Alex and Milo may be walking into a highly polished death trap.

 Don’t miss the sneak peek of Jonathan Kellerman’s new novel, Mystery, inside.

Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.

Über die Autorin bzw. den Autor

Jonathan Kellerman is the #1 New York Times bestselling author of more than three dozen bestselling crime novels, including the Alex Delaware series, The Butcher’s Theater, Billy Straight, The Conspiracy Club, Twisted, and True Detectives. With his wife, bestselling novelist Faye Kellerman, he co-authored Double Homicide and Capital Crimes. With his son, bestselling novelist Jesse Kellerman, he co-authored the first book of a new series, The Golem of Hollywood. He is also the author of two children’s books and numerous nonfiction works, including Savage Spawn: Reflections on Violent Children and With Strings Attached: The Art and Beauty of Vintage Guitars. He has won the Goldwyn, Edgar, and Anthony awards and has been nominated for a Shamus Award. Jonathan and Faye Kellerman live in California, New Mexico, and New York.

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 The woman had haunted eyes.
 Pale, drooping at the outer edges, they stared into theunseen camera with an odd combination of defiance and defeat.

 She didn't move. Neither did the camera. The wall behindher was brown-blue, the color of an old bruise. The couch on which she perchedwas gray. She was a pretty woman, made less so by fear. Her shoulders werebunched high, her neck tendons taut as bridge cables. A black, sleeveless dressshowcased soft white arms. Too-blond hair fell limply to her shoulders.

 Moments passed. Nothing happened. In another situation Imight've cracked wise about it being one of Andy Warhol's old anti-films:interminable, static studies of the Empire State Building, a man sleeping.

When a homicide lieutenant brings you something to watch,you keep your mouth shut.

Milo stood behind me. His black hair and raincoat wererumpled. The coat was cheap, green, wrinkled past the point of salvation. Itgave off a not unpleasant vegetative odor. He'd placed a massive breakfastburrito in a take-out box on my desk, hadn't touched it.

 When he drops in, he usually beelines for the fridge,empties a quart of something, raids the shelves for bad carbs. This morning,he'd marched to my office, loaded the DVD with a flourish.

"For your consideration."

 Blanche, my little French bulldog, sat next to me,uncharacteristically serious. She'd tried her usual smile, had figured outsomething was different when Milo didn't stoop to pet her.

 I rubbed her knobby head. She looked up at me, returnedher attention to the monitor.

 The woman's lips moved.

Milo said, "Here we go."

 More silence on the screen.

"So I lied."

The woman said, "My name is Elise Freeman. I'm ateacher and tutor at Windsor Preparatory Academy in Brentwood." Her voicewas throaty. She knotted her fingers, flopped them onto her lap. "I'mmaking this recording to document sustained abuse I have received at the handsof faculty members at Windsor Preparatory Academy in Brentwood. Which I willhereon refer to as Prep."

Deep breath. "For the past two years at Prep, I havebeen subjected to repeated, unwarranted, aggressive, and distressing sexualharassment from three individuals. Their names are." Her right hand rose.A finger pointed upward. "Enrico Hauer. H-A-U-E-R." Two fingers:"James Winterthorn." More slow, enunciated spelling, then a trio ofdigits. "Pat Skaggs."

 The hand dropped. "For the past two years EnricoHauer, James Winterthorn, and Pat Skaggs have made my life a living hell byengaging in brutal, unsolicited, and threatening sexual behavior. I am makingthis recording so that in the event something violent happens to me, theauthorities will know where to look. I do not know what else to do as I feeltrapped and frightened and have nowhere to turn. I hope this recording neverneeds to come to light but if it does, I am glad that I made it."

Her eyes clenched shut. Her lips moved soundlessly andshe slumped. Suddenly her jaw jutted and she was sitting up straight. Moredefiance than defeat.

Staring hard at the camera. "Thanks forlistening."

 The screen went blue. Milo said, "Talk about a D-movieplot device."

 I said, "But you're here. She was murdered?"

"Maybe. She's on ice."

"Backlog at the coroner?"

 His laughter was harsh. "Nope, this morning I'm Mr.Literal. Ice of the dry sort. Frozen CO2. She was found in her home, lying in abathtub full of the stuff."

