Photographically Speaking is a practical primer on visual language. The overarching question at the heart of this book is, What makes a good photograph? Why is this important? Because once a photographer understands what makes a good photograph--once he or she learns the visual language--then that photographer is well on their way to being able to speak that language, creating stronger images that communicate and connect their intention with the viewer.
The discussion about visual language is profoundly pragmatic and useful, but for too long the books that discuss it have been considered academic, esoteric, and difficult. Here, duChemin writes in an approachable, comfortable, and inspiring way, translating this seemingly difficult conversation into something that the bulk of photography students can understand and then actually put to use in order to make good photographs.
The first part of the book puts this entire conversation in context, then the second part digs in to discuss the elements of visual language--from lines and shapes to color, depth of field, composition, and exposure--and its devices. The third part brings it all together in a discussion of 20 images, and the elements and decisions that went into their creation, all written with the understanding that if photography students begin to understand photographs more consciously, they will be better equipped to use their gear and techniques in the intentional creation of more compelling photographs.
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An assignment photographer specializing in humanitarian projects and world photography, David duChemin has been creating compelling stories with a camera in hand for over twenty years. A passionate contributor to the international photography community, duChemin's first book, Within the Frame: The Journey of Photographic Vision, received worldwide acclaim for its vision, passion, and depth. David has shot on five continents for assignments and projects covering places as diverse as Paris, Haiti, Dominican Republic, Ecuador, Peru, Ethiopia, Democratic Republic of Congo, Malawi, Rwanda, Uganda, India, Nepal, and Mongolia. Find David online at Pixelatedimage.com.
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Paperback. Zustand: Very Good. Voices That Matter. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Artikel-Nr. 0321750446-11-1
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Oversized Paperback. Zustand: Very Good - Cash. Light reader wear and rubbing to the edges, corners, covers, and pages. The book is in great condition! Stock photos may not look exactly like the book. Artikel-Nr. 1228874
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Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. When looking at a photograph, too often a conversation startsand, unfortunately, endswith a statement such as, I like it. The logical next question, Why?, often goes unasked and unanswered. As photographers, we frequently have difficulty speaking about images because, frankly, we dont know how to think about them. And if we dont know how to think about a photograph and its visual language how an image is constructed, how it works, and why it worksthen, when were behind the camera, are we really making images that best communicate our vision, our original intent? Visioncrucial as it isis not the ultimate goal of photography; expression is the goal. And to best express ourselves, it is necessary to learn and use the grammar and vocabulary of the visual language.Photographically Speaking is about learning photographys visual language to better speak to why and how a photograph succeeds, and in turn to consciously use that visual language in the creation of our own photographs, making us stronger photographers who are able to fully express and communicate our vision. By breaking up the visual language into two main componentselements make up its vocabulary, and decisions are its grammarDavid duChemin transforms what has traditionally been esoteric and difficult subject matter into an accessible and practical discussion that photographers can immediately use to improve their craft. Elements are the words of the image, what we place within the framelines, curves, light, color, contrast. Decisions are the choices we make in assembling those elements to best express and communicate our visionthe use of framing, perspective, point of view, balance, focus, exposure.All content within the frame has meaning, and duChemin establishes that photographers must consciously and deliberately choose the elements that go within their frame and make the decisions about how that frame is constructed and presented. In the second half of the book, duChemin applies this methodology to his own craft, as he explores the visual language in 20 of his own images, discussing how the intentional choices of elements and decisions that went into their creation contribute to their success. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR005686988
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Zustand: Sehr gut. XV, 254 S., zahlr. fotogr. Farbabbild., 24 cm x 20 cm. English edition. farb. ill. brosch. Eb., Kanten minimal berieben u. eine Ecke marginal bestossen, ansonsten sehr guter Zustand. Unzugeordnet Altersfreigabe FSK ab 0 Jahre Sprache: Englisch Gewicht in Gramm: 800. Artikel-Nr. 6540425
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