Filled with humor, raw emotion, a strong voice, and a brilliant dog named Sandy Koufax, When You Were Here explores the two most powerful forces known to man-death and love. Daisy Whitney brings her characters to life with a deft touch and resonating authenticity.
Danny's mother lost her five-year battle with cancer three weeks before his graduation-the one day that she was hanging on to see.
Now Danny is left alone, with only his memories, his dog, and his heart-breaking ex-girlfriend for company. He doesn't know how to figure out what to do with her estate, what to say for his Valedictorian speech, let alone how to live or be happy anymore.
When he gets a letter from his mom's property manager in Tokyo, where she had been going for treatment, it shows a side of a side of his mother he never knew. So, with no other sense of direction, Danny travels to Tokyo to connect with his mother's memory and make sense of her final months, which seemed filled with more joy than Danny ever knew. There, among the cherry blossoms, temples, and crowds, and with the help of an almost-but-definitely-not Harajuku girl, he begins to see how it may not have been ancient magic or mystical treatment that kept his mother going. Perhaps, the secret of how to live lies in how she died.
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Daisy Whitney reports on television, media and advertising for a range of news outlets. She graduated from Brown University and lives in San Francisco, California, with her fabulous husband, fantastic kids, and adorable dogs. Daisy believes in karma and that nearly every outfit is improved with a splash of color. She is the author of The Mockingbirds novels and StarryNights. Daisy invites you to follow her online at DaisyWhitney.com.
When someone you love has died, there is a certain grace period during which you can get away with murder. Not literal murder, but pretty much anything else.
So I’m leaving the school parking lot on the second to last day of my senior year, and I’m driving down Montana Avenue, and this red Mazda Miata cuts me off.
I ignore the Miata. But a few blocks later, I turn onto my street and notice a silver Nissan. No one’s in it; the car is just parked on the side of the road, hanging maybe a few inches into my driveway, and I have nothing against this car, or against the car’s owner, but I am tired of everyone being gone, and I am tired of everything that has tired me out for the last five years of my life. Besides, when making decisions, my mom always said: At the end of my life, when I’m looking back, will I regret not doing this? Fine, she was usually talking about traveling to Italy or taking me out of school to surf one afternoon. Still, I’m pretty sure I’m not going to regret hitting this car for no reason, so I bang into it one, two, three, four, five, six times, each hit radiating under my skin, jump-starting me like paddles to shock the system.
It works for a few seconds. I feel a spark inside me, like a match has been lit in a darkened cave. But then it’s snuffed out and I’m back to the way I was before.
I shift into reverse, and my car’s fender makes this annoying scratching sound as it drags against the road. I pull into my driveway, and I get out of my car. I walk around to the front, and the fender is dangling down to the ground, and it looks like the engine might be smoking, but I don’t feel like dealing because dealing requires too much energy, and energy is what I lack. I head inside, toss the keys on the table by the door, and flop down onto the couch.
My dog, Sandy Koufax, joins me, curling up with her head on my knee. As I rub Sandy Koufax’s ears, I wonder briefly if they will send me to anger-management class or something, but there’s no they to send me away. Sure, there’s Kate, my mom’s best friend, but she won’t. The other theys are all gone. My mom died two months ago, my dad was killed in an accident six years ago, and my sister, Laini, is in China trying to rediscover her roots, something I don’t get, but then again I don’t get a lot about my sister because we don’t have a lot in common, least of all genes. She is adopted from China, and I am a white boy, as she likes to say when she deigns to speak to me.
I put my arms behind my head and consider—what else can I get away with? Is there a statute of limitations on how long you can have a free pass after your mom dies? Because smashing that car is the only thing that’s made me feel in weeks.
I glance at the empty pizza box on the coffee table and pull it toward me with my foot to see if there might still be a slice in it. I notice Sandy Koufax watching my foot, then the box.
“Sandy Koufax, did you finish the pizza?”
She says nothing. Just tilts her sleek black head to the side.
“Well, can you call and order another one?”
She puts one of her white paws on my chest.
The phone rings. I stretch out my arm over to the coffee table, grab the phone, and answer. Mrs. Callahan from next door wants to know if I am all right. No, I am not all right, I want to say. Have you been to my house? Have you seen how empty it is?
“Yup,” I tell her as I flip through the mail: some notices from UCLA, where I’m going in the fall, a bill from Terra Linda High about the cost of my cap and gown. I have to give the valedictory speech in a few days. I toss that envelope away. It crash-lands on the cool, white tiles on the other side of the coffee table where I can’t see it anymore. Looking at it reminds me of what’s missing from graduation. Because my graduation was the one thing my mom wanted most to see. It was her carrot, the thing she was holding on for. I will be there, and I will take pictures, and I will be cheering and crying, and it’ll be my last hurrah.
Mrs. Callahan asks more questions about the accident, as she calls it. Not once does she say it was my fault. Not once does she ask if I rammed my car into another car.
“Do you need anything?” she asks.
A mom. A dad. Someone. Anyone. Can you arrange for that?
“Nah, I’m good.”
Thirty minutes later Kate comes by. I know it’s her from the repeated banging—her signature lately. Who says the Internet is changing how we communicate? We don’t need the Internet. We have a town crier right here in Santa Monica, and her name is Mrs. Callahan—she must have told Kate.
I open the door for Kate, and she is pissed. I guess my statute of limitations has run out with her.
“I know you hit that car on purpose, Danny,” she says, and her voice is loud. She is supposed to be my surrogate mom now or something. She played that role a few times the last couple years, like when my mom was at one of her treatments. My mom wasn’t down for the count often, though. She was tough; she tried hard to get well. You don’t hang on for five years unless you want to live. She wanted to live so badly, she visited Mexico and Greece and Japan many times, seeking out Western doctors and then Eastern medicine and then anything to try to live. But she came up two months short of her goal. Sixty lousy days. Kate’s her best friend and has been since they went to college together. Kate also happens to be the mother of the girl I lost my virginity to. The girl who was mine for three perfect months last summer, and who then left my life without a reason, with barely a call.
Holland.
The most incredible and the most vexing person I know. It is unspoken, but deeply understood, that Kate and I don’t discuss her daughter. If we were to talk about Holland, I’d never be able to talk to Kate about anything else.
I shrug. “So?”
“Why did you hit a car on purpose, Danny?”
Kate is a tiny person. She’s maybe five feet tall, but she’s a pit bull, and the muscles on her arms are sick. She works out every day, which is not unusual in Los Angeles, granted, but it’s where she works out that’s telling. She works out at Animal House, which is this very macho, very old, very broken-down gym without air-conditioning. The clientele is mostly Arnold Wannabes and guys just out of jail.
“I don’t know.” I walk to the sliding-glass door and open it. Kate follows me. Sandy Koufax does too, then noses a Frisbee on the grass. I pick it up. It has teeth marks etched along the surface. It’s purple and says FIGHT CANCER. A lot of good that did. I throw it far into the yard, around the edge of the pool. Sandy Koufax is like a rocket—she chases it, catches up to it, leaps and grabs.
This dog might be the definition of perfect.
“So you did hit it on purpose?”
“Define on...
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