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Paint It Black: A Novel - Hardcover

Fitch, Janet

 
9780316182744: Paint It Black: A Novel

Inhaltsangabe

From the bestselling author of White Oleander, a powerful story of passion, first love, and a young woman's search for a true world in the aftermath of loss.

Josie Tyrell, art model, teen runaway, and denizen of LA's 1980 punk rock scene, finds a chance at real love with art student Michael Faraday. A Harvard dropout and son of a renowned pianist, Michael introduces her to his spiritual quest and a world of sophistication she had never dreamed existed. But when she receives a call from the Los Angeles County Coroner, asking her to identify her lover's dead body, her bright dreams all turn to black.

"What happens to a dream when the dreamer is gone?" is the central question of PAINT IT BLACK, the story of the aftermath of Michael's death, and Josie's struggle to hold onto the true world he shared with her. As Josie searches for the key to understanding his death, she finds herself both repelled and attracted to Michael's pianist mother, Meredith, who holds Josie responsible for her son's torment. Soon, the two women find themselves drawn into a twisted relationship reflecting equal parts distrust and blind need.

Passionate, wounded, fiercely alive, Josie Tyrell walks the brink of her own destruction as she fights to discover the meaning of Michael's death. With the luxurious prose and emotional intensity that are her hallmarks, Janet Fitch has written a spellbinding new novel about love, betrayal, and the possibility of transcendence.

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Über die Autorin bzw. den Autor

Janet Fitch's first novel, White Oleander, a #1 bestseller and Oprah's Book Club selection, has been translated into 24 languages and was made into a feature film. A native of Los Angeles, Fitch currently teaches fiction writing in the Master of Professional Writing Program at the University of Southern California.

Rezensionen

Starred Review. Fitch follows her bestselling debut, White Oleander, by revisiting the insidious effects of a powerful, narcissistic mother on an only child. Michael Faraday is a Harvard dropout who paints in the L.A. art world of 1981; his suicide happens a few pages in, and sets the stage for a Fitch's masterful shifts in time and perspective. Josie Tyrell, an artist's model and denizen of the punk rock, had an intense relationship with Michael, but never managed to free him from his mother, renowned concert pianist Meredith Loewy, who moves in a bleak, loveless world of wealth and privilege. Yet their very different loves for Michael bring about a surprising alliance between the imperious Meredith and Josie, a white trash escapee whose inborn grace, style and sense of self sustain her—along with art, music and alcohol. The two find unexpected comfort in each other's shared loss, allowing Fitch to contrast the inner and outer resources of women whose lives couldn't be more different, and to flash back deeply into their histories. Fitch excels at painting a negative personality with sure-handed depth and fairness, and her prose penetrates the inner lives of the two with immediacy and bite. In Josie, she has created an indomitable young woman whose pluck and growing self-awareness beautifully offset Meredith's emptiness. Their relationship transforms a big cliché—the artist's suicide—into a page-turning psychodrama. (Sept.)
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Critics can't help comparing Janet Fitch's highly anticipated second novel with her best-selling debut and Oprah's Book Club selection, White Oleander (1999). Comparisons seem apt; both novels feature an intriguing young woman dealt a bad hand; vivid portraits of Los Angeles; depressing themes; and raw, lush writing. However, the similarities end here, since reviewers agree that Paint It Black almost—but perhaps not quite—measures up to White Oleander. Fitch does an admirable job of exploring Michael's questioning of his life, Josie's despair, and the pair's ambivalent relationship with his domineering mother. Most lauded Fitch's exceptional depiction of the city's "high" and "low" life. A few critics cited sagging plots and poor secondary character development. In the end, however, Paint It Black exhibits Fitch's ample talents.

Copyright © 2004 Phillips & Nelson Media, Inc.



Set in 1980s Los Angeles, Fitch's follow-up to the Oprah selection White Oleander (1999) opens with Josie Tyrell receiving a devastating call informing her that the body of her boyfriend, Michael Faraday, has been found in a hotel room. Josie can't understand why Michael would take his own life; in her eyes, their relationship had been perfect. Michael's wealthy mother, Meredith, a concert pianist, believes the blame for her son's death rests on his lower-class, art-model girlfriend. She chases Josie from the funeral, then seeks her out days later, helplessly drawn to the last person her son was close to. Josie resents Meredith's disdain, but is similarly curious about the woman who raised Michael. An unlikely pair, Josie and Meredith circle each other warily until Meredith decides to remake Josie in her image, possibly at the expense of Josie's identity. Layered and piercing, Fitch's second outing explores the many levels of grief and sets up an unexpected recovery in a tale certain to please Fitch's countless fans. Kristine Huntley
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