I tried to picture the blond woman as a frozen corpse, didn'tlike the image that flashed in my head, and reverted to Doctor Helpful."Someone trying to mess up the time-of-death estimate? Or maybe apsychopath coming up with a new way to showcase his handiwork."

 He winced, as if all contingencies were painful. Removingthe disc, he slipped it back into a clear plastic jewel box. Not bothering toglove up; the DVD had already been printed, matched only to Elise Freeman.

 I said, "Where are you going with this?"

He rotated his neck. "Got coffee? Maybe sometoast?"

Chapter Two 

  We left myhouse with black coffee in travel-cups and six slices of lavishly butteredsesame-rye.

 When Milo wants to think, phone, text, or sleep hesometimes asks me to do the driving. It's against LAPD regs but so are lots ofthings. He makes up for my mileage cost with bar tabs and such.

 The toast was occupying his attention so I offered totake my Seville. He shook his head, scattering crumbs, continued to his latestunmarked, a bronze Chevy Malibu with a phlegmy ignition. Heading north onBeverly Glen, he steered with one hand, stuffed rye bread into his mouth withthe other.

The police radio was switched off. The burrito rested inthe backseat and filled the car with eau de frijole.

 He said, "In answer to your question, toomessy."

"That was low on my list of questions. Where are wegoing?"

 "Where she died, Studio City."

"Not a West L.A. case but you're on it."

 "Not an official homicide but I'm on it."

The difference between an experienced psychologist and anovice is knowing when not to speak.

I sat back and drank coffee.

 Milo said, "Maybe there'll be a microwave and I canheat up the burrito."

 Elise Freeman had resided in a green-sided, tar-roofedbungalow on a spidery, tree-shaded lane east of Laurel Canyon and north ofVentura Boulevard. Close enough to the thoroughfare to hear Valley traffic, butmature vegetation and larger houses blocked any urban visuals.

 The little green box sat at the terminus of a long dirtdriveway split by a strip of concrete. A gray sedan was parked near the frontdoor. Full-sized car but not big enough to hide the bungalow's blemishes as wedrew close: worn and ragged siding eroded to raw wood in patches, curlingshingles, a noticeable listing to the right due to a sinking foundation.

No crime scene tape that I could see, no uniforms onwatch.

 I said, "When was she found?"

 "Last night by her boyfriend. He says he talked toher on the phone three days ago but after that, she stopped returning hiscalls. A forty-eight-hour time frame fits the coroner's TOD guesstimate.Probably at the tail end-early morning. Apparently, dry ice doesn't melt, itsublimates-goes straight into the atmosphere-so there's no water residue forestimating degradation. In an ice chest, the rate of sublimation is five to tenpounds every twenty-four hours, but it's faster under normal roomtemperature."

 "Any empty ice bags left behind?"

 "Nope. Exactly."

 Someone had cleaned up.

 "The scene's still intact?"

He scowled. "I never got a chance to see the scenebecause my involvement began at five thirty a.m. today when Deputy ChiefWeinberg woke me from a rare good dream. The DVD, the key to the house, and what'spassing for a file were messengered to my house ten minutes later."

"High intrigue and an egregious break inprocedure," I said. "Sounds like orders from on high."

 He continued slowly up the drive, checking out thesurroundings. Layers of greenery to the left, a two-story Colonial mansion tothe right. The big house was wood-sided like the bungalow, but what I could seeof it was painted white and adorned with black shutters. It sat on a generouslot partitioned from Freeman's skimpy ribbon of real estate by a ten-footstucco fence topped with used brick. Bougainvillea topped areas of brick,amping up the privacy quotient on both sides.

 The smaller structure might've begun life as anoutbuilding of the manse, back when multi-acre estates spread across Valleyhillsides. A guesthouse, servant's quarters, maybe tack storage for one of thecowboy actors...

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Verlag
Ballantine Books
Erscheinungsdatum
2011
Sprache
Englisch
ISBN 10 
0345505689
ISBN 13 
9780345505682
Einband
Taschenbuch
Anzahl der Seiten
384
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
Buchbär
info@buchbaer.de

Weberstr. 67
Osnabrück
49084
Deutschland

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