In the conclusion of The Vanished Child trilogy, Count AndrT de Monde, the owner of a famous Parisian horror theater, marries a beautiful young heiress, but their marriage is threatened by the count's dark suspicions about his wife and by the escalating violence and horror that torments his Grand Necropolitan Theater.
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Sarah Smith has lived in Japan, London, and Paris. A Harvard Ph.D., she has taught film and eighteenth-century literature, and she now writes and designs documentation for advanced computer products. She is also the author of the New York Times Notable Books The Vanished Child and The Knowledge of Water. Ms. Smith lives near Boston, Massachusetts, with her husband and children and their twenty-two-pound Maine coon cat.
ng," raved the New York Times of Sarah Smith's first novel, The Vanished Child. USA Today called her second book, The Knowledge of Water, "as satisfying a mystery as the Mona Lisa's smile." Now the bestselling author of two New York Times Notable Books has created a new, intricately plotted story of intrigue, passion, love, and the most terrible of betrayals.
"My wife will murder me unless I murder her first."
In the ancient, bloody region of French Flanders looms Montfort castle, home of Count André du Monde, owner of a famous Paris horror theatre. To repair his fortunes, he marries an heiress. Sabine is young, blameless, beautiful, and rich, a perfect leading lady for André's first film--but the eccentric count suspects his wife is a practicing sorceress.
Then the Grand Necropolitan Theatre is suddenly stricken with disasters: an unexpected death, a puzzling disappearance, and the savage beating of lead actor Jules Fauchard.&l
